M2Tech is seen here showcasing the new Joplin ADC which can convert analog signals to anything up to 32/384. You can convert line level inputs and there is also a built in phono stage with 16 preset EQs built in for compatibility with various manufacturers. Price is $2,499 and there are AES/EBU, SPDIF, Toslink and USB outputs. There is also a single SPDIF input.
Arriving in the US next month, the new Cambridge follow-up to the 751BD has a retail price of $1299. Arcam's Dan Poulton was quick to point out that though it has a similar feature set (most disc formats supported as well as streaming services), this is not just an Oppo in a Cambridge box.
Audio is upsampled to 24/192 using Cambridge's Adaptive Time Filtering (ATF) system and allows the user to set the digital filter from several options as with the company's DacMagic.
JA noted the new Weiss network player at Rocky Mountain, but this was the first time I had seen the production version. There are two options available: with DAC for $12,262 or without for $9,083. Either way the MAN301 uses an iPad app for remote control, has a CD slot on the front for ripping your discs, and the need for external storage.
Since this is a network player and not just a music server, the Weiss can handle internet radio and podcasts and has a variety of digital inputs. Both balanced and unbalanced analog outputs as well as digital complete the back panel.
Swiss company CH displayed the new $32,975 C1 DAC/controller with optional ethernet board ($5k) and USB board ($4k). The processor handles 24/192 PCM and will soon support DSD/DXD via ethernet.
The C1 is compact and beautifully made (unlike my photo) and has all the standard digital inputs as well as analog options and a variety of output options including balanced and unbalanced analog. The company says that the modular approach to the C1 makes it "future-proof" as they keep coming up with new boards.
In some rooms, spotting the new product or two can be tough without asking or taking time to carefully look at everything on display. Not the Oracle room. The BRIGHT yellow Paris CD 250 was screaming "look at me" the moment I crossed the threshold. Once my eyes had settled I could see Oracle had also brought the CD player and DAC in a few more color choices: black, white and red.
Using the same chassis design and color options, the CD player or DAC each run $3,500. The DAC features 24/192 SPDIF, Toslink and USB inputs as well as volume control.
Bel Canto has three asynchronous USB link converters new to CES this year starting with the mLink at $375, the uLink at $675 and the REFLink at $1,500. All three units can handle 24/192 sample rates and will isolate the music signal, and clocks, from the "harsh, noisy electrical environments of computers and music servers."
The first time I had come across a highly precise (and expensive) femto clock in a DAC was at last year's CES in the MSB room. This year Calyx says they have added a femto clock into their new DAC which is available now and retails for $6850. Inputs include two coax, two optical and two AES-EBU in addition to a BNC and USB jack. All inputs handle up to 24/192 and there are both balanced and unbalanced outputs.
Naim had jumped early into the digital networking waters several years back, and their most recent state-of-the-art offering is the NDS Network Player. Retailing at $11,000, the NDS also requires purchase of a power supply; the company recommends the 555 PS at $9,000.
The NDS can stream music from your NAS drive (ethernet and WiFi), has a built-in vTuner for internet radio, connections for your iDevices, and plenty of input choices including three 32/192 SPDIF jacks.
There is a small monochrome display on the front panel, and a push-button remote. But most users will probably gravitate towards the Naim n-Stream app that runs your iPhone, iPod Touch and iPad.
Also in the Naim room is the company's new DAC-V1, which is a smallish size component meant to pair with the equally compact NAP 100 power amp. The DAC-V1 retails for $2395 (the amp goes for $1295) and sports multiple inputs including USB that runs up to 384kHz and SPDIF that can handle up to 32/192. It has a volume control and I loved that fact that if you touch the logo on the front panel, the unit mutes itself. Both products should be available shortly in the US.
The Burmester music server was one of my favorite products of last year's CES. Pricey at $50,000, it nonetheless has that feel of a product where the designers have though of everything you would want in a music server. Since last year there have been some refinements and I had a chance to play with the iPad app (there is an iPad in the box with the app loaded) which allows complete and instant control of the system including music selection and volume control. Everything worked quite smoothly and Burmester's Robert Hagemann picked out some cool music for the demo too!