Jon Iverson

Joe Abrams has an impressive audio resume. "I've been on the manufacturer's side of the desk since 1979," he says. That's when he started as national sales manager for Monster Cable. A few years later found Abrams as director of sales at Sumiko, and then in 1987 he started as VP of sales at Threshold. In 1991 Abrams joined cable start-up Tara Labs and quickly helped them establish a dealer network before moving on to MIT.

Earlier this year, the Consumer Electronics Association (CEA) tried something a little different and ran the 2002 Consumer Electronics Show (CES) in Las Vegas during the week, starting on a Tuesday, instead of in its normal slot over the weekend. The hope was that the show would not compete with the normally crowded Las Vegas weekends, and would offer showgoers more flexibility in finding hotel rooms and taxi cabs.

Last week's online poll indicates that many Stereophile readers have an ongoing affinity for the retro design style of older audio gear. Several respondents say they find the warm glow of tubes and backlit displays seductively attractive in a darkened room, while others pine for the days of analog dials and softly lit meters with gently bouncing needles.

In addition to fostering the exchange of audio files, peer-to-peer websites may be sharing the problems of increased legal liabilities and bandwidth drains for businesses which allow employees to access file-sharing sites from corporate networks.