Jon Iverson

The Consumer Electronic Association's (CEA) Gary Shapiro is known for maintaining an ever-optimistic stance on the progress of home entertainment, and a recent keynote at the Semiconductor Market Outlook Conference earlier this month provided an opportunity for him to reveal his top predictions for the future.

As any major college dude will tell you, the file-sharing genie can never be put back into the digital audio bottle. But that hasn't stopped the music business from pursuing its scorched-market policy while simultaneously applying various use-restriction technologies to every digital audio format in sight.

How much does it cost to license DVD-Audio patents to create players or discs? That information was revealed last week when the DVD6C Licensing Agency, which represents the founders of the DVD Forum (formerly called the DVD Consortium) in the area of patent licensing, announced that it expects to start global licensing of essential patents for DVD-Audio and recordable DVD products on or about January 1, 2003.

At present, the recording industry is based on a variety of analog and PCM digital audio formats, putting proponents of Super Audio Compact Disc (SACD, which is based on the Direct Stream Digital, or DSD, format) in a tough place when it comes to creating pure DSD works for showing off the format. To date, labels have had a limited number of options for creating, mixing, and mastering pure DSD projects.