Fred Kaplan

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Fred Kaplan Posted: Mar 31, 2010 9 comments
The Jazz Review was one of the most fascinating journals in the history of music-writing. Its editors were Nat Hentoff and Martin Williams, two of the most insightful critics of its day (the late 1950s and early ’60s). But its main distinction was that it consisted almost entirely of jazz musicians, writing articles and reviews about other jazz musicians.
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Fred Kaplan Posted: Mar 25, 2010 1 comments
The best new jazz album of 2010 so far: the Ryan Keberle Double Quartet’s Heavy Dreaming (on the Alternate Side Records label). I’ve played it a dozen or so times in the month since I received an advance copy. It’s infectiously joyous, except when it’s movingly melancholic, and it’s head-spinning, too.
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Fred Kaplan Posted: Mar 16, 2010 14 comments
In the we-all-make-mistakes department:
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Fred Kaplan Posted: Feb 28, 2010 6 comments
Uptown and Downtown are about to merge.
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Fred Kaplan Posted: Feb 25, 2010 25 comments
Consider this a wish list from someone who loves owning classic jazz albums reissued on clean, thick slabs of virgin vinyl, preferably cut at 45 rpm—but who’s weary of seeing the same titles pop up over and over again with each slightly new format (180g, 200g, single-sided 45, clarity, etc.). I understand the impulse: certain labels and titles have a mystique (e.g., Blue Note and Blue Train); they’re surefire winners; it’s an uncertain business, so go with the sure thing.
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Fred Kaplan Posted: Feb 17, 2010 12 comments
It’s been nearly a week since PBS’ broadcast of the White House concert of music from the civil-rights era, and its sounds and images keep popping up in my brain.
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Fred Kaplan Posted: Feb 03, 2010 2 comments
Many composers, jazz and otherwise, have tried to write pieces inspired by famous artworks, but Ted Nash is one of the few who pulls it off.
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Fred Kaplan Posted: Jan 31, 2010 4 comments
The Jazz Loft Project is one of the most fascinating documents of multiple obsession—an obsession about an obsessive’s obsession—and it’s worth checking out in multiple media.
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Fred Kaplan Posted: Jan 26, 2010 1 comments
Toward the end of 2009, I read a lot about Darcy James Argue’s Secret Society, an 18-piece big band, and its debut CD, Infernal Machines, which was showing up on several best-of-the-year lists. But I never received a copy of the album and couldn’t figure out how to contact the label, New Amsterdam. Finally, I bought a copy from Downtown Music, a terrific alt-jazz record store in Manhattan, and, it turns out, the excitement is justified.
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Fred Kaplan Posted: Jan 23, 2010 0 comments
I caught Fly—the trio consisting of Mark Turner on tenor and soprano saxophones, Larry Grenadier on bass, and Jeff Ballard on drums—at the Jazz Standard Thursday night.

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