Fred Kaplan

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Fred Kaplan Posted: Jul 20, 2014 2 comments
Music Matters Jazz is going 33. As all high-end vinylphiles know, MMJ is the LA-based company that's been reissuing classic Blue Note albums cut at 45 rpm, spread out over two slabs of 180 gram virgin vinyl, encased in a gatefold cover that meticulously reproduces the original's artwork on the outside and gorgeously reprints session photos of the musicians on the inside.

But now, after doing this with 112 titles, the company's proprietors, Ron Rambach and Joe Harley, are re-reissuing some of the greatest Blue Note titles on single-disc LPs cut at 331/3rpm . . .

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Fred Kaplan Posted: Jul 11, 2014 6 comments
Photo: 2010 by Steven Perilloux

Charlie Haden, one of the great jazz bassists, died this morning, at age 76, after a long illness.

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Fred Kaplan Posted: Jul 10, 2014 1 comments
Fred Hersch's Floating (on the Palmetto label) is his strongest album in a decade (you'd have to go back to his 2006 solo disc, In Amsterdam: Live at the Bimhuis, to match the energy) and maybe his strongest trio album ever.
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Fred Kaplan Posted: Jun 19, 2014 8 comments
Almost exactly four years ago, I posted a Blog that began like this: "Let's put the main point up front. The new duet album by Keith Jarrett and Charlie Haden, Jasmine (on ECM), is a gorgeous piece of work: all standards, mainly ballads, nothing fancy (not overtly anyway), but such poignancy and quiet passion; it's a glimpse into the intimacy of the act of making art." A follow-up CD is out now, Last Dance...
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Fred Kaplan Posted: Jun 13, 2014 5 comments
I guess I'm going to have to start listening to Stacey Kent. At her early set at Birdland in midtown Manhattan Wednesday night, I sat down a skeptic and came away charmed.
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Fred Kaplan Posted: May 31, 2014 0 comments
Paul Bley's Play Blue: Oslo Concert (on the ECM label) is a bracing solo piano album. Think Keith Jarrett, with less Rachmaninoff and more Monk, but the distinctions sway on the margins. Bley too is a romantic improviser, immersed in jazz idiom but classically trained (and he lets it show, though less showily than Jarrett).
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Fred Kaplan Posted: May 19, 2014 1 comments
Road Shows, Volume 3 (on Okeh Records) might be Sonny Rollins' greatest album ever. Certainly it's the album that most closely supplies the sensation of a live Sonny Rollins concert—or the best moments of several live Sonny Rollins concerts, which is what the whole Road Shows series is meant to be.
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Fred Kaplan Posted: Apr 16, 2014 5 comments
The Jazz Journalists’ Association announced its 2014 awards this week. I don’t think I’ve disagreed with so many of its picks. In most cases, I’d simply rank others higher than the JJA balloteers; in some cases, though, I part from their judgment pretty vigorously. Here are some of the JJA winners, followed by my choices...
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Fred Kaplan Posted: Apr 11, 2014 6 comments
OK, this isn't jazz, but it's such a crazy bargain, I couldn't resist shouting it from my rooftop: Decca Sound, The Analogue Years 54 albums (and bits of several more) from the Decca label's heyday of classical recording (the mid-'50s to late-'70s), pressed in a boxed set of 50 CDs, selling for $129.

In case you're too stunned to do the math, that's $2.58 per disc!

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Fred Kaplan Posted: Apr 04, 2014 4 comments
Three years ago, Ambrose Akinmusire, 28, burst upon the scene as the most promising young jazz trumpeter since Dave Douglas. His debut album, When the Heart Emerges Glistening (on the Blue Note label), was hailed (and not just by me) as one of the best of 2011. His new CD, The Imagined Savior Is Far Easier to Paint (also out on Blue Note), is better.

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