Jason Victor Serinus

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Jason Victor Serinus Posted: Dec 30, 2008 0 comments
The Deutsche Grammophon webshop and HDtracks have special New Year's gifts for audiophiles: more CD-quality and high-resolution downloads.
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Jason Victor Serinus Posted: Dec 13, 2008 0 comments
In the early morning hours of December 11, Joseph Cohen of the Lotus Group, the exclusive distributor of Oyaide products in North America, sent out a "Lotus Group News Flash!" The e-mail, dated December 10, declared:
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Jason Victor Serinus Posted: Nov 13, 2008 0 comments
Naxos has taken a major step toward distributing higher-quality downloads of classical-music recordings. ClassicsOnline, the label's impressive download site, now offers the world's largest collection of classical-music recordings free of digital rights management (DRM). All of the site's nearly 22,000 albums, from more than 100 independent labels, are available at 320kbps.
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Jason Victor Serinus Posted: Nov 03, 2008 0 comments
Can audiences tell the difference between a computer-generated orchestra and the real thing? Just how far have digital sampling and loudspeaker technologies advanced?
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Jason Victor Serinus Posted: Oct 14, 2008 2 comments
As John Atkinson (right) and I were saying our goodbyes until the 2009 CES in Las Vegas, RMAF co-directors Al Stiefel and Marjorie Baumert were compiling attendance stats for this year's show. Although the fact that there were far more rooms this year, with exhibits spread over two hotels, left some exhibitors thinking that attendance was down, attendance was actually up just over 7%. Almost 3500 people attended this year's RMAF. The Sunday walk-ins were 407—almost 150 over last year.
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Jason Victor Serinus Posted: Oct 14, 2008 2 comments
On Saturday night, Bay Area Audiophile Society coordinator Bob Walters gave me a list of rooms he urged me to visit. Since two were on the 10th floor of the Marriott Tower, on which I had not yet set foot, I resolved to check both out. I'm glad I did. The tenth floor of the Marriott was like a gold mine. All I had to do was walk down the hall to the next room, and more glorious sound awaited me.
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Jason Victor Serinus Posted: Oct 14, 2008 0 comments
Within minutes of running into Jeff Wells, new National Sales Manager for Spectron Audio, I found myself on the tenth floor of the Marriott. Playing my own version of pick a number, any number, I decided to check out the first room on my left. There, in a display sponsored by TweekGeek.com, I discovered two Spectron Musician III class-D amplifiers ($7195 each) driving SP Technology Revelation full-range speakers ($20,000/pair).
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Jason Victor Serinus Posted: Oct 14, 2008 0 comments
Something happened in the middle of the tenth floor. In the remaining rooms I visited to the right of the elevator—with apologies to all those systems I unintentionally missed due to the pathetic human limitation of being unable to be in three rooms at once—the sound was darker, less illumined, but nonetheless quite involving. This is actually a sound that large numbers of audiophiles prefer. It's a more seasoned and mellow sound, less apt to sound bright and edgy in live rooms, and closer to the sound in acoustically dampened environments. It's truly a case of different strokes for different folks.
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Jason Victor Serinus Posted: Oct 14, 2008 1 comments
There's nothing like being greeted as the audiophile equivalent of the Messiah to either make your day or impel you to run for cover. In the case of Peigen Jiang's Eficion speakers, I'm glad I got over my embarassment and stayed.
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Jason Victor Serinus Posted: Oct 14, 2008 2 comments
After a short visit to the Daedalus room, during which time Peigen changed speakers and cables, I returned to hear the F200's big daddy, the F300 ($14,900/pair). This is a 3-way, 4-driver vented box, with a rear-firing supertweeter, Air Motion Transformer tweeter, and copper shorting ring on the woofer to facilitate tighter bass. Frequency range is 24Hz–40kHz, sensitivity 89dB, and weight 158 lbs each. The speaker comes in two parts, so that the mid-and high-range unit can be used separately as a center channel with an impressive frequency range of 40Hz–40kHz. Associated components were the same as with the F200.

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