Jason Victor Serinus

Sort By: Post Date | Title | Publish Date
Filed under
Jason Victor Serinus Posted: Oct 06, 2009 1 comments
After several years without distribution in the US, Peder Beckman of Norway's Electrocompaniet (kneeling on the left, next to company head Mikal Dreggevik) has quickly established a revitalized US dealer network that should number a good 10 by CES 2010. Without a long-standing reputation for affordable excellence, this would have been next to impossible to achieve in the current climate.
Filed under
Jason Victor Serinus Posted: Oct 06, 2009 0 comments
Where, you may ask, are the speakers? All you see are light fixtures.
Filed under
Jason Victor Serinus Posted: Oct 06, 2009 5 comments
Visiting the Soundsmith room is always a pleasure. Peter Ledermann's phono cartridges, preamps, and diminutive, how-can-such-a-little-box-produce-that-much-sound speakers always deliver superb sound.
Filed under
Jason Victor Serinus Posted: Oct 06, 2009 0 comments
I first discovered the Eficion F300 loudspeaker ($14,800/pair) at RMAF 2008, where its full-range sound deeply impressed for the price. Since then, the speaker has undergone numerous refinements. Split into two separate compartments, separated by Stillpoints, this is a 3-way 4-driver vented box with a frequency response of 25Hz–40kHz, 89dB sensitivity, and 8 ohms impedance, with a minimum of 6.4 ohms. The front tweeter is an Air Motion Transformer, its rear-firing super tweeter a Heil ESS aluminum ribbon, and its 7" midrange and 12" woofer both from Aurum Cantus. All this has produced a more controlled and detailed sound. Other refinements are identified on the Eficion website.
Filed under
Jason Victor Serinus Posted: Oct 06, 2009 5 comments
At least two people I know came up to me in the hallways of the Marriott to urge me to check out Intuitive Audio's new Gamma Summit speakers ($10,000/pair). As soon as I walked into the room, the fabulous bass on Patricia Barber's rendition of "Keep on Using Me Until You Use Me Up"—I'm guessing at the title—told me why. The system's riveting presentation also featured the kind of musical highlights for days that audiophiles love. Next I heard the same Mahler Symphony 2 recording I've been playing a lot at RMAF 2009. The speakers did an extremely fine job of controlling and highlighting the bass line, and also sounded very vibrant on top. Congratulations to designer Dale Pitcher for a job well done.
Filed under
Jason Victor Serinus Posted: Oct 04, 2009 4 comments
I was glad that Darren and Bonnie Censullo's Avatar Acoustics demmed four new products at RMAF, because they created a synergistic match that produced beautiful sound.
Filed under
Jason Victor Serinus Posted: Oct 04, 2009 72 comments
Cable manufacturers Nordost and Vertex AQ had good reason to present their joint seminar, "New Approach to Audio Measurement: Why Cables Really Matter," no less than five times during the show. As Art Dudley will report at length in his December "Listening" column, their groundbreaking new approach to measurement, developed by Nordost and Vertex AQ in collaboration with military electronic-engineering consultant Gareth Humphrey Jones, has produced an entirely new method for measuring the audible effects of components on sound. We're talking not only cables, support platforms, and the like, all of which can now be unequivocally shown to affect a system's sound quality, but also CD players, amplifiers, and speakers.
Filed under
Jason Victor Serinus Posted: Oct 04, 2009 3 comments
Until I encountered the world premiere of the imposing Wharfedale Airedale Neo loudspeaker ($20,000/pair), I hadn't run into speakers from the 70-year old company in many a year. The wait was worth it. This wonderful-sounding speaker, which weighs over 125 lbs and can handle up to 400W power, boasts point-to-point wiring, frequency response of 25Hz–45kHz, and 88dB senstivity.
Filed under
Jason Victor Serinus Posted: Oct 04, 2009 0 comments
Genesis Advanced Technologies was demming two new products: the latest iteration of owner/designer Gary Leonard Koh's new Absolute Fidelity Music Server, whose white paper is available on the Genesis website, and a new preamp. The preamp, a joint effort between Genesis and Steve McCormack's SMC Audio, boasts all-analog switching and controls. (Fully balanced, the solid-state preamp boasts all-analog switching and controls. The basic model will be priced somewhere between $4000 and $5000, with the first model scheduled for release priced around $8000. Pictured is Bruno De Lorimier, Canadian sales rep for Genesis, who is kneeling next to the rack with the new preamp.
Filed under
Jason Victor Serinus Posted: Oct 04, 2009 2 comments
Todd Garfinkle of M•A Recordings (right) has built an enviable reputation as one of the finest producers of quality audiophile recordings on the market. The repertoire is remarkably diverse. From performances of Bach organ music and the Chinese GuZheng to such one-of-a-kind gems as Buenos Aires Madrigal and the fabulous Será Una Noch albums, M•A Recordings are as notable for their diversity of instrumentation and repertoire as their full range sound.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading