The sound in the room from Arte Forma of Taiwan, represented in the US by Aire Audio, completely seduced me. Playing a wonderful recording of pianist Murray Perahia performing Handel, I was captivated by the presentation’s beautiful glow and air. It felt as though a light was shining from within the piano. This system portrayed the high treble delicacy of the piano’s strings like few others.
John DeVore, loved as much for his eagerly anticipated Monkeyhaus musical gatherings, where music new and old wins over hearts and minds, as for his speakers, had a surprise in store for me. After playing an LP of Indian drums, whose depth and resonance were captured wonderfully by the forthcoming high-sensitivity DeVore Fidelity Orangutan O/93 loudspeakers ($7900/pair estimated cost), pictured on the outside of the soundstage, he pulled out a rare Vanguard LP of soprano Netania Devrath singing Yiddish songs. If that name sounds familiar, she’s the very same Israeli soprano who made the extraordinary, dialect-correct recording of Canteloube’s Songs of the Auvergne that has become an audiophile favorite. In Yiddish, she sounds positively adorable.
Was it divine retribution that inspired Zu Audio’s Sean Casey to play The Evens intoning “Shut Up! Shut Up!” just as I entered the room? All I know is that, while I have been critical in the past of Zu Audio’s incisive sound, I never fail to find the room full of people digging it. More than that, Sean surprised me by playing Ella Fitzgerald, later in life, performing “Good Morning, Heartbreak,” and I too was digging it. Clearly Zu speakers, cabling, and cartridges are suited to jazz as much as raucous rock.
Rob Robinson of Channel D (Pure Music and Pure Vinyl, left) and Paul Erlandson of Lynx Studio Technologies (right), along with Jeff Joseph of Joseph Audio (in absentia), had plenty of reason to smile. In addition to announcing that Channel D’s Pure Music 1.9 ($129, updated without charge for current owners) is due October 30, and Pure Vinyl 3.1 ($279) is coming out a week earlier, on October 23, the system they had assembled was producing wonderful sound despite its far less than stellar set-up. . .
At every dinner I attended with industry members during RMAF 2012, someone invariably asked, “How was the Magnepan demo?” As I soon learned, it seems that Wendell Diller’s decision to forego exhibiting at consumer showssince the last Stereophile show in San Francisco, in 2003, he has displayed product only at the annual CES trade event (not open to consumers)has only heightened buzz around the Minnesotan company’s fabled planar-magnetic loudspeakers.
Vanatoo is certainly giving other companies a run for their money with their Transparent One powered loudspeakers ($499$549/pair, dependent upon finish). Deferring to Michael Lavorgna’s recent review on Stereophile’s sister publication, AudioStream.com, I can simply say that the bass and sheer energy coming out of these small speakers was extremely impressive. In fact, it was so impressive that the folks running the demo felt the need to frequently tell the large crowd that everything was coming out of the two speakers, without aid of a subwoofer or any other hidden device.
Ever since encountering KingSound electrostatic loudspeakers at an audio show several years ago, I’ve looked forward to seeing how their line would develop. This time around, KingSound was showing its King III Full Range ESL ($12,000/pair). Driven by Bob Carver Cherry tube monoblock amplifiers ($7400/pair), Purity Audio Design Statement 2 preamplifier (approx. $12,500), and an AMR CD777 ($12,000), all hooked together by Kaplan Cables from John Atkinson’s adopted hometown of Brooklyn, the system was a joy to listen to on Chet Atkins’ recording of “Mr. Sandman.”
Gideon Schwartz of Audioarts NYC had assembled quite an impressive system, most of whose components I had never heard before. Given the system’s price, one would reasonably expect something wonderful, if not extraordinary from Zellaton Studio Reference One loudspeakers ($52,750/pair); Nagra’s new Jazz preamplifier ($12,250, with the input and output jacks now on the back instead of the sides), 300B power amplifier ($16,950), and VPS phono preamplifier ($6850); Metronome’s C8 Reference Asymmetrical USB DAC ($22,750) and Calypso Reference transport ($43,750); Holborne’s Analog 2 Mk.2 turntable ($7495), Dualpivot tonearm ($3475, MC1 cartridge ($1975), and rack ($3975); Van Den Hul’s Cumulus 3T speaker wire ($6995/pair) and The Cloud 3T interconnects ($695/set); and a Schopper Thorens fully restored 124 Mk.2 (“priceless”).
When I walked into the Robyatt Audio room, I discovered that Robin Wyatt had come all the way from New York City to show people what a lovely, airy sound he could get from Jacintha’s “Here’s to Life” and other LP selections. “The man who recorded that LP used the same stereo Miyajima Kinsui cartridge that I’m using for playback,” he explained.
Jim Rush of PTE (Precision Transducer Engineering) of Orange, CA explained that he was using the system in his room, headlined by PTE’s The Phoenix self-powered, bi-amplified loudspeaker ($5700/pair), to conduct 10 different blind tests with five sequences. The results of his experiments, which he said demonstrated that most people couldn’t discern differences with a high degree of accuracy, are slated to be posted to PTE’s website.