I always look forward to Peter Ledermann's analog demos, because the sound of his cartridges, electronics, and speakers is consistently delicious. While it certainly was this time around, some surprising booming in the basssomething I do not recall hearing at any previous SoundSmith demoalerted me to the fact that the small rooms at THE Show, situated on the fourth floor of the Flamingo Hotel, were a bitch to control.
What a relief to revisit VTL electronics, and breathe in the mellow midrange of jazz vocalist Johnny Hartmann singing on the Original Recordings Group reissue of I Just Dropped by to Say Hello. There's a beauty and timbral truth to VTL electronics that you do not hear from many tube products that cost more than the $50,000/pair Siegfried monoblocks, and far more than the wonderful VTL MB450 Signature Series II monoblocks ($15,000/pair).
I felt as though I had entered sacred space. As I walked into the huge TAD suite, designer Andrew Jones was playing Aaron Neville's recording of "Amazing Grace." Everything about the sound, the speaker layout, and the rapt silence of the full house felt like a holy shrine.
I have heard Acapella horn loudspeakers and Einstein electronics on other occasions, but they have never sounded as glorious as they did paired together in one of the Aaudio Imports room at CES 2010. I only wish Erick Lichte and John Atkinson had been present as I played John's 2008 recording of Cantus' While You Are Alive, which Erick produced. (Erick was also Cantus' Artistic Director at the time). The sound was bighuge, in factmaximally transparent, and thanks to the Einstein electronics' euphonic presentation, absolutely luscious.
Dynaudio had something for almost everyone with an exhibit that ranged from affordable to cost-no-object. At one of the room stood the imposing Consequence SE, whose bass was so powerful that it would interact with the spongy wall behind it unless the mighty Michael Manousselis braced himself against the corner. But on the other end of the long room sat a marvelous little system composed of the Contour S 1.4 ($3500/pair, with optional stands costing an additional $450), Octave V40SE 40Wpc integrated amp ($4900), and an optional capacitance Black Box ($1200) that increased the capacitance of the integrated amp's power supply. Interconnects were from Tara Labs, and speaker cables the Ocos Pro ($900/3 meter pair).
Beckoning like the mythical paradise for which the Coloradon company is named, the Avalon Acoustics Time loudspeakers ($47,995/pair) stood in a large suite on the 34th floor. Surrounded by a large complement of room-tuning devices that only partially controlled their low end, the beauty and clarity of the Time's diamond tweeter transmitted the beauty of Renaud Capuüon's violin as few other speakers I have heard.
Visiting one of Aaudio Imports' rooms gave me another opportunity to hear Tidal loudspeakers from Germany. I initially encountered an extremely imposing pair of these speakers on the first day of the show, paired with BAlabo electronics and Echole cabling. Now before me was a smaller pair of the Tidal speakers, either the Contriva Diacera SE ($73,500/pair) or Piano Cera ($28,400/pair). (The equipment sheet listed both models).
It was a case of Johnny Hartmann the third time over. In the room shared by Hansen and Tenor Audio, my third encounter with Hartmann's vocalism at CES 2010 came via a CD transfer of a 1964 recording. Happily, the CD retained much of the vocal richness of the two Hartmann LPs I had heard earlier in the show.
Ever since blogging about the Magico V3 loudspeaker a few years back, and then interviewing Magico's Alon Wolf for a Stereophile feature, I've been eager to hear every sonic and technological advance that Alon and his team have come up with. Thus I made my way to the huge Magico suite on the Venetian's 35th floorwhose exquisite lighting and overall aesthetic were on another plane from most of the exhibits below itwhere Magico was unveiling the much-anticipated Magico Q5 ($54,000/pair), which has a heroically constructed all-aluminum enclosure.
Theta Digital is at last showing the Compli-Blu universal player ($2995), which begins shipping the week after the Show. The successor to the old Compli universal player and Carmen II digital transport, the Compli-Blu can be used either as a digital transport (which is how I intend to use it with my Theta Gen. VIII Series 2 DAC/preamp), or as a stand-alone multi-format player.