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Jason Victor Serinus Posted: Mar 12, 2012 2 comments
"We initially meant our self-powered speakers for the computer market, and never thought you guys from Stereophile would take us seriously," Audioengine's Brett Bargenquast told me in a particularly candid moment. "Then Bob Reina's review of the A2s helped launch us."

It sure did. Bob's glowing review even convinced me to get a pair of Audioengine 5s for my iMac. Years later, they remain in use, making the husband's cheapo TV in the cottage sound far better than it should.

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Jason Victor Serinus Posted: Mar 12, 2012 0 comments
Silnote Audio Cables of Boones Mill, VA, a company new to me, was making an all-out effort to bring attention to its line. Paired with Tyler Acoustics D-20 loudspeakers ($10,500/pair), an Olive 4HD music server, Musical Fidelity DAC, Rogue Magnum tube amp, and Rogue phono stage—there must have been a turntable and cartridge, but I failed to write it down—Silnote's Master Series Orion M-1 interconnects ($3100/pair), speaker cables ($4700/pair), and power cables ($1800 each) were helping deliver solid sound.
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Jason Victor Serinus Posted: Mar 12, 2012 0 comments
Having enthused—gushed, really—over the Orion-4s ($15,510/pair in this iteration with active crossover, Bibinga wood and Ebony trim) when I first heard them at Burning Amp 2010, then again at Burning Amp 2011 (as reported in the January 2012 issue of Stereophile), I was happy to encounter them once more in Jacksonville. It was no surprise to find them doing an absolutely wonderful job of capturing the correct sound of a piano, and bringing lovely depth to a recording of Mozart's Piano Sonata in D Major, K.576. They did an equally fine job in showcasing the beauty of a quartet performing music by Lera Auerbach.
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Jason Victor Serinus Posted: Mar 12, 2012 0 comments
Although Misty Ellis' atmospherically lit room was a challenge to photograph, the sound this company from Columbus, OH put together from a big-bucks system headed by the Audio Power Labs 833TNT 200W transformer-coupled monoblocks ($175,000/pair), Tidal Audio Contriva Diacera SE floorstanding speakers ($58,190/pair in piano black, $64,190/pair in African Pyramid Mahogany as shown), and Laufer Teknik The Memory Player 64 ($24,600) was as tantalizing and satisfying as its visuals. Initially marred by an exaggerated midrange and treble resonances, everything improved immensely when Tidal dealer Doug White, the extremely conscious proprietor of The Voice That Is in Newtown Square (Philadelphia), PA, removed the preamp responsible for the imbalance.
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Jason Victor Serinus Posted: Mar 12, 2012 0 comments
Alan Eichenbaum and Sunny Umrao's Scaena room was one of four that vied for my personal Best of Show. It certainly competed with MBL's for most expensive set-up at AXPONA. At its center stood the Scaena Spiritus 3.4 loudspeaker system ($110,000). Each tower contains 12 midranges and seven ribbon tweeters. Bass at 100Hz and below was handled by the four massive 18" subs that looked as though they could pacify an advancing army with their slam. (You should have heard the bass drum on Mahler's Symphony No.2; it had the most convincing weight, focus, and up against the wall impact I've ever heard from my Channel Classics hybrid SACD).
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Jason Victor Serinus Posted: Mar 11, 2012 0 comments
Tom Maker, formerly of Edge Audio, has something really good going with his self-powered Maker Audio/M Audio Model 10 loudspeaker ($24,000/pair, or $35,000/pair when equipped with a diamond tweeter, big subwoofer, and a bigger internal amp for the sub). For one thing, this speaker is remarkably compact for the huge sound it produces. Even better, it is able to play music streamed wirelessly from up to 33 feet. And best of all, it sounds great.
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Jason Victor Serinus Posted: Mar 11, 2012 0 comments
I wasn't able to meet the legendary Bob Carver, who gave talks on tube amp development and Ribbon Line Source loudspeakers on both Friday and Saturday afternoons, but I did make two visits to hear his new Amazing Line Source loudspeakers ($22,000/pair). The speakers were coupled with a Sunfire Subrosa subwoofer ($5000), Black Beauty 305W monoblocks ($12,900/pair), Purity Audio Ultra GT preamp ($28,000), AMR CD777 CD player ($5000), and Analysis Plus cables.
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Jason Victor Serinus Posted: Mar 11, 2012 0 comments
Legacy Audio's imposing system, made even more imposing by the photo of the entire line that dominated the wall to the left of the system, included both the 63" high, 235 lb. Whisper XD loudspeaker ($20,995–$23,5000/pair, depending upon finish) and, to the inside, the smaller 56" high, 184 lb. Focus SE ($9200–$10,500/pair, depending upon finish). That's a helluva lota real estate for the money.
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Jason Victor Serinus Posted: Mar 11, 2012 2 comments
At Saturday night dinner with Channel D’s Rob Robinson, his wife Claudia, and Jeff Joseph of Joseph Audio, we spoke about the number of exhibitors at audio shows who either come ill-prepared to deal with the vagaries of hotel room sound, don't know what to do about room-invoked sonic anomalies, or think any attempt at amelioration is futile. This was certainly not the case with Jeremy Bryan, President CEO of MBL North America, Inc. Faced with an air-walled room replete with bass boom, and whose ceiling was sonically divided halfway back into the listening position (with the back half of the ceiling concealing a crawl space that did not extend forward), Jeremy took immediate action. He may have been up until the wee hours, but when we arrived in his fabulous-sounding space, I had no idea that behind the rear drapes were concealed double rows of mattresses, stacked on their ends, that were absorbing errant bass. Rob and Jeff were familiar with this fix, because they had done the same in their room.
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Jason Victor Serinus Posted: Mar 11, 2012 0 comments
Audible Images of Melbourne, FL treated AXPONA visitors to a 5-channel MartinLogan set-up that managed to look big even in the huge Florida Salon B. Capable of playing five different formats, the system did full justice to a two-channel recording of Jimmy Smith from 1958, with sound very warm and laid back. Further treats were in store with a 3-channel Mercury Living Presence SACD of Rodrigo's famous Concierto d'Aranjuez, the system capturing both that label's in your face brightness as well as the beautiful delicacy of the guitar. In multichannel, Pink Floyd's Wish You Were Here sounded as though "here" had come to me, which was a good thing. My own disc of Mahler Symphony No.2 sounded convincingly big and bright, although for some reason the low bass lines were not as full as I'm accustomed to hearing.

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