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Jason Victor Serinus Posted: Jun 07, 2012 0 comments
As fate would have it, on my third attempt to enter the Venice Audio Suite—intense conversation made the other passes futile—Mark Waldrep of AIX Records/iTrax had brought in some of his hi-res files for store proprietor Peter Selesnick to hear. The room was quiet, and for good reason: the sound was too beautiful to talk over.
Jason Victor Serinus Posted: Jun 07, 2012 0 comments
As familiar as I am with Eficion's flagship F300 three-way loudspeaker, which I discussed earlier I've spent little time with its smaller brother, the F250 ($10,000/pair). The wonderful sound in this room made me regret our late acquaintance. Although not ideal for my large listening room, the 3-way vented Eficion F250 with an Air Motion Transformer (AMT) tweeter has found its made-in-heaven complement in Z-Infinity Audio electronics.
Jason Victor Serinus Posted: Jun 07, 2012 4 comments
More than Carol Clark's smiles were flowing in the Positive Feedback Online Hospitality Suite on the third floor. You could smell the spirits in the entryway, even before you got close enough to feel the positive spirit. I wish I could have stayed more than 90 seconds. But I doubt you would have gotten many more blogs out of this very light drinker if I had.
Jason Victor Serinus Posted: Jun 06, 2012 2 comments
This system is worth learning about, because it nailed tonalities spot-on. After going room-to-room for three days, I assure you that getting tonality and timbre spot-on is no mean feat. In fact, it's a pretty elusive goal for most components.
Jason Victor Serinus Posted: Jun 06, 2012 1 comments
Walter Swanborn of Fidelis AV (pictured kneeling next to Holger Stein of Stein Music) hosted the North American debut of the Harbeth M30.1 monitor ($6495 in tiger ebony finish). Paired with the LFD NCSE 75 watt integrated amplifier with SE phono stage ($6295), Palmer 2.5 turntable with Audio Origami arm and Dynavector XX2 cartridge ($11,995), MSB Media Transport ($3995) and MSB Platinum Signature DACIV with Signature power supply ($17,500), the system produced the strongest and most predominant midrange of any I heard at T.H.E. Show Newport Beach.
Jason Victor Serinus Posted: Jun 06, 2012 2 comments
"Daedalus Audio and ModWright Instruments have teamed up to show how good a sound you can get for close to $15k," Daedalus' Lou Hinkley explained as I entered the room. Indeed, for as much as I could hear over a very loud conversation, the sound of a track from River, Herbie Hancock's Tribute to Joni Mitchell, and another from a Norah Jones album was very, very nice.
Jason Victor Serinus Posted: Jun 06, 2012 3 comments
During the brief amount of time I spent at CES 2012 in Las Vegas, one of my most impressive acquaintances was with the new Dynaudio Xeo 5 ($4500/pair) floorstander and Dynaudio Xeo 3 ($2300/pair) bookshelf wireless loudspeakers. Sold complete with a wireless transmitter and remote control, these loudspeakers deliver astonishingly good sound without need to spend money on speaker cables and the like.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
In the second of four rooms from Sunny Components, Inc., Michael Manousselis paired Dynaudio's Confidence C2 Signature loudspeakers ($15,000/pair) with Boulder's 1021 Digital Player ($24,000), 1010 preamplifier ($14,000), and 850 monoblock amplifiers ($11,500/pair). Arrayed on a Finite Elemente Reference Rack ($15,000). Everything was connected with Transparent cable. The superb highs on this system immediately clarified why Dynaudio's Esotar2 tweeter has garnered so much praise.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
Here shown in striking white, the F300 is a 3-way, two section ported loudspeaker whose two sections hold a total of four drivers. (The supertweeter is hidden in back.) The F300 boasts a frequency response of 25Hz–40kHz and, with the right jumper cables between its two sections, an especially warm midrange. Special to this loudspeaker is its Heil Air Motion Transformer tweeter, which produces striking detail.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
Gary Katayama of Affordable Audio constructed a system that allowed Randy Bankert's Sonist Concerto loudspeakers ($5895/pair) to show how much sound they can deliver. With apologies for my potentially flawed attempts at deciphering Gary's handwriting, I heard the Baetis Media Server ($2595) and Mach 2 Mac mini (approx. $1000) using Amarra 2.3, Human Audio Table USB–S/PDIF converter ($1000), Bel Canto 3.5 USB DAC ($3500), Audion 300B amplifier ($5500), EAT E-Flat turntable ($6000), and Synergistic Tranquility Base ($1000). The soundstage was impressively big, and the sound warm but overly smooth, to the point of softening the leading edge on Lorraine Hunt Lieberson's glorious mezzo-soprano.


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