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Jason Victor Serinus Posted: Jun 06, 2012 0 comments
I have always greatly admired the match of Robert Lee's Acoustic Zen loudspeakers—in this case the wonderful Crescendo loudspeaker ($16,000/pair), a 3-way transmission line design with a horn-loaded ribbon tweeter—with the Triode Corporation electronics imported by Santy Oropel of TWIN Audio Video. Here, the Crescendos formed an especially sonorous alliance with the TRV-CD5SE CD player ($3250), TRX-1 remote controlled tube preamplifier ($3200), and TRX-M845SE monoblock power amplifiers ($22,500/pair).
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
Everyone who knows Dan Meinwald of EAR USA looks forward to his exhibits, as much for their wonderful sound as for the opportunity to discover sometimes unusual, musically engrossing vinyl titles. This year was no exception. Once an attendee who was dominating the proceedings finally settled down, and Dan played a master tape-sourced file of Heifetz and Smith playing Beethoven's Kreutzer Sonata and a hi-rez copy of the Concierto de Aranjuez (I think), the room transformed from a showcase for a loudmouth into an island of warm sanity. It was luscious.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
I fell in love with the adorable little system from Chris Sommovigo's The Signal Collection when I heard it play some of Todd Garfinkle's M•A Recordings at AXPONA 2012 in Jacksonville. In Newport Beach the love affair continued.
Jason Victor Serinus Posted: Jun 06, 2012 1 comments
Finally I had a chance to hear the loudspeakers lauded by Stereophile equipment reviewers, the Voxativ Ampeggio Signature by Schimmel ($32,500/pair). This single-driver, ultra-sensitive speaker headlined an excellent line-up from Alfred Kainz's highend-electronics, Inc. that led me to write in my notes, "Beautiful. Remarkably close to natural sound. The highs are wonderful, especially the cymbals."
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
This was the first time I've encountered ESS Labs at a show. Rico Caudillo, CEO, explained that after an eight-year cessation, the company returned to the scene maybe four years ago. Pictured here, left to right, are the imposing, all-dipole Transar ($19,000/pair) and smaller AMT Limited ($4495/pair).
Jason Victor Serinus Posted: Jun 06, 2012 1 comments
Although a fair number of woman are now appearing audiophile shows, both as exhibitors and attendees, rare is the woman who attends without her partner/spouse/significant other. Meet Sheri Morgenroth, who founded the Houston Audio Society eight years ago. Currently an engineer by day, and married to a man who cares not about our hobby/passion/obsession, Sheri was fascinated by records at a very early age.
Jason Victor Serinus Posted: Jun 06, 2012 0 comments
The title may have veiled what this seminar was about, but there were some light moments during the two-hour Friday afternoon session that discussed "what to listen to and for in music." Pictured (left to right) are Tony Weber, 40-year industry veteran and Regional Sales Manager for Cary Audio; Tim Brisson, formerly of MIT cables; Bruce Brisson, who engineered the first purposefully built audio cable in 1981, which was marketed by Monster Cable; Paul Stubblebine, for 34 years a mastering engineer; and Cookie Marenco, a five-time Grammy nominee who is founder and producer/engineer for audiophile label Blue Coast Records.
Jason Victor Serinus Posted: Jun 02, 2012 6 comments
Using as his source a MacBook Pro playing iTunes/Pure Music, Dusty Vawter of Channel Islands was using his Transient MK II asynchronous USB converter ($699) with the VDC-5 Mk.II upgrade power supply ($399), PLC-1 Mk.II preamp ($899), D-500 Mk.II monoblock amplifiers ($5000/pair), and speaker prototypes that, perhaps a year from now, will yield Channel Islands loudspeakers. Playing a cover of "Sounds of Silence" on an Usher sampler, the sound was invitingly warm. The system also did a beautiful job of transmitting the natural sound of cymbals, which is no easy task.
Jason Victor Serinus Posted: Jun 02, 2012 0 comments
The KEF Blade has been a constant in my show and audio showroom experience of late. Here demmed by Johan Coorg of KEF America and Michael Silver of Audio High, the Blades ($30,000/pair) were making very warm, inviting, and, yes, coherent sound with lovely depth when paired with the Chord SPM 6000 monoblock amplifiers ($49,000/ pair), Chord CPA 5000 preamp ($20,000), Chord Red Reference Mk.III CD/DAC ($25,000), Audience Power Conditioner, and a MacBook Pro rigged to play J River.
Jason Victor Serinus Posted: Jun 02, 2012 2 comments
Because it was housed in a protective plastic case, which was allergic to my flash, my photo cannot possibly do full justice to the US pre-debut of the gorgeous Rubicon Atomic AD/DA preamp (price not yet announced, probably under $40,000, hopefully to be demonstrated in full form at the Rocky Mountain Audio Fest in October and available for purchase at the end of the year). This 384kHz converter, phono preamp, and headphone amplifier with an integrated atomic clock and gold-plated relay volume control utilizes the 10M Rubidium atomic clock, which is said to be 100,000 times more stable than a traditional crystal oscillator. Coupled with Antelope's 64-bit "Acoustically Focused Clocking technology" the Rubidium purportedly manages jitter superbly. Already boasting an award from Japan, the unit is one of several from the company that uses DACs endorsed by Morten Lindberg, founder and chief engineer of audiophile label 2L.

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