Although I didn't get a chance to audition themRoy Hall tried to ply me and just about everyone present with Scotch or something to get me to linger, but this extremely moderate drinker decided I could do a better job if I didn't stumble from room to room, dragging cables behind meI was quite intrigued by the AktiMate Mini ($695/pair) in the Music Hall room. This Australian baby, engineered by folks from Creek Audio and Epos, is an active speaker, similar to the popular AudioEngines, and the master unit is equipped with an iPod dock as well as stereo RCA phono and mini-jack inputs. There is even an RCA stereo out to enable connection to a subwoofer, as well as a volume remote.
To anyone who has committed my blogs to memory, or treated them with the same reverence as passages from the Bible, my love for mbl speakers and electronics will come as no surprise. Listens at CES 2010, RMAF 2009, and CES 2009 left me in awe. If only the newest mbl speakers on the market had been on active rather than static display, I expect I'd be waxing ecstatic once again.
Audio Plus Services, Toronto, distributes a luscious batch of products that includes Pathos, Focal, Cambridge Audio, MicroMega, Crystal cable, Siltech cable, and Solid Tech racks. At Axpona, throwing aesthetics to the dogs in an attempt to tame the room, APS's Ian McArthur sent files wirelessly from his Macbook Pro or a PC running the Airfoil utility via the MicroMega WM-10 Airstream wireless receiver ($1595) to the Pathos TT Anniversary 35W class-A hybrid integrated amp ($7695) and Focal-JM Lab Electra 1028BE loudspeakers ($8495/pair). Cabling was Crystal Cable Reference for both interconnect ($2400/1m) and speaker cable ($7500/3m), and the industrial-look rack was Solid Tech ROS Reference 3 ($1495). The Airstream basically incorporates a self-configuring WiFi router to feed audio data (limited to Red Book at present) to its DAC. Although use of iTunes as the media server, without benefit of either the Amarra or Channel D's Pure Music interfaces, undoubtedly contributed to a lack of transparency, cellos sounded extremely deep and solid, and Marta Gomez's debut CD on Chesky (played directly from the computer's CD drive without benefit of burning) was rewardingly crisp and extremely fast.
As I walked into the Emotiva room, a blast from the distant past greeted me with a smile. It was the Eagles, live, welcoming me to Hotel California. Resisting the temptation to declare, "But I've just come from there," I instead noted the solidity of the bass line, the powerful slam, and the sonic warmth that really did feel like a welcome. "Welcome to Emotiva land," the system seemed to sing.
One of several low-cost, high quality exhibits at Axpona came from Jaton. Based in Fremont, CA, Jaton sources its speaker components from Germany and other parts of Europe, but assembles them in China. It amps, which include 14 Mundorf caps in the amp proper and four more in the power sector, are assembled in Fremont. Everything is designed by the company's unnamed and extremely secretive CEO, who only began to enter the high-end market a few years ago.
Don't even think about the juxtaposition of so-called "modern art" with the kitsch figurines of Nipper and the parrot. Instead gaze upon the Classic Audio T1.3 Reference loudspeakers ($36,500), shown here with Classic's John Wolff. The T1.3 uses two 15" woofers , a TAD compression-loaded tweeter, and the jewel of the design, a 4" compression-loaded midrange dome feeding a Tractrix-flare horn designed by Bruce Edgar. All the drive-units are energized by field-coil magnets rather than permanent magnets. The rest of the system comprised Atma-Sphere MA-60 MUIII monoblocks ($6800), an Atma-Sphere MP-1 preamp ($12,100), Esoteric DU-50 CD player, Kuzma Reference table ($8900), TriPlanar arm ($4850), Van den Hul The Grasshopper cartridge, 59-cent hook-up wire, and my feeble attempts to decipher illegible handwriting. (So much for the "You don't have a sheet listing your products; you do the writing while I listen" approach). Playing the same Mahler as auditioned in the fabulous Koetsu USA room, this system certainly nailed the sound of the cymbals.
As I entered Jeffrey Catalano's High Water Sound exhibit, I was immediately taken by the beauty of Herbie Hancock's Watermelon Man (Cisco LP re-issue). Listening to a recording of the music of Heinrich Biber further underscored the beauty of this system's midrange. Heard were the turntable owned by the First Chair violinist of the Vienna Philharmonic, the TW Acustic BlackNight ($40,000) with TW 10.5 tonearm ($5500) and Dynavector XV1T cartridge ($9000), TW Acustic Raven phonostage ($9000), Thöress linestage ($8000), Thöress 300B 6W monoblocks ($10,000), Horning Aristotle 98dB-sensitive loudspeakers ($15,000) with Zigma Ultimate Plus Lowther DX65 drive-units, Stealth cables, and Silent Running Audio Equipment rack ($12,000).
Michael Lacomba of Southern Cinema, with stores in Cumming, GA and St. Augustine, FL, was having a great time demming several joyful systems that combined tried and true with fresh and new. Almost as fresh and new as Michael, who at age 26 laments, "People my age don't know this stuff exists." Not that Steve Davis and the small and dedicated Axpona crew didn't do everything possible publicity-wise to bring in a fair amount of curious collegiates, some of whom were actually heard to mutter, "I'm going to have to rethink my whole iPod thing after hearing this."
The room shared by Oracle and Phase Technology featured the eye-catching Oracle CD2500 CD player ($12,500), Oracle Delphi Mk.6 turntable with Oracle SME 5 tonearm and Thalia cartridge ($16,500 total), Oracle phono stage ($9950), and Oracle SI 1000 175Wpc integrated amp ($9950) powering the black Phase Technology PC-9.5 loudspeakers ($3500/pair). I was given very different figures in the room than are printed on the literature. Does this 4 ohms nominal impedance speaker have 91dB sensitivity, as the literature says, or 87dB, which is what the spex said? Is its frequency response 32Hz22kHz, or 35Hz20kHz ±2dB. And is its price what I was told? Such are the mysteries of life.
TwinAudioVideo teamed up with Acoustic Zen to pair the large and imposing Acoustic Zen Crescendo loudspeaker ($16,000/pair) with Triode Corporation Ltd. of Japan's Tri TRV-4SE tube preamp ($1,900), the power module of the Tri TRV-845SE 20W pure class-A integrated amp ($6000), and Tri TRV-CD4SE tube CD player with 192kHz upsampling ($2200). The Crescendo is a 3-way, 125 lb transmission-line design with 6 ohms nominal impedance, 89dB sensitivity, and a frequency range of 20Hz to 30kHz. Also in the room on the floor were two ORB power traps (aka power conditioners/distributors), the Kyoto ($6000) and Kamakura ($3900), and, of course, Acoustic Zen cabling. This system did a fine job of capturing music's beauty and warmth. Which is saying a lot.