Jason Victor Serinus

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Jason Victor Serinus Posted: Apr 30, 2014 2 comments
There was some booming in the bass, but the really nice highs and openness, as well as the large and engaging soundstage on a 24/96 version of Jennifer Warnes' "Nightingale" convinced me that Daedalus Audio, ModWright Instruments, and WyWires cabling are doing something very right. Reinforcement came from a very nice and smooth, albeit less than brilliantly illumined Red Book track by Chris Jones.
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Jason Victor Serinus Posted: Apr 30, 2014 1 comments
With a name like Lampizator, as in Lukasz Fikus' "Audio from Poland with Love," who wouldn't be intrigued? The good news is, even paired with Vapor Audio's day-old Derecho loudspeakers ($7600/pair), which Ryan Scott builds behind his house in Hot Springs, MO, Lampizator's Level 7 DAC ($9650) and SQBX Based transport ($2650), Purity Audio's Silver Statement preamp ($35,000) with ultra power supply, and PSE300B 18W monoblocks ($26,000/pair with Sophia Electric 300B tubes), and Verastar cabling won me over with their beautiful sound.
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Jason Victor Serinus Posted: Apr 30, 2014 2 comments
I've reported on this pairing before in show reports, but this was, by far, the best and most transparent sound I've heard from JansZen and exaSound. The top was nice and alive, the height and openness quite lovely, and the sound very natural and musical. Doing the honors were the brand new JansZen zA1.1 single-panel loudspeakers ($4495/pair), JansZen zA2.1 loudspeakers ($9400), exaSound flagship e22 native quad-rate DSD DAC ($3499) with "the world's first and exclusive support for DSD256 on Mac" and third-generation headphone amplifier, Emotiva electronics, and a stock USB cable.
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Jason Victor Serinus Posted: Apr 30, 2014 2 comments
Designed by Art Powers Sr., who, I understand, manufactured some of the older Lamm amplifiers and designed their loudspeakers, Madison Fielding's second-generation Flagstone all-weather speakers ($3500/pair) include down-firing 10" Eminence 150W active custom-made woofers, and claim a frequency response of 44Hz–15kHz ±3dB. The Flagstone series consists of two models and three variations, and claims to cover an area of up to 1000 sq. feet.
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Jason Victor Serinus Posted: Apr 30, 2014 2 comments
Released in early April, Channel D's Pure Vinyl 4.0 ($299, or $139 for previous users) enables you to easily split tracks via automation. Rob Robinson (above) describes it as "a major upgrade in usability. We've smoothed the rough edges and made it easier to use, while retaining the same sound." (The list of at least 25 improvements takes up a full sheet.) The software also has a built-in crossover time-alignment feature for time alignment of subwoofers, thereby enabling the sounds of main speakers and subs to arrive at your ear at exactly the same time with maximum impact and slam.
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Jason Victor Serinus Posted: Apr 30, 2014 0 comments
In an exhibit surprisingly free of whisky (unless I was too preoccupied to notice), Music Hall offered proof that you don't have to break the bank (assuming you have one to begin with) in order to get good sound. "Very smooth, nice, and pleasant," I wrote of the enjoyable music from the new Music Hall C-DAC 15.3 three-input DAC/CD player ($549), Creek Evo 50a 55Wpc integrated amp ($1195), and Epos Elan15 bookshelf loudspeakers ($1395/pair). The player contains two different DACs, a Burr-Brown for CDs and a Wolfson for external sources. Source was a computer playing Pure Music, and connected to the C-DAC via optical.
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Jason Victor Serinus Posted: Apr 30, 2014 7 comments
Admittedly, the title seems almost melodramatic, if not messianic. But after Emerald Physics' handicapped presentation at, I believe, the last Rocky Mountain Audio Fest, I was not expecting to hear such fine and pleasing sounds. While ample credit is due PS Audio's brand new DirectStream pure 1-bit DSD-decoding DAC ($6000), thanks also be to Mark Schifter's canny programming of the DSP2.4 DSP crossover/equalizer ($850) that comes with Emerald Physics' CSE MK2 Controlled Dispersion, DSP-controlled, open-baffle loudspeakers ($3500/pair). Thanks as well to the new Emerald Physics EP 100.2 power amplifier ($1600), DSPeaker preamp/DAC ($1200), and REL T9 active subwoofer that filled in from 25Hz to 48Hz.
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Jason Victor Serinus Posted: Apr 30, 2014 0 comments
Clayton Shaw, who designed Emerald Physics loudspeakers and founded the company, returned last year with Spatial Audio loudspeakers. The Spatial Hologram M2 standard ($1995/pair) contains a new Hologram Circuit, and is a completely passive, analog, high-efficiency, open-baffle speaker. Each baby contains two 12' mid/woofers and one coaxially mounted compression driver. Designed to eliminate floor bounce, it claims not to need DSP or bi-amping.
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Jason Victor Serinus Posted: Apr 30, 2014 1 comments
Through the excellent Kingsound KingIII electrostats ($14,995/pair), Hegel H30 350Wpc amplifier ($15,000), Purity Audio Design new Reference class-A balanced linestage preamplifier ($10,995), Purity Audio Design Harmonia 300B tube buffer ($5500), M2Tech's new Young DSD/DCD DAC ($1699), Trigon CD II ($4250), and Dana Cables, music sounded very smooth but somewhat damped on top. A tenor sax sounded especially warm and inviting.
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Jason Victor Serinus Posted: Apr 30, 2014 3 comments
Thanks to musician and AXPONA founder Steve Davis, pianist John M. Yurick could be heard throughout the day in various locations on the lobby level of the Westin O'Hare. It's a shame that his piano's lid was closed in order to render his piano less obtrusive amidst the talking, because Yurick is an excellent musician who deserves more than "background music" attention. He also moves faster than my camera's flash-less "Night Setting" could accommodate.

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