Jason Victor Serinus

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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Thinking it was my last room—wrong—I lingered for some time with two great and dedicated guys, Keith Greeninger and Dayan Kai of Wyred 4 Sound. Listening to “The Deeper That You Love” from a Blue Coast Special album, I found a moderately bright leading edge balanced by an extremely lovely midrange. “Mids very, very nice for this price” I wrote in my notepad. Then, “Summertime” on an Original Master issue of Patricia Barber’s A Distortion of Love yielded “a fabulous sense of space and air, and great low bass.” (“A great demo track,” I noted, although the same can be said for many of Barber’s wonderfully recorded and mixed tracks).
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Walter Liederman’s Underwood Hifi showed an $11,600 system that he sells for the discount price of $8995 + freight. At its head were Emerald Physics CS3 Mk.2 open-baffle, controlled-dispersion loudspeakers complete with Emerald DSP2.4 digital equalizer/crossover ($3500/pair). Supporting them were two REL T9 powered subwoofers ($1200/each) electronically bi-amped through the Emerald DSP2.4, an Emerald Physics EP100.2SE amplifier ($2200), one DSPeaker Anti-Mode 2.0 Dual Core for preamplification and room correction ($1200), and a Jolida Fusion tube DAC/Transport ($2300). Also included, prices not supplied, were a Pro-Ject Xtension 10 turntable, PS Audio NuWave phono stage, and Mac mini.
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Jason Victor Serinus Posted: Oct 20, 2013 3 comments
Roy Johnson of Green Mountain Audio (left) teamed with Ron Hedrick of Marigo Audio Labs (right) to create a system modest in appearance and generous in musicality. After pairing Green Mountain’s Eos HX top-of-the-line 2-way loudspeaker ($4995/pair) with a cheap Sony multi-disc changer and the Jeff Rowland Design Group’s Model 525 amp and Aeris DAC, they put Marigo’s Mystery Feet under the electronics, and used, in addition to Audio Magic power cords, Marigo Audio cables and, on CDs, Marigo’s new Ultimate High-Definition Signature Mat ($239).
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Jason Victor Serinus Posted: Oct 20, 2013 1 comments
Shame on me for not writing down the name of Ron Sutherland’s adorable pooch, who stayed on my lap as we orbited to bliss with the great Johnny Hartmann. Partnering with some guys named John Coltrane and McCoy Tyner, Hartmann made magic of “They Say It’s Wonderful.” Of course, that was on LP, sounding—yes—wonderful thanks to a Merrill-Williams R.E.A.L. 101 table with Tri-Planar arm, Sutherland N1 full-feature line/phone preamplifier ($18,000) and Sutherland Power Block amplifier ($6000), arrayed on a Krollo Rack and connected to each other and Avalon Transcendent loudspeakers by Incline cabling.
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
No US audio show feels complete without hearing Acoustic Zen cables, interconnects, power cords, and loudspeakers connected to Triode Corporation electronics. Acoustic Zen’s Robert Lee deserved to smile, because his set-up showed everyone’s equipment at its best. Upsampled to 192kHz, a violin CD sounded gorgeous, and the low organ pedals on Saint-Saëns’ well-known “Organ Symphony” were equally convincing.
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
How perfect. Shortly before I entered the room shared by Win Tinnon of Saskia Turntables and his friends, Dave Slagle of EMIA and Chris Kline of Telwire, relatively new singer/recording artist Lyn Stanley dropped by to hear her new LP. Lyn has an extremely special, warm mezzo, perfect what she calls “retro jazz,” which found its ideal home in the room’s fabulous sounding, clear and warm system. So did Bob McChesney’s trombone, which accompanied her with the perfect mix of edgy power and warmth. Thanks to Win’s hospitality and Lyn’s voice, this was one of my special moments at a very special show.
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Crescendo Fine Audio of Boulder, a year-old venture founded by music lover and second-generation audio dealer Matt Alterman, 34, made its first showing at RMAF into a major event by sponsoring two impressive rooms. In 9018, Aerial Acoustics 7T loudspeakers ($9850) danced with Ayre’s V5X 175Wpc stereo amplifier ($7950), C-5xeMP universal audio disc player ($5950), and QB-9 DSD DAC ($3250). Preamps were Octave’s tubed HP 300SE ($7000) and, for phono, Red Wine Audio’s battery powered Analogica ($1995). A VPI Classic 1 ($2800) with Sumiko Blackbird cartridge ($1099) topped a system supported by Quadraspire’s Sunoka Vent 2 bamboo shelf rack ($795/shelf), and wired with Shunyata Research cabling, with a Shunyata Triton power distributor with stainless-steel feet ($4995) making sure everything sounded at its best.
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Norbert Lindemann tells me that his musicbook:20 ($5000) and musicbook:25 ($5500) will be available in six weeks. The musicbook:25 is a remotely controlled network player/CD player that includes a TEAC CD drive and USB-A port. It also contains a fully balanced analog preamp with analog volume control as well as class-A headphone amplifiers. The musicbook:20 lacks the 25’s CD drive.
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
I always have to remind myself that, despite Marantz’s “mass-market” reputation, the company’s Reference line products have more than earned their place on audiophiles’ equipment racks because they sound so good. Which leads to Marantz’s TT-15S1 turntable ($1500) and PM-14S1 integrated amp with phono stage ($2500). As best I can tell from my scribble, the table is a joint venture from Marantz and Clearaudio, and comes complete with arm and cartridge. What I am sure of is that system had a really nice midrange and lovely sound.
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
In the room put together by Rutherford Audio of Denver, Genesis’ 7.2f loudspeaker ($12,500/pair), whose servo-controlled bass extends down to 22Hz; Burmester’s 089 CD player ($33,000), Phono 100 ($20,000), and 956 amplifier ($19,000); Thorens’ TD 2035 Black with TP92 Genesis cartridge (price given as $6399 table, priceless cartridge); and Genesis cabling made for an ear-opening combination. An LP of Count Basie and his Orchestra’s “Me and you” had huge dynamic range, a nice and warm midrange, and an aggressive top. My JVC-XRCD of Sarah Vaughan and Basie was a bit mellower, but the top was again bright.

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