Jason Victor Serinus

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Jason Victor Serinus Posted: Oct 21, 2013 0 comments
Very clear and open sound, with a shiny treble and lovely midrange distinguished the room that partnered four lithium battery-powered components—a Kronos turntable ($32,000) outfitted with Lyra Atlas cartridge and Black Beauty tonearm, Veloce’s Platino Series LP-1 phono stage (NLA), Lithio Series LS-1 linestage ($18,000), and Lithio Saetta 400Wpc monoblock amplifiers ($18,000/pair)—with YG Acoustic’ Kipod II loudspeakers ($38,000/pair) and Kubala-Sosna Emotion cabling.
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Jason Victor Serinus Posted: Oct 21, 2013 0 comments
Sergey Sorokin, who deserves kudos as Russia’s first high-end manufacturer, arrived at the Marriott Denver Tech Center from Moscow a day before other exhibitors to ensure that his set-up was as close to ideal as the room allowed. Nonetheless, as John Atkinson and I learned upon listening, one of his Israeli-sourced, hand-wound transformers was damaged in transit, and insisted on humming/buzzing along with the music. Despite the unexpected accompaniment, the voice of Lorraine Hunt Lieberson singing Handel (Avie SACD) exhibited absolutely gorgeous tonalities. The great artist’s hushed sounds, even through the transformer noise, were something special. The period instrument orchestra’s bass foundation was also solid and superbly rendered.
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Jason Victor Serinus Posted: Oct 21, 2013 0 comments
By the time I reached the Tower’s 11th floor—my final floor, thank God—at 5:35pm on Saturday, I had been at it for over 8.5 hours, and my cold and fever were at their peak. It felt as though nothing short of the Balm of Gilead could bring me solace. But when I heard, in succession, impressively full-range sound and excellent low-bass definition on Mahler’s Symphony 2, and gorgeous warmth and color on everything soprano Arleen Auger sang, I felt as though I could simply float through the rest of the day in a state of peace.
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Jason Victor Serinus Posted: Oct 21, 2013 1 comments
How wonderful to finally catch up with Scott and Paul McGowan, and to discover how good PS Audio’s prototype class-D amplifier with Hypex modules sounds in its temporary housing. Equally exciting was the just-launched NuWave Phono Converter (NPC, $1895), which combines a phono stage with an A/D converter that can archive LPs in both PCM and DSD formats. Paired with Von Schweikert VR-35 loudspeakers ($10,000/pair) and a custom subwoofer, the system delivered impressive deep bass on a track from Turkish artist and DJ Mercan Dede’s Breath, and lots of color on a track by Chesky artist Marta Gomez.
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Jason Victor Serinus Posted: Oct 21, 2013 1 comments
Artist Jay Paul Apodaca and his lovely wife, Houda Alaoua Apodaca, were rocking out with Roksan UK’s Oxygene touch-sensitive, Bluetooth-equipped integrated amp ($7000) at the world premiere of its limited edition Jay Paul Apodaca incarnation. As the story goes, Roksan’s owner, Tufan Hashemi, visited Jay Paul’s store in Detroit and began collecting his art. Eventually he decided to commission Jay Paul to make 12 original paintings that he could reproduce on the front of the Oxygene. Mated with Roksan’s Darius S1 loudspeaker, the artwork and system livened up the Marriott’s Tower like few other systems I heard.
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
In German Physiks’ room on the 11th floor of the Denver Tech Center Marriott, the Unlimited Mk.II loudspeakers ($13,500/pair) were mated with Vitus Audio’s RCD-100 CD player ($12,750), RD-100 D/A converter ($11,250), and RS stereo power amplifier. Held together by Purist Audio Design’s Corvus balanced interconnects ($2100/1m pair), fabulously named Aqueous Aureus digital cable ($705/1m), and Venustas speaker cable ($5450/7m pair), the system displayed a lovely midrange with a bit of hard edge on a golden oldie, Sara K’s “If I Could Sing the Blues.” (Who remembers the audio show where this track was playing in at least 7 rooms, if not more?) Regardless, I found the superb sense of depth and air uncanny.
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Thinking it was my last room—wrong—I lingered for some time with two great and dedicated guys, Keith Greeninger and Dayan Kai of Wyred 4 Sound. Listening to “The Deeper That You Love” from a Blue Coast Special album, I found a moderately bright leading edge balanced by an extremely lovely midrange. “Mids very, very nice for this price” I wrote in my notepad. Then, “Summertime” on an Original Master issue of Patricia Barber’s A Distortion of Love yielded “a fabulous sense of space and air, and great low bass.” (“A great demo track,” I noted, although the same can be said for many of Barber’s wonderfully recorded and mixed tracks).
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Jason Victor Serinus Posted: Oct 20, 2013 0 comments
Walter Liederman’s Underwood Hifi showed an $11,600 system that he sells for the discount price of $8995 + freight. At its head were Emerald Physics CS3 Mk.2 open-baffle, controlled-dispersion loudspeakers complete with Emerald DSP2.4 digital equalizer/crossover ($3500/pair). Supporting them were two REL T9 powered subwoofers ($1200/each) electronically bi-amped through the Emerald DSP2.4, an Emerald Physics EP100.2SE amplifier ($2200), one DSPeaker Anti-Mode 2.0 Dual Core for preamplification and room correction ($1200), and a Jolida Fusion tube DAC/Transport ($2300). Also included, prices not supplied, were a Pro-Ject Xtension 10 turntable, PS Audio NuWave phono stage, and Mac mini.
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Jason Victor Serinus Posted: Oct 20, 2013 3 comments
Roy Johnson of Green Mountain Audio (left) teamed with Ron Hedrick of Marigo Audio Labs (right) to create a system modest in appearance and generous in musicality. After pairing Green Mountain’s Eos HX top-of-the-line 2-way loudspeaker ($4995/pair) with a cheap Sony multi-disc changer and the Jeff Rowland Design Group’s Model 525 amp and Aeris DAC, they put Marigo’s Mystery Feet under the electronics, and used, in addition to Audio Magic power cords, Marigo Audio cables and, on CDs, Marigo’s new Ultimate High-Definition Signature Mat ($239).
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Jason Victor Serinus Posted: Oct 20, 2013 1 comments
Shame on me for not writing down the name of Ron Sutherland’s adorable pooch, who stayed on my lap as we orbited to bliss with the great Johnny Hartmann. Partnering with some guys named John Coltrane and McCoy Tyner, Hartmann made magic of “They Say It’s Wonderful.” Of course, that was on LP, sounding—yes—wonderful thanks to a Merrill-Williams R.E.A.L. 101 table with Tri-Planar arm, Sutherland N1 full-feature line/phone preamplifier ($18,000) and Sutherland Power Block amplifier ($6000), arrayed on a Krollo Rack and connected to each other and Avalon Transcendent loudspeakers by Incline cabling.

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