Jason Victor Serinus

Jason Victor Serinus  |  Jan 08, 2013  |  5 comments
Robert Deutsch had yet to make his appearance, fresh from performing in two musicals in Canada, when I snapped this photo of some of Stereophile's CES team stressing the show account and plotting our on-line coverage at the Mirage's classy BLT Burger. Pictured, L–R, are John Atkinson, Jon Iverson, Stephen Mejias, and Audiostream.com's Michael Lavorgna.
Jason Victor Serinus  |  Jan 08, 2013  |  0 comments
For many years, when the Stereophile crew journeyed to Las Vegas to cover the Consumer Electronics Show, we stayed at what eventually became the Hyatt Place. Not only was it smoke and slot machine-free, quiet, and equipped to serve breakfast gratis, but it was also located just a block from the CES "high performance" exhibits in the Alexis Park and the "alternative" T.H.E. Show in the St. Tropez, and a shuttle bus ride from the Las Vegas Convention Center (LVCC). It was an ideal place to sleep, work, and recoup in... until CES shifted its "high performance" exhibits to the Venetian Hotel on the Strip, and T.H.E. SHOW moved nearby.

At last, Stereophile has caught up with the shows, and made the move to the Mirage. Located just across the street from the Venetian, and down the block from T.H.E. SHOW at the Flamingo, it's a massive hotel whose interior is dominated by a huge, multi-story arboretum complete with towering plants and waterfalls. Behind the registration desk is a huge aquarium, packed with an impressive collection of exotic looking fish whose blank-eyed stares are mirrored in the faces of many of Las Vegas' veteran gamblers. To get to the room elevators, you must walk through the gambling area, with all the smoke, noise, and looks of desperation that are the mark of one side of Las Vegas. Pictured is the alternate reality view from my 5th floor hotel window. Treasure Island is on your left, and the Venetian on your right. Don't even think about what lies in between.

Jason Victor Serinus  |  Jan 02, 2013  |  5 comments
David Manley, 73, founder of VTL, Manley Laboratories, and the ViTaL record label, died of a heart attack on December 26, 2012, at a hospital near his home in Varrennes-Jarcy, France. Famously described in the pages of Stereophile by Robert Harley in a 1991 interview as expressing "his strongly held beliefs with a passion and conviction that the printed word does not adequately convey," Manley leaves behind a rich legacy that continues to grow under the leadership of, for VTL, his son Luke Manley and daughter-in-law Beatrice Lam, and for Manley Labs, his fifth wife, EveAnna Manley.
Jason Victor Serinus  |  Dec 24, 2012  |  7 comments
Just in time for the New Year, Cookie Marenco of Blue Coast Records has released the first-ever DSD (Direct-Stream-Digital) download of the San Francisco Symphony Orchestra's recording of Mahler's Symphony No.1. Recorded live in Davies Symphony Hall in September 2001, shortly after 9/11, and first released as a hybrid SACD in 2003, the recording is one of the only four Mahler symphonies in SFSO's complete Mahler cycle that were recorded directly to DSD.

The Mahler 1 files, available in four formats, are all derived directly from San Francisco Symphony's master, not from a copy of the SACD. The formats include two DSD formats: DFF and DSF. For those whose computer playback software or DACs are not equipped to play DSD files, 24/96 and 16/44.1 PCM files in WAV format are also available.

Jason Victor Serinus  |  Dec 12, 2012  |  6 comments
In order to get in the right mindset for the Dallas Wind Symphony's first ever Christmas CD, Horns for the Holidays, from Reference Recordings and recording engineer Keith O. Johnson, you have to understand something about Dallas.
Jason Victor Serinus  |  Nov 29, 2012  |  First Published: Dec 01, 2012  |  1 comments
Every music-loving audiophile has a unique story—a story of the first time he or she was grabbed, body and soul, by a first, usually low-budget listen to a 78, LP, CD, open-reel, cassette, or MP3—a story that continues today in that audiophile's quest for high-end bliss. For me, it was my desire to move closer to the voices of the singers I most loved.
Jason Victor Serinus  |  Nov 23, 2012  |  7 comments
At the 133rd Audio Engineering Society (AES) Convention at San Francisco's Moscone Convention Center, a full house flocked to aptly numbered Room 133 on October 27 to hear Stereophile's John Atkinson and four other major audio professionals deliver a two-hour presentation, Loudness Wars: The Wrong Drug? Sharing the stage were the panel's chair, Thomas Lund of TC Electronic A/S from Risskov, Denmark; Florian Camerer of ORF of Vienna, Austria; fabled recording and mastering engineer Bob Katz of Digital Domain in Orlando, Florida; and the equally fabled George Massenburg, McGill University, Montreal, Quebec, Canada, who engineered, among other things, that audiophile favorite, Jennifer Warnes' "Bird on a Wire."
Jason Victor Serinus  |  Nov 12, 2012  |  19 comments
Rather than debut its new $13,000 DSX1000 Network Music Player in the UK, where the company is based, Chord founder and chief scientist, John Franks (above), traveled to Mountain View, CA on November 8 for the unveiling. The site was the spacious, extremely attractive Northern California showroom of Audio High, one of the high-end dealers in the US that display Chord's top-end Reference products.
Jason Victor Serinus  |  Nov 11, 2012  |  5 comments
Nelson Pass in full flight

It was no accident that residential architect Mark Cronander, aka Variac, scheduled the Sixth Burning Amp DIY Fest for October 28, on the same weekend that the AES Convention (Audio Engineering Society) took place in San Francisco. Not only did Cronander attract a fair number of new folks who came into town for the convention, but he also scored, as a speaker, class-D amplification expert Bruno Putzeys of Belgium's Hypex Electronics.

Jason Victor Serinus  |  Oct 21, 2012  |  3 comments
OMG. It’s 4pm on Sunday, the show is over, and I have three rooms left to cover. Dash to door number one. It’s already locked. Next to door number two. It’s locked as well. Is this going to be the worst episode of Let’s Make A Deal ever known to man or audiophile, I wonder, or will I find the pot of gold behind door number three?

Well, kind of. The door opens, there are boxes everywhere, and Larry Alan Kay, former co-founder of Fi—the audiophile magazine that ran all those recipes for audiophiles who like to drink and chomp while they listen—is packing up the BSG Technologies QOL Signal Completion Stage.

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