Jim Smith, author of Get Better Sound, spent a full hour discussing a host of topics from his book. Among the subjects he was prepared to cover were optimal use of subwoofers, loudspeaker set-up, multi-channel system requirements, room acoustics and treatments, system enhancements, bi-amping, and analog vs digital. In the brief time I spent in the room, questions were lively and plentiful. One in particular, on compression in modern pop recordings, harked back to John Atkinson's recent "As We See It" and his Rocky Mountain Audio Fest presentations on the subject.
Sonist of Studio City, CA was touting the premier of the Recital 3 all-wood floorstanders ($2195/pair), with a lower-price black textured finish model ($1795/pair) also available. . Featuring a 6" woofer and ribbon tweeter, the 8 ohm speaker has 93dB sensitivity, and a frequency response of 45Hz40kHz. Audience and Cardas parts point to high quality. Shown next to the larger Concerto 3 ($4195/pair with all-wood cabinets, otherwise $3495 and reviewed by Art Dudley in April 2009), the Recital 3 is an 8 ohm, 95dB-sensitivity speaker with a frequency response of 30Hz40kHz. Current production of the Concerto 3 has fixed the cabinet resonance problem JA found in our review.
In the Audiowood/Glow room, I again made the acquaintance of the diminutive, low-priced amps that were playing across the hall with Sonist speakers. This time, I had the opportunity to hear the story behind them.
Midway through Axpona, Norbert Mundorf, maker of the fabled Mundorf capacitors, flew in from Germany to bring the Steinmusic Harmonizer H2a and H2b to the Jaton room. Although I had already blogged the room, I happened to be in the right place to learn what was going on.
You can always count on several things from Soundsmith: rich, luscious, extremely seductive sound (especially from the moderately romantic Strain Gauge cartridge/phono preamp), and a flashing light show from multiple components that is curiously at odds with the refinement of most of the vinyl Peter Ledermann plays.
If the Soundsmith exhibit invariably brings a light show, the EgglestonWorks/Arte Forma Audio room created the opposite effect. All of the horrible energy-saving fluorescents were turned off, leaving the room lit only by what came through the window.
Roy Hall's Music Hall was showing several nifty little systems. Making its official debut as well as show debut, the Creek Audio Evolution 5350 Integrated amplifier ($1795), which has been around for perhaps a decade in various proven incarnations, was sending its 120Wpcs into 8 ohms signal from the Creek Destiny CD player ($2495) into the handsomely slim (were we all only as. . .) Epos M22i loudspeakers ($2599/pair). This system was uncompromising in its portrayal of brash rock as exactly that. No euphonic roll-off or soft-pedaling allowed! Switch to the Oscar Peterson Trio, and you'll hear a very different, sweet sound on piano and bass.
Although I didn't get a chance to audition themRoy Hall tried to ply me and just about everyone present with Scotch or something to get me to linger, but this extremely moderate drinker decided I could do a better job if I didn't stumble from room to room, dragging cables behind meI was quite intrigued by the AktiMate Mini ($695/pair) in the Music Hall room. This Australian baby, engineered by folks from Creek Audio and Epos, is an active speaker, similar to the popular AudioEngines, and the master unit is equipped with an iPod dock as well as stereo RCA phono and mini-jack inputs. There is even an RCA stereo out to enable connection to a subwoofer, as well as a volume remote.
To anyone who has committed my blogs to memory, or treated them with the same reverence as passages from the Bible, my love for mbl speakers and electronics will come as no surprise. Listens at CES 2010, RMAF 2009, and CES 2009 left me in awe. If only the newest mbl speakers on the market had been on active rather than static display, I expect I'd be waxing ecstatic once again.
Audio Plus Services, Toronto, distributes a luscious batch of products that includes Pathos, Focal, Cambridge Audio, MicroMega, Crystal cable, Siltech cable, and Solid Tech racks. At Axpona, throwing aesthetics to the dogs in an attempt to tame the room, APS's Ian McArthur sent files wirelessly from his Macbook Pro or a PC running the Airfoil utility via the MicroMega WM-10 Airstream wireless receiver ($1595) to the Pathos TT Anniversary 35W class-A hybrid integrated amp ($7695) and Focal-JM Lab Electra 1028BE loudspeakers ($8495/pair). Cabling was Crystal Cable Reference for both interconnect ($2400/1m) and speaker cable ($7500/3m), and the industrial-look rack was Solid Tech ROS Reference 3 ($1495). The Airstream basically incorporates a self-configuring WiFi router to feed audio data (limited to Red Book at present) to its DAC. Although use of iTunes as the media server, without benefit of either the Amarra or Channel D's Pure Music interfaces, undoubtedly contributed to a lack of transparency, cellos sounded extremely deep and solid, and Marta Gomez's debut CD on Chesky (played directly from the computer's CD drive without benefit of burning) was rewardingly crisp and extremely fast.