Jason Victor Serinus

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Jason Victor Serinus Posted: Jan 19, 2014 0 comments
Given the lateness of the hour, I could only snap a photo of the Italian Pearl Evolution Victor Ballerina 401/8 DPG loudspeaker ($14,000/pair) and grab a brochure. Slated for U.S. distribution, the three-way D'Appolito design with 89dB "sensibility"—why do so many overseas companies dispense with professionals when they translate their literature into English?—boasts a bass box that is equipped with a "Dynamic Pressure Gide (D.P.G) . . . a substantial and radical innovation in loudspeakers [sic] design. The D.P.G. differs from the usual internal bracings—that only aim at reducing box vibrations—because it is intended to orientate a great part of air flow toward the Cremonesi–Venturi port, purportedly reducing air pressure on the box walls."
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Jason Victor Serinus Posted: Jan 19, 2014 0 comments
Formerly imported from Italy by May Audio, when Art Dudley reviewed their Mastersound 300 B S.E. integrated amplifier, MasterSound may be poised to re-enter the US market. Through Diapason loudspeakers, I was intrigued with the sound of the Mastersound Final Amplifier 845 monoblock, a parallel single-ended eye-catcher. Mastersound's Dueundici preamplifier was also in the system. I regret that the lateness of the hour on T.H.E Show's final day did not allow me to gather more information.
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Jason Victor Serinus Posted: Jan 19, 2014 3 comments
Named for the God of Wind, PranaFidelity's new 94 lb, Vayu/fs, two-way, quasi-line–array loudspeaker ($6950/pair), which has a claimed frequency response of 29Hz–22kHz, an 8 ohm impedance, and 89.5dB sensitivity, was reproducing the exceedingly warm sound of Atma-Sphere's M-60 Mk.III.2, fully differentially balanced class-A, triode OTL monoblocks ($7200/pair) and MP-3 Mk.III.2 preamp ($5600–$9000, depending upon options).
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
Having heard a prototype of Zesto Audio's brand new BIA 120 class-A stereo power amp ($12,500), I was delighted to discover it looking and sounding extremely attractive in a system that included TAD Evolution One loudspeakers, a Zesto Andros PS1 phono stage, Merrill Williams audio REAL 101 turntable w. Tri-Planar U2 tonearm and Dynavector XV-1s cartridge, and a full complement of WyWires cabling. On Illinois Jacquet's album, God Bless My Solo, I noticed that the really nice, warm sound was a little bright on top, and that images seemed rather small for the speakers and room.
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Jason Victor Serinus Posted: Jan 18, 2014 Published: Dec 31, 1969 1 comments
"I'm mad as hell and I'm not going to take this anymore" may be one of the most famous lines from an American film—Network, 1976, to be precise—but it seems, on the surface, to have little relationship to MAD (Made in England), the British loudspeaker company whose products have earned praise from cellist Julian Lloyd Webber and Stereophile's European correspondent Paul Messenger, among others. Playing at T.H.E. Show was the MAD Grand MS ($12,000/pair).
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Jason Victor Serinus Posted: Jan 18, 2014 7 comments
When I entered the Daniel Hertz room, close to a full house was sitting at attention as someone was giving a spiel about room correction. As I wrote in my notes, "I don't know what's going on, but the choir is overloading and the sound is too warm." Said person, whom I only later learned, after I left the room, was Mark Levinson, then announced that he wanted to show off the system's dynamic range. "Any sound known to man this system can reproduce," or something very close to that, he declared as he proceeded to play sounds created by Norah Jones.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
It's a l o n g story, but Fritz Speakers ended up at T.H.E. Show as a replacement for a company that couldn't make it. In tow were the Fritz Speakers S/R loudspeakers ($3500/pair), which combine a Scanspeak Illuminator tweeter and a 5" paper-cone driver. Bringing up the rear, as it were, were a VPI Traveler, modified Oppo, DEQX preamp, PTE phonostage, Wells Audio Innamorata amplifier, and WyWires cabling. On an LP by Tracy Chapman, I heard fine soundstaging, lovely bass, and a little ringing around the edges. The bright edge remained when we switched to CD.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
John Larsen was on hand to show off his eye-catching Swedish-made Larsen 8 loudspeakers with SD feet ($6995/pair), which are distributed by Audio Skies. Meant to be placed against the wall for full control and bass response, they can descend to 23 or 24Hz, and ascend 20kHz. "They're designed to play with the room, not against the room," Larsen explained of a design that claims to eliminate distortion-creating first reflections. The angle of the tweeter also creates a wide soundstage that was given a run for its money on Telarc's recording of Tchaikovsky's 1812 Overture.
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
First, today's language lesson: lampa = vacuum tube (or a valve) in Polish. Hence the name LampizatOr for the young Polish company whose GM70 SET 22W tube monoblock integrated amplifiers ($8000/pair) are point-to-point wired in Poland, and whose motivating force, Lukasz Fikus, seems intent on causing quite a stir on audio forums with statements such as, "I DECLARE universal war against high-end equipment manufacturers: CD player, amplifier, cables, speakers—NO MORE CRAP."
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Jason Victor Serinus Posted: Jan 18, 2014 0 comments
I’m happy that Simplifi Audio’s Tim G. Ryan introduced me to a new speaker manufacturer, Klangwerk of Zurich, because I really liked the sound of Klangwerk’s fully active, mastering grade Ella loudspeaker ($15,000/pair). Not only did the Ellas produce a very wide and tall soundstage, but they also descended to 35Hz (albeit –6dB). Paired with a Weiss MAN 301 network player, DNM Design speaker cables with HFT ends, and optional DSPeaker automatic room correction—claimed to fix any stereo system in 5 minutes—the Klangwerk Ellas yielded lovely, smooth, and most enjoyable sound on an excerpt from Reference Recordings’ disc of The Tempest.

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