Audio Note UK, shown at RMAF by its US distributor AudioFederation.com, chose the Denver Show for the world premiere of its first USB-input DAC. The DAC 0.1X, an entry-level product that features neither anti-alias filtering nor oversampling, and uses a teeny little 6111WA dual-triode output tube that is said to behave like a 12AU7 but last a staggering 100,000 hours, was making fine sound paired with a complete line of Audio Note components and cables.
Audio Federation doesn't play around. Its top-of-the-line, no-holds-barred system centers around the Marten Coltrane Supreme loudspeaker ($250,000/pair), Audio Note UK Ongaku amplifier ($85,000), EMM Labs/Meitner Design CDSD SE transport ($8400) and DCC2 SE DAC ($13,500), Brinkmann Balance turntable ($29,900), Lamm LP2 Deluxe phono preamp ($6990), and, for this system, modestly priced Lyra Titan cartridge ($5000). Cabling is no less than Nordost Valhalla, Stealth Indra, Jorma Design No.1 and PRIME, while power cords and distributors include Nordost Valhalla, Elrod Statement II and Signature III, and Acrolink Mexcel 7N-7100.
In Hebrew, the number 18 is called "chai," which also means "life." As my final (and 18th) blog entry from Day One at RMAF, I was happy to report how thrilled Jeff Wilson and I were with the sound in the Gill/Art Audio/Daedalus room.
I really enjoyed the mellow sound created by the USB-input Benchmark DAC 1 and the Studio Electric T3 loudspeakers. The speaker, with its 87dB sensitivity and 4 ohm impedance, is distinguished by the 6.5" broad-band drive-unit, encased in a stainless-steel sphere, that handles frequencies from 50Hz to 4kHz. Although you can see the diminutive silk-dome tweeter in the photo, the side-firing 8" woofer, which handles the single octave from 25–50Hz, is missing from view. Very, very nice.
Barrows Wurm urged me to "take a picture because it’s beautiful." This is PS Audio's as-yet-unnamed, forthcoming transport. A replacement for the aged PS Audio Lambda used in their RMAF rack display, it should cost under $2000. Other components included the Power Plant Premiere ($2195), GCC250 class-D Control Amplifier ($3495), and DL3 DAC ($995).
The sound in the large PS Audio room was impressive. Despite, at one point, my trying to listen to music over three conversations at once, the system on display,—all PS Audio save for the Avalon Ascendant speakers and JL Audio subs—was distinguished by its full midrange and inviting warmth. The sign on the poster behind the system—"Perfect Power Without the Box"—refers to the company’s forthcoming rack, which will have a power conditioner built into the bottom, additional power filters for every component, and the power itself carried by the tails of the rack. The initial plan is for an 11" wide rack designed for smaller, "lifestyle" components. (I’m one of those folks more concerned with having a life than displaying a lifestyle, but a chacun son gout). A desktop version is also planned.
Ayre and Vandersteen are two companies whose products have achieved an enviable reputation for excellence. I was, in fact, blown away by my listening experience in the Ayre room at RMAF 2006, and looked forward to an equally enveloping experience this year.
I was impressed by the extremely full-range presentation of the VMPS RMD-60 loudspeaker ($9950/pair) paired with the VMPS Very Solid Subwoofer ($1850)—especially with the system's admirable bass control. Part of the credit goes to Bybee special-effect Golden Goddess AC cables and speaker bullets, Bolder Cable interconnects and cables, the rest to the Eastern Electric M156 monoblocks (160W into 8 ohms, $7000/pair, based on the EL 156 pentode tube), and Bolder's Statement Level Modded Squeezebox 3 ($1300). If The Bolder Cable Company’s display sounded this good with brand-new amps that were not yet broken in, I look forward to hearing it again once everything is fully ready to strut its stuff.
The delightful Gilbert Yeung of Blue Circle, minus the Mickey Mouse ears and Snake Oil display I encountered at the last Show, has a thing for circles. I'm not complaining. After seeing boxes upon boxes upon boxes, encountering a surfeit of circles is super. (I have a feeling someone is going to rake me over the coals in the comments section for that one.)
A definite eye-catcher, the $25,999/pair spherical Proclaim Audioworks DMT-100 speaker system features an external crossover that facilitates the ability to balance stereo output in difficult listening environments. (The crossover includes an L-pad bypass option to ensure "the cleanest possible signal path...for audio purists.") Each driver is independently mounted in a spherical enclosure cast from a proprietary high-density laminate. Fine-tunable for one's room, each driver can be adjusted up to 45° off-axis; they also afford up to 12" vertical and horizontal positioning flexibility for the tweeter and midrange modules. Daniel Herrington's babies, designed by ear, are so new that their sensitivity has yet to be measured.