Jason Victor Serinus

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Jason Victor Serinus Posted: Oct 16, 2007 0 comments
Aerospace engineer James M. Harrell, Jr. debuted his Jumping Cactus Loudspeakers at RMAF 2007. Only available from jumpingcactusloudspeakers.com, these tri-amped, 120lb loudspeakers are housed in sealed aluminum cabinets that feature a Bubinga wood front panel. The speakers are said to have a high measured sensitivity of 94dB. With a frequency range of 65Hz–20kHz., a subwoofer is recommended. The speakers also come with an active XM44 4-way crossover by Marchand Electronics.
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Jason Victor Serinus Posted: Oct 16, 2007 0 comments
Kara Chaffee has every reason to smile even wider than she's smiling here. Her DeHavilland GM-70 50W SET monoblocks ($11,000/pair) and Ultraverve remote preamp ($2995) were creating one of the most wondrous, air-filled soundstages I have heard. "We aim at the heart of the music," she told me after I had spent a while listening to some of my favorite CDs.
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Jason Victor Serinus Posted: Oct 16, 2007 0 comments
Art loudspeakers, made in Scotland, paired up German-manufactured audio components from AcousticPlan and a line transformer from Japan to make their joint US debut at the 2007 RMAF. In two adjacent rooms, I heard two different Art models. As depicted in the photo with Art's Derek Dunlap, I first auditioned the art Stiletto 6 loudspeaker ($5000/pair), mated with AcousticPlan's Sitar hybrid-design integrated amp ($7500, complete with external power supply), Audio Technic line transformer from Japan (also debuting), and Cary Audio CD player. The Stiletto, a vented two-way made from birch plywood without use of MDF, measures 88.5dB sensitivity and has a fairly linear frequency response that starts at the mid '30s. It features a SEAS 6" coated-paper driver and a 1" soft-dome tweeter equipped with a proprietary horn to create a delightfully open soundstage. I was quite impressed with this system, which produced very warm, rich sounds that belied the speaker's diminutive size.
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 5 comments
It was 5:30 p.m. on Saturday. As Day Two was coming to a close, this sleep-deprived audiophile determined to end the day on a high note. Ah, the Cary/Dali room. That's sure to be a winner. Thank God, it was.
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 1 comments
Walter Liederman and Danny Richie next showed me the mammoth LS9 (named for its nine planar magnetic drivers). Priced at an unbelievable $6000/pair considering their size and complexity, the LS9s were coupled with Al Stiefel's fine Red Rock Audio 50Wpc Renaissance Monoblock amplifiers ($39,750/pair), Red Rock prototype preamplifier, Abbingdon Music Research CD-77 player ($8500), Grand Prix Audio Monaco turntable ($19,500), and Red Rock Audio cables. Components were supported by the Monaco Modular Isolation Rack ($4750) and Monaco Amplifier Isolation System ($1499). Grand Prix designer Alvin Lloyd says of these plexiglass shelf stands, "I will argue that our stands are the most efficient and highest-performing isolation products in the industry."
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 5 comments
Mark Schifter and Walter Liederman of AV123 continue to blow my mind. To their astoundingly low-priced line of quality loudspeakers, only available through the AV123 website, they have added two large loudspeakers from GR Research. Designed by Danny Richie, who previously designed the Epiphany Loudspeakers and is now redoing the crossovers in the Ushers—I am told that Wes Phillips will be reviewing one of Danny’s Usher make-overs for Stereophile—Danny is shown standing next to the GR Research LS6. Priced at $4500/pair, the speakers feature eight 6.5” woofers and six planar magnetic drivers. The LS6 not only boasts a 20Hz–20kHz frequency response, but also features bass drivers that are adjustable according to what the room and system can handle.
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 12 comments
Mark Schifter is well on his way to becoming a legendary figure in high-end audio. From his small-box, low–price-point Audio Alchemy and Perpetual Technology components, Mark has gone on to found one of the first genuine bargain high-end websites, AV123, and build speaker cabinets for many major players. Here he stands next to one of his extremely fine-sounding, amazingly low-priced speakers and subs, all sourced from renewable forests and finished with eco-friendly veneers.
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Jason Victor Serinus Posted: Oct 14, 2007 Published: Oct 15, 2007 1 comments
Driven by the Triode Corporation Japan's TRV-M300SE 20W 300B parallel single-ended monoblocks ($4199/pair) and TRV-4SE tube preamp ($1799), and fed by a very-slow-to-cue dCS SACD player, the Cain&Cain Wall-O-Sound (W3) ($3300), designed by Gordon Rankin of Wavelength Audio, did a superb job reproducing the true timbre of a piano. Throwing a huge soundstage, with wonderful height and depth, this little system had me writing "really beautiful" in my notebook.
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Jason Victor Serinus Posted: Oct 14, 2007 1 comments
I've always wanted to win the lottery so I could buy a pair of Jed Barber's much-coveted Joule Electra tube amps. I've spent hours in the Joule-Elrod room at several CESes, always entranced by the sound, but have never before heard the Joule LA150 Mk.2 preamp ($7000) and VZN 100 OTL monoblocks ($19,000/pair) paired with Merlin VSM MXE loudspeakers ($10,500.pair) and the Audio Aero Prestige CD player ($14,000). Wired with Cardas Golden Reference, this system did a superb job of bringing out the lovely, warm, full-range sound and delicious richness of Gary Karr's double bass on his Cisco Systems Adagio d’Albinoni CD.
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Jason Victor Serinus Posted: Oct 14, 2007 3 comments
I've always wanted to hear Harbeth loudspeakers, but never before had the opportunity. All I knew about them was that they were quintessentially English, whatever that was supposed to mean.

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