The Audio Alternative had a number of rooms on the 9th floor of the Denver Marriott Tech Center Tower, the largest of which boasted an impressive set-up. Audio Research Corporation's Anniversary Edition Reference Preamplifier ($24,995), Reference 210 amplifiers ($19,900/pair), Reference Phono 2 ($11,995), Reference CD8 ($9995) and DAC 8 ($4995) were dancing with Vandersteen 7 speakers ($45,000/pair); Linn LP12 turntable, Ekos SE tone arm and Lyra Titan cartridge ($24,000 total); AudioQuest Wild Blue Yonder XLR interconnects ($16,800 for 26'). Wildwood speaker cables ($11,600 for 8'), NRG WBY AC power cords ($4400 for 12'), and WBY XLR interconnects ($4200 for 3'); and Harmonic Resolution Systems SXR 1921 isolation stand ($4995), M3X 2123 isolation base ($2895), and R1-1921 ($1095). (Whew!) The room was full of people making too much noise; the sound loud (there was no choice), impressively big and solid. Short of blowing a whistle, there was nothing I could do except collect literature and promise myself that at the next show, I'll finally get a chance to hear the Vandersteen 7s that received raves at the 2010 CES.
Doshi Audio of Virginia was proudly displaying their handcrafted Jhor monoblock amplifiers ($18,995/pair) and Alaap V2.1 full-function preamplifier ($14,995). Partnered with the oft-encountered Wilson Audio Sasha, and Transparent XL series cabling, the system excelled in midrange strength as it threw an exciting soundstage. Although lacking ultimate bass control, the system rendered take-no-prisoners rock in accurately brash and brazen fashion.
The sound was so full, so all encompassing, and so natural in the small Magico room (Tower 9022) that I doubt I'll encounter another display at RMAF that will top it. Certainly on the first day of the show, the sound achieved by (pictured, left to right) Tim Marutani of Marutani Consulting (Emeryville, CA), Alon Wolf of Magico, and Maier Shadi of The Audio Salon (Los Angeles) was so satisfying that it topped anything else I heard on Day One by a long shot. A very long shot.
Since my earliest visits to the Stereophile Show, well before I began writing for the magazine, I have always left Jeff Joseph's speaker displays with a smile on my face. This show was no different. Displaying the lovely Joseph Audio Pulsar ($7,000/pair) with not-yet-released-or-priced Pulsar stands, the combo with Ayre electronics (including the QB-9 USB DAC$2750) and Cardas Clear cabling was a joy.
Philip Bamberg's Bamberg Audio was playing the Series 5 TMW ($8800/pair) and displaying the Steries 2 TMM ($4800/pair) when I entered. The 5 is a 3-way design with a 375W active woofer, parametric EQ, and separate monitor. It is said to descend flat to 25Hz, and down to 18Hz 6dB.
For many of us in the press, RMAF 2010 began with VTL's well-orchestrated press breakfast launch of the new MB-450 Series III monoblocks ($18,000/pair) and TL7.5 Series III preamplifier ($20,000). Speaking before a full house that included representatives from Stereophile, The Absolute Sound, Positive Feedback On-Line, Enjoy the Music, and many other media outlets, VTL's Luke Manley explained that the Series III is VTL's first fully balanced amplifier.
Lest anyone think that we at Stereophile don't pay attention when manufacturers speak, take a look at Stephen Mejias, virtually mesmerized by Luke Manley's energetic and ever-enlightening prose. Also pictured, Steven Rochlin of Enjoythe Music, Peter McGrath of Wilson Audio, and the empty chair and scattered detritus of the photographer-in-action.
That's sure how it felt when I waded through the mob at the registration table. Graced by the presence of William Togno, a fellow member of the San Francisco Bay Area Audiophile Society, the registration table was swamped a good 90 minutes before the show opened on Friday. There were so many people packing into the elevators to the five floors of exhibits in the Denver Marriott Tech Center Tower that the elevator frequently refused to move; when it finally got up the courage to ascend, it alighted on each floor with a huge thump. Scary.
La Stupenda is no more. The brilliant coloratura soprano Joan Sutherland, who died a thousand deaths onstage after emitting flawless high E-flats, died at her home near Montreux, Switzerland, on Sunday, October 10. Her death was confirmed by her frequent stage partner and friend, mezzo-soprano Marilyn Horne.