Stephen Mejias

Stephen Mejias  |  Jun 28, 2013  |  12 comments
It’s been just over a month since my last Payday Albums post, but it feels much longer than that. I had been trying to spend less money on records, so that I could actually spend more time listening to the records that stood quietly on my shelves. A valiant endeavor, if I do say so myself, but one that didn’t really work out as intended: Instead of spending money on records, I spent money on books. I almost posted a Payday Books list, but I figured the grumpy old audiophiles would stone me for reading.
Stephen Mejias  |  Jun 24, 2013  |  1 comments
Simple, beautiful, majestic: The video for Yeah Yeah Yeahs "Despair," the second single from their recently released Mosquito, has the band on top of the Empire State Building, rocking joyously as the sun rises over the unreal city.
Stephen Mejias  |  Jun 19, 2013  |  1 comments
The Bob Carver Black Beauty monoblock power amplifier will continue to be made in the US; Jade Design only plans to make it, and other Carver products, more accessible to more people.

When I visited Jade Design in Franklin, TN, last December, Jade’s president, Dan Laufman, hinted that his company was on the verge of making a major acquisition. Today, Jade Design, parent company of Emotiva, Emotiva Pro, and Sherbourn, has completed the acquisition of tube amp manufacturer Bob Carver, LLC.

Stephen Mejias  |  Jun 19, 2013  |  33 comments
A small subset of audiophiles (always men—the especially old and joyless ones, I suspect) are sick of reading about my adventures in domesticity: They've been there, done that, and managed to do it far better than I. Good for them. Really, I'm glad they're so wise, mature, and experienced that they would spend their free time pounding out frenzied letters to the editor, caps firmly locked, disparaging my taste in music, my relationships with women, my choice of loudspeaker.
Stephen Mejias  |  Jun 17, 2013  |  6 comments
"My life would be worthless without music," says one young member of the Landfill Harmonic, a music program for the children of Cateura, Paraguay.
Stephen Mejias  |  May 30, 2013  |  9 comments
Aidan Baker. Photos: Leah Buckareff.

Aidan Baker’s Already Drowning is our “Recording of the Month” for June 2013. In preparation for our review, I asked Baker a few questions about the album. We discussed literary and musical influences, the songwriting and recording process, and the importance of sound.—SM

Stephen Mejias  |  May 29, 2013  |  First Published: Jun 01, 2013  |  3 comments
Though classically trained in flute and exceedingly capable on a wide range of other instruments, including drums, trombone, piano, and various electronics, Aidan Baker is best known for his work on acoustic and electric guitar. A perusal of his unofficial discography on Discogs.com reveals some 80 full-length albums, and another couple dozen singles, EPs, and compilation credits. Beyond merely prolific, Baker's recorded output is profound—and nearly impossible to chart.
Stephen Mejias  |  May 24, 2013  |  15 comments
T.H.E. Show Newport Beach will be held May 31 through June 2, at the Hilton and Atrium hotels, near Orange County Airport, in Irvine, California. John Atkinson and Jason Victor Serinus will cover the show for Stereophile.com, while Tyll Hertsens and Michael Fremer will represent for InnerFidelity and AnalogPlanet.

Jason asked if would send him a flash drive carrying a few demo tracks that he might use to audition systems at the show—a fun idea, however one that I can’t successfully realize: At this time, I have no real library of high-resolution (or even CD-quality) digital files, nor do I have proper means of ripping CDs. Simply put, while I do plan on building a proper computer-audio system, I haven’t gotten around to it yet. I’ve been busy hanging out with girls and cats, decorating the new apartment, and admiring the Mets’ ability to find creative ways to lose close games. Give me a few more months.

Stephen Mejias  |  May 24, 2013  |  4 comments
Jenny Hval. Photo: Kasper Vogelzang.

I’m embarrassed to admit that I haven’t made much progress since the last Payday Albums post: I keep buying records, but the days don’t get any longer. What’s up with that? The number of LPs in my collection that have gone unplayed is growing dangerously large; soon enough, my collection will be made mostly of unplayed LPs. Meanwhile, I’m just plain running out of shelf space. What’s a guy to do? Buy a massive hard drive and convert to computer audio?

Hmm . . . I’ll cross that bridge when I get there.

For now: Today’s payday. These are the albums I bought.

Stephen Mejias  |  May 23, 2013  |  6 comments
I first became acquainted with Lindsay Dobbin’s work in 2010, when she released, under the name Broken Deer, a limited-edition cassette on Al Bjornaa’s Scotch Tapes label. The music sounded like it came from some other, remote time and place—hushed, fragile, inspired by dreams and memories.

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