On October 1st, Poon Village will release Five American Percussion Pieces by William Winant.
Those familiar with Winant’s work may be surprised to learn that this is the first album released under the percussionist’s own name. Those unfamiliar with his name are nevertheless likely to have heard Winant’s work.
Julianna Barwick's new album, Nepenthe, is available now. Photo: Shawn Brackbill.
I’ve been so happily preoccupied with my review of NAD’s new D 3020 integrated amplifier that I’ve again fallen behind on my “Payday Albums” posts. My review of the D 3020 will appear in our November issue. I used many of the albums listed below as demo material for that review.
Even before I'd really listened to PSB's Alpha PS1 powered desktop speakers (see last month's column), I suspected that I'd like them: They're affordable, attractive, small enough to actually fit on my desktop, and designed and manufactured by a true high-end audio company. Besides all that, the PS1s had been highly recommended by a friend, AudioStream.com's Michael Lavorgna. I only needed the speakers to sound good in my home. And they didclean, clear, detailed, and dynamic, with a surprisingly big and bold overall sound.
Moderat is made of Apparat’s Sascha Ring and Modeselektor’s Gernot Bronsert and Sebastian Szary; as the album title suggests, II is their sophomore release. This is no slump, however, and the music these men make together is seamless and true: It does not sound like two distinct visions forced together, but instead reflects a natural progression of shared ideas, a tangle of conflicts, tensions, and parallels brought together to create something exhilarating.
Matana Roberts is a rare talenta saxophonist, storyteller, and singer with a distinct voice and powerful vision. Her 2011 release, Coin Coin, Chapter One: Gens de couleur libres, shocked me with its uncompromising combination of beauty and violence. Listening to itanyhow, anywhereis a singularly moving experience. My complete review of Coin Coin, Chapter One appeared in Stereophile’s November 2011 issue and I later named it one of my favorite records of that year. It sticks with me still as one of the most thrilling and seemingly important records I’ve ever heard.
Today, Constellation Records announced Roberts’ follow-up, Coin Coin, Chapter Two: Mississippi Moonchile, to be released on October 1.
David Lynch's The Big Dream will be released by Captured Tracks on July 16th. If Crazy Clown Time, David Lynch's successful 2011 solo debut, is any indication, we're in for a surreal and haunting treat: heavy starlit skies, empty highways, torch songs, and reverb-drenched blues. You can ask Michael Lavorgna about that.
When I lived entirely alone, with neither girlfriend nor pets, and had the luxury of a dedicated listening room, I felt no obligation to store away unused hi-fi equipment. Why should I? Life is so much simpler when everything one needs, or might potentially need, remains in plain sight, within arm's reach. Pairs of loudspeakers, then, took residence beside bookshelves, speaker cables found homes atop throw pillows, assorted electronics posed as coffee tables. And, if on a whim I decided it was time to swap my NAD C316 BEE integrated amplifier with my Exposure 2010S, I'd simply pull the latter from beneath my feet and do it.
I've been enjoying Julia Holter's Loud City Song. Mark your calendars: The album, Holter's third, will be released by Domino Records on August 20th. Previously, we heard the delicate opener, "World."
Late last year, when I first heard of the Music Hall Marimba, I was happily surprised: One of my favorite hi-fi manufacturers had finally introduced its first and (so far) only loudspeakerand it was seriously affordable at $349/pair. I wanted to review the Marimbas right away, but grumpy old Sam Tellig beat me to them.