Stephen Mejias
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Stephen Mejias Oct 05, 2012 3 comments
The Tannoy Mercury V1 loudspeakers ($320/pair; see last month's column) were already carefully packed in their box, pushed into a corner of my messy kitchen, ready to go to John Atkinson for a Follow-Up—but I couldn't stop thinking about them. Their delicate, graceful highs and tight, properly balanced bass had entranced me, and, now, as I listened over and over to a recent reissue of Bill Dixon's amazing Intents and Purposes (CD, International Phonograph LSP-3844), I felt a strange urge to unpack the Tannoys and return them to my listening room. I had to know how Intents and Purposes would sound through the Tannoys.
Stephen Mejias Sep 19, 2012 Published: Aug 01, 2012 0 comments
The Definitive Technology StudioMonitor 45 measures a very room- and back-friendly 11 11/16" (297mm) high by 6¾" (172mm) wide by 11 11/16" (297mm) deep, but these dimensions are attractive for reasons other than simple, efficient transport and placement. I noticed right away that something about the speaker just looked right. Paul DiComo, DefTech's senior vice president of marketing and product development, explained that while the number and size of drivers used in any DefTech design will largely dictate that speaker's height and width, the company nevertheless aims for Fibonacci, or golden-ratio, dimensions. According to DiComo, these efforts help minimize standing-wave and "organ-pipe" resonances inside the speaker's cabinet.
Stephen Mejias
Stephen Mejias Sep 19, 2012 6 comments
I’m sort of a jerk (stubborn, old-fashioned, anti-social, fiercely independent) and have managed, for my entire adult life, to survive without the Internet in my home. I realize that that will someday have to change—probably sooner than later—as I relinquish my autonomous life for one shared with another person. (And her two cats.)

For many people, the Internet means access to email, social networking sites, weblogs, forums, countless apps and other crap. For me, the Internet will inevitably mean Computer Audio.

And when the time comes for me to dive into Computer Audio, I’ll rely on Michael Lavorgna’s AudioStream to lead the way.

Stephen Mejias
Stephen Mejias Sep 14, 2012 0 comments
We all know that good beer and good music make a beautiful couple, so it should come as no big surprise that craft brewer Stillwater Artisanal Ales is partnering with independent artists to create a new line of beers. The first of Stillwater’s Sensory Series is inspired by “In the End is the Beginning,” the closing track from Lower Dens’ recently released Nootropics.

Says Brian Strumke, Stillwater owner and brew master:

News, Stephen Mejias
Stephen Mejias Sep 14, 2012 0 comments
The D'Agostino Master Systems Analog Preamplifier, first seen at the 2011 Rocky Mountain Audio Fest. Photo: John Atkinson

Wednesday, September 19, 6–9pm: Innovative Audio Video (150 East 58th Street, New York) will hold a “Meet the Innovators” event, featuring Dan D’Agostino, who will introduce and demonstrate the new D'Agostino Master Audio Systems Momentum Analog preamplifier. Refreshments will be served. Space is limited. RSVP: (212) 634-4444 or info@iavny.com.

Stephen Mejias
Stephen Mejias Sep 14, 2012 0 comments
Michael Lavorgna reports on Philip Jeck and Ted Riederer’s performance, last night, at Our Lady of Lebanon Cathedral, in Brooklyn. Jeck sat at a table, with access to a small keyboard and a few simple turntables. Meanwhile, Riederer played guitar and sang, sending his signals through various effects pedals, looping them and transferring them directly to lathe-cut vinyl. Upon the completion of a side, Riederer would hand the newly created record to an unsuspecting Jeck. In turn, Jeck, with a smile, would place the record upon a turntable and play along. It continued like that for some time.

Like ML, I was captivated by the total experience: the dim lighting, the attentive crowd, the lulling sounds, the rich scents, the soft feel of old floorboards and torn carpeting—it all worked to transfix and transport.

Stephen Mejias
Stephen Mejias Sep 11, 2012 7 comments
I'll have more to say about Dan Deacon's America, both here and in the pages of Stereophile, but, for now, I'll just quickly say that I like it—a LOT.

Full of major chords and glorious crescendos, littered with screeching electronic noise and dressed up with sweeping violins, America is bold, ambitious, arrogant, pretentious, and really beautiful.

Stephen Mejias
Stephen Mejias Sep 07, 2012 2 comments
As I mention in last month’s “Entry Level,” September 5th would have been John Cage’s 100th birthday, and celebrations of all shapes and sizes are taking place around the world. Fans of Cage’s music are especially lucky: several exciting new releases are now available.

Here are just a few:

The Entry Level
Stephen Mejias Sep 07, 2012 1 comments
John Cage, Indeterminacy, C.F. Peters No.68142. Copyright 2009, by Henmar Press, Inc. Reprinted by agreement with Wesleyan University Press and the John Cage Trust.

When I began my junior year at Fairleigh Dickinson University, in Teaneck, New Jersey, I'd already fulfilled the main requirements for graduation, but still had a number of credits to put toward elective studies. The courses in yoga and bowling were already closed, so I devised an independent course in experimental music. Thinking about it now, it seems a strange miracle that the university allowed me to come up with such a thing. Fairleigh's music department had long been abandoned, forgotten, traded in for the money that comes with well-publicized investments in business, economics, and a fast-growing foreign-exchange program. To me, however, FDU's decision to neglect the arts was a blessing: There, in the quietest corridors of Weiner Library, was a world full of LPs, turntables, music journals, and more—all a bit dusty, perhaps, but nonetheless beautiful, and all seemingly reserved for me.

Stephen Mejias
Stephen Mejias Sep 06, 2012 0 comments

My review of Flying Lotus' fourth full-length album, Until the Quiet Comes, is scheduled to appear in our November issue, but this short film, directed by Kahlil Joseph, does a fine job of depicting the record.

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