Stephen Mejias

Today’s payday. These are the albums I bought.

It was around 9:30am on Monday, November 12, when my plane landed in gray and chilly London. I managed to get through Customs with nothing more than the usual amount of stress and embarrassment, satisfactorily answering all of the agent’s odd questions. That out of the way, I next had to find my host—KEF’s head of brand development, Johan Coorg. Because my cell phone wasn’t working, I was worried that I’d be left stranded at Heathrow, but I recognized Coorg immediately: At the 2008 Consumer Electronics Show, he had introduced me to the stunning KEF Muon, and, at KEF’s lavish 50th Anniversary celebration, he had introduced me to a delicious Pimm’s Cup. Now he was standing casually at the Arrivals gate. He wore a dark brown blazer, striped button-down shirt, gold cufflinks, faded blue jeans, shiny leather shoes, and a look of comfort. He was busy pressing buttons on an iPhone.

“Johan,” I said.

“Hello! You made it!”

He led me from the airport, through the parking garage, and to an impressive black Mercedes. After loading our bags into the trunk, I instinctively walked around to the right-hand side of the car and nearly opened the door.

“Wrong side, mate. Unless you want to drive.”

It was a mistake I’d make a few more times before our three-day trip was over.

London-based Vondelpark is Lewis Rainsbury (vocals, production, bass, guitar, keys), Alex Bailey (bass), and Matt Law (keys). Their debut album, Seabed, will be released by R&S Records (In Order to Dance) on April 2nd.

A few weeks ago, I wrote about Cassettivity, the new cassette-only distribution site. At the time, Cassettivity had 10 labels on its roster; now it has 14. You can also now sort Cassettivity’s offerings by “ease of listening." I think that’s cool. Currently, Cassettivity’s easiest listening experience can be found in Manchester’s The Potomac (Sixteen Tambourines), while the hardest comes via Yvonne Lovejoy’s Voice Studies 8: This is Yvonne Lovejoy (My Dance the Skull).