Robert Deutsch

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Robert Deutsch Posted: May 15, 2007 0 comments
I never know what to expect at the "Ask the Editors" sessions, traditionally moderated by Stereophile editor John Atkinson (above). Sometimes we get a lot of people looking for advice on potential purchases of equipment, questions about arcane aspects of amplifier design, questions about cables, about double-blind testing, where the future of audio lies, and, of course, questions about what we thought of the sound in specific rooms at the Show. This time, many of the questions dealt with, of all things, music! There were opinions expressed about the major symphony orchestras of today vs those of the past, and great performances available on LPs. Don't these people know that we're all supposed to be a bunch of equipment-loving geeks?
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Robert Deutsch Posted: May 13, 2007 3 comments
Wandering around HE 2007 with my camera, I'm always watching for interesting-looking products to take pictures of. As soon as I caught a glimpse of the Scaena Iso-Linear Array speakers, I knew I had another subject. It’s available in several colors, including pewter/titanium (real metal), but, personally, I wouldn’t consider anything but the red that was on display. And it's not all just looks, either: this is a serious design, with multiple mid-tweeter modules and subwoofers with digitally controlled active bass management. The speaker is available in various heights, the price for the version shown at HE 2007 was $44,000/pair.
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Robert Deutsch Posted: May 13, 2007 0 comments
Ian McArthur of Audio Plus, North American distributor of the French Focal speakers, is looking casual and relaxed. And why shouldn’t he be? He's leaning on the Electra 1037 Be ($11,000/pair), which has a review coming out by Michael Fremer, a review that —if this is not telling tales out of school —may have people running to their Focal dealers. The sound of the speakers at the Show (Mikey's actual review samples, so they were well broken-in), with Pathos electronics, was one of those that made me stop as I was walking along the corridor to check out what was playing.
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Robert Deutsch Posted: May 13, 2007 2 comments
There were a lot of turntables, and a lot of vinyl at the show, not just on demo, but for sale as well. LP vendors like Acoustic Sounds and Music Direct were doing brisk business in their booths in the Ballroom.
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Robert Deutsch Posted: May 13, 2007 1 comments
Sure, now he’s smiling. But when Zvox Audio’s Tom Hannaher introduced their new model 425 all-in-one-box surround sound system at a press conference on the first day of the show, he was most distressed about the fact that while the prototype unit had worked fine before he brought it to the room that the press conference was in, in the press conference room it would not make a sound at all. I was going to suggest that he take it back to the original room to see if it worked there, but I restrained myself, thinking that he probably would not appreciate the humor in my suggestion. As it turned out, my facetious suggestion was more correct I realized. On the second day of the show, back in the original room, they plugged in the 425 prior to opening it up to see if they could see anything amiss —and, lo and behold, it worked perfectly. Gremlins, I guess. I had a listen to it myself, and found the sound surprisingly full and natural for a product of this type.
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Robert Deutsch Posted: May 11, 2007 0 comments
The press conference that I personally found the most exciting on the Show's first day was by Ralph Glasgal (left) on his Ambiophonics system. I knew about Ambiophonics (a signal-processing system designed to cancel out interference between a pair of loudspeakers, creating something akin to binaural listening but from speakers instead of headphones), but somehow I’ve never heard a demonstration, or at least not a convincing one. The demo setup at HE2007 was rather unusual, with a pair of giant Sound-Lab electrostatics at one end of the room, and another pair of floor-standing TacT speakers at the other end, the setup intended to demonstrate how the system works with these two types of speakers. I only heard the demo with the Sound-Labs, but I must say I was quite blown away with the huge soundstage, precision of imaging, and sheer ease of the sound. The Ambiophonic processing was performed by the latest TacT RCS 2.2 XP ($6000) which also functions as a full-feature preamp, a digital room correction device, and a D/A converter. Tact’s President and Designer, Radomir Bozovic (right), was also on hand to answer questions about the Tact system.
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Robert Deutsch Posted: May 11, 2007 0 comments
Outlaw Audio had a press conference, at which Peter Tribeman talked about all their new products in a way that effectively combined modesty with a not-inappropriate touch of blowing your own horn. He freely admitted that there are a number of companies making excellent speakers—naming several that he admired—but suggested that Outlaw Audio’s new speakers stand comparison with these industry standards. He said their aim was not to sell a boatload of speakers, but to use the best components and designs, tweaking the crossover of each speaker to produce true audiophile results. The speaker he’s holding up here is the prototype of their LCR ($700), which can function as a center-channel speaker in vertical or horizontal orientation, with switch-selected modification of the crossover, hence lobing pattern, to take into account orientation. All of Outlaw's speakers will be made in the USA.
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Robert Deutsch Posted: May 11, 2007 0 comments
For Stereophile writers, a show like HE 2007 is not just an opportunity to find out about new audio equipment, but also to meet their colleagues and catch up on the latest industry gossip. Here, by the booth selling Stereophile CDs (including the new Attention Screen Live at Merkin Hall) we have (from left to right) Stereophileassistant editor and primary blogger Stephen Mejias, Home Theater techical editor Geoffrey Morrison, illustrator Jeff Wong (known to readers for his cartoons in the www.stereophile.com forums), editor John Atkinson, and senior contributing editor Wes Phillips. Jeff subsequently took my picture; I wonder if it’s to help him work on a cartoon...
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Robert Deutsch Posted: May 11, 2007 1 comments
If a long line at registration is an indication of a show’s success—and it’s certainly one indication—then Home Entertainment 2007, held this weekend at the Grand Hyatt in Manhattan, could be pronounced a success by an hour after it was open to the public. The line was long enough that some people were grumbling—but their complaining stopped when they got in and had a chance see and hear all the neat stuff at the show. Exhibitors John Atkinson talked to at the end of the day seemed very happy with the turnout.
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Robert Deutsch Posted: Apr 16, 2007 0 comments
As well as being the 20th anniversary of FSI, 2007 also represents a change in its leadership. Marie-Christine Prin, whose hard work, efficiency, and charm had built up FSI to its current success, has passed the reins to Michel Plante, an industry veteran with an impressive background in audio at the technical as well as the sales/marketing level. The transition in leadership appears to have been seamless, a fact that Michel credits largely to the work of Céline Roy, who was Marie-Christine Prin's second-in-command, and who has stayed on with FSI. Michel Plante has ambitious plans to expand the mandate of FSI, making it appeal more to the trade as well as consumers, and finding more ways to attract young people to the audiophile hobby. His rationale for including gaming in FSI is that young people with no current interest in audio may come to check out the latest in games, but in the process of attending FSI would be exposed to some high-quality audio as well, and come to appreciate what it has to offer. Listening to Michel Plante talk about his plans, it's impossible not to be impressed by his commitment and enthusiasm. He's pictured here with one of the lovely FSI hostesses, Virginie Fisette.

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