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Robert Deutsch Posted: Nov 15, 2010 0 comments

Does spending more money on audio equipment get you better sound? Some audiophiles assume that anything that costs more must be better—and that if it's relatively inexpensive, then it can't be any good. Others hold the opposite view: expensive components can't possibly be worth their prices, and those who manufacture them—and audio journalists who report on them—must be charlatans.

Robert Deutsch Posted: Apr 16, 2010 0 comments
A few years ago, I had a phone call from a marketing organization. I was asked, as a member of the audiophile press, to participate in a survey dealing with the "images" of various brands of loudspeakers.
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Robert Deutsch Posted: Mar 31, 2010 6 comments
The lovely (as you can see) and talented (as anyone who heard her sing and play the flute at the SSI 2010 Give Band concerts can attest) Caroline St-Louis helped out at the show ticket desk. Here she is with her favorite audio magazine.
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Robert Deutsch Posted: Mar 31, 2010 8 comments
Take a dCS Scarlatti digital front end ($68,000), combine it with a pair of Nagra VPA tube amplifiers ($20,000/pair, pictured), and a pair of the new Verity Audio Amadis loudspeakers ($29,995) and you'll have a pretty good-sounding system, right?
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Robert Deutsch Posted: Mar 31, 2010 1 comments
The Stereophile Ask the Editors session at Shows—in which John Atkinson (left), Art Dudley (center), Stephen Mejias, and I fielded questions from the audience at SSI—in something that I enjoy a lot, and so, I know, do JA, AD, and SM. Through the years, I've learned that it's almost impossible to anticipate what the questions will deal with. And that was certainly true this time. The questions covered a wide range of topics: why are there so few active speakers on the market; why doesn't Stereophile review more vintage equipment; what system that we've heard (at the show or elsewhere) represents to us audiophile nirvana; music recorded in what format will be reproducible a thousand years from now; why is the interest in high quality audio less popular now than it was a few decades ago; has loudspeaker quality improved through the years; and many more. All thoughtful, interesting questions.
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Robert Deutsch Posted: Mar 31, 2010 51 comments
The Computer Audio 2010 seminar on Saturday was very well-attended—I barely managed to get a seat. The presentation was by Steve Silberman of Ayre Acoustics, with technical commentary by John Atkinson. Silberman took an admirably generic and non-partisan approach, barely mentioning Ayre products, and refusing to answer the question "Should I get a Mac or a PC?" I've taken a wait-and-see approach to the whole computer audio subject, and Silberman did not convince me it's time to introduce a computer into my audio system, but I must say that he did an excellent job of describing the options, and if I were to take the plunge I would certainly use the information on the Ayre web site.
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Robert Deutsch Posted: Mar 28, 2010 5 comments
Barrie, Ontario, about an hour's drive from Toronto, with a population of about 130, 000, is not a city that I associate with the design and manufacture of high performance audio equipment. It doesn't have even a single "real" audio store, just Best Buy, etc. But, as I found out at SSI 2010, Barrie is the home of McAlister Audio, maker of the OTL-195 monoblock amplifier and a prototype preamp. The designer is Peter McAlister, who produced his first prototype output-transformerless power amp ten years ago. The OTL-195 puts out 150W, and appears to be a very sophisticated design: fully balanced, able to drive 4 ohm loads, a circuit that tracks the signal level in the driver stage and modulates the control grids of output tubes, and various other circuit refinements. The OTL-195 is hand-built by Peter McAlister himself, and utilizes high-quality parts. The price is $8500/pair. As I mentioned in the blog posting below, the King Sound Prince IIs sounded great driven the McAlister OTL-195s.
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Robert Deutsch Posted: Mar 28, 2010 5 comments
As a fan of electrostatics—I used to own KLH Nines and original Quad 57s—I was intrigued by the favorable reports of the King Sound Prince II full-range electrostatics in both the 2010 CES and the Axpona show reportss, and was pleased to find out King Sound listed on the list of exhibitors at SSI 2010. It was one of the few exhibits that I actually sought out rather than just allowing myself to find it in the course of walking the show floor. And I was most impressed. The sound—with electronics from McAlister, a company that I'll be writing about in a separate blog entry—had the clarity and lack of "speaker" coloration that reminded me of the KLH Nines and Quads, but the speaker seemed to be able to play louder than than these classic 'static designs. The retail price of $6500/pair seems very reasonable. I think I've found my next speaker to review. Or maybe the King II, which is just being introduced—but it may be too big for my room.
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Robert Deutsch Posted: Mar 28, 2010 1 comments
"Oh ho they're playing my song
Oh yeah they're playing my song
And when they're playing my song
Everybody's got to
Sh Sh Sh"
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Robert Deutsch Posted: Mar 28, 2010 11 comments
May Audio Marketing, owned and managed by Nizar Akhrass, has been a purveyor of audiophile recordings and accessories since . . . well...shortly after Thomas Edison demonstrated the newfangled device called the phonograph. Or at least so it seems. He and his family are still at it, and, in a move that will be applauded by the audiophile community, the organizers of SSI presented Nizar and his wife Alice with a Lifetime Achievement Award at the opening night reception. Well-deserved, I'd say.


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