The new TAVES event taking place this weekend in Toronto is the result of two years of planning and market research and the efforts of Suave Kajko, Publisher/Editor in Chief of Canada Hi-Fi magazine, Simon Lau, owner of AuDiY, an audio component and accessory distribution company, and Michel Plante, President of the Montreal Salon Son & Image. The experience of Michel, and of Sarah Tremblay, Director of the Montreal show, who is also involved in the organization of TAVES, has, I'm sure, been invaluable. The list of sponsors includes Stereophile and sister magazine Home Theater. The venue is the upscale Le Meridien King Edward Hotel, a four-diamond property built in 1903 and subject to extensive renovations through the years.
It was a really good show. That was the opinion of the people I spoke to at the 2011 SSI, including veteran as well as first-time exhibitors, and members of the public. Even the Trade Day, which in the past was not very popular, was busy enough that it felt like it almost could have been one of the public days. The Lifetime Achievement Awards ceremony was extremely well-attended, as the above photo illustrates. There was a kind of back-to-the-basics feel to the show, with a strong emphasis on music presented in two-channel stereo, and almost nothing in the way of surround sound. (Sorry, Kal!)
On Sunday at 2pm, John Atkinson gave an illustrated talk entitled "How to measure loudspeakers and what the measurements mean." The scheduling was not ideal, just three hours before the show's closing, and the door to the meeting room where the talk was held was locked, and could be opened only from the inside or with a special card, which was not provided. As a result, attendance at the talk was not as great as it might have been, but the people who were there listened with rapt attention. One person told me afterwards that he has a book on loudspeaker measurement that he's had difficulty understanding, but, having heard JA's presentation, it made much more sense to him. Other than the specifics of how loudspeakers are measured, I thought the most interesting part of JA's presentation was . . .
On the evening of the first day of the show, John Atkinson, Art Dudley, and I attended a party at Coup de Foudre, one of Montreal's premier high-end audio retailers. There was much to admire there, not the least of which was listening to some of Peter McGrath’s hi-rez recordings on a system featuring VTL MB185 tube monoblocks driving Wilson Sashas and an Alpha DAC being fed USB data from Peter’s MacBook Pro via a Wavelength format converter.
What impressed me the most at the Coup de Foudre party was the recording studio that adjoins the retail store, operated by CdF's co-owner, Graeme Humfrey, who is also a much-in-demand recording engineer. His audio mixing room is filled to the brim with equipment, some of it the very latest, and some of it classics, such as multiple Pultec equalizers that are valued for their sound quality.
For the past three years or so, one of the highlights of SSI has been the concert by the Give Band, featuring singer Caroline St-Louis, who works by day as one of the Show’s blue-haired girls at the ticket desk. And so it was at SSI 2011. Last year, JA took some pictures at the concert with his point-and-shoot camera, but he was disappointed with the amount of blurring in his photos. This time, he had the same camera but brought a monopod to improve camera steadiness, and it worked. Here he is, showing his pictures to Caroline, and she's obviously pleased with the results.
Venerable British audio manufacturer, Naim, has an almost-equally-venerable new Canadian distributor, Plurison. Headed by the genial Daniel Jacqueson the right in the photo, with Doug Graham, Naim's International Export Manager on the leftPlurison's list of distributed brands includes Focal, Mordaunt-Short, MartinLogan, Pathos, YBA, Micromega, and a host of others. It must put Jacques in a quandary when he has to decide what product to take home to listen to on the weekend!
I have a lot of respect for Dynaudio speakers, and have enjoyed listening to them at various shows, but I've never been as taken with one of their speakers as I was with the new Confidence C1 Mk.II ($8200/pair). With Naim amplification and digital source (including a Squeezebox Touch), the sound was simply exquisite, with highs that were revealing and yet not clinical. The legendary Esotar2 tweeter (shown in the photo) has apparently undergone some evolutionary development, and continues to maintain its status as the best dome tweeter in the world.