Morel had two setups at CES: one featuring a pair of Soundspot SP 3 satellites and 8” bass unit ($1799/pair) and, in another room, a pair of Sopran floorstanders, the latter winner of the 2013 CES Design and Engineering Innovations award. The Sopran ($12,000/pair} is one-down from the $34,000/pairand, in my opinion, unfortunately-namedFat Lady. The Sopran is a three-way, five-driver speaker, proprietary drivers and a molded carbon-fiber composite cabinet that I find a refreshing change from the usual wooden box.
Have you ever attended one of those speaker demos where a large pair of floorstanding speakers were supposedly playing, and then it was revealed that the speakers playing were small hidden ones? (I recall Joseph Audio doing one of these.) Well, it was something like that in the Totem room, but not intentionally. The speakers that I thought were playing were the Metal floorstanders ($12,000/pair) and I was particularly impressed by the deep, dynamic bass produced by these speakers.
And then . . . in discussing the performance of the speakers with designer Vince Bruzzese, I found out that the speakers playing were not the Metals but the much smaller bookself-type Fires ($6000/pair) . . .
Sarah Tremblay and Caroline St-Louis, representatives of the Montreal Salon Son & Image (SSI) show were at CES, promoting their upcoming show in March. Visitors to the Montreal show may be expecting to see Sarah and Caroline wearing blue wigs, but they've apparently abandoned that look. They're now dressed up as hockey playersthe Montreal Canadiens, of course. I'll be reporting on SSI 2013, along with, hopefully, Art Dudley. There's a chance that John Atkinson may attend as well. Boys and girls, if you all write to him about how much you would like him to attend SSI, perhaps he can be persuaded.
Wisdom's planar-magnetic drivers are used in some very expensive speakers, and they had a pair of their LS4 floor-to-ceiling wall-mounts at CES, which sounded superb, easily one of the best at the show. (It was in the "if you have to ask" price category.) Of more interest to me was the new Insight series of in-wall speakers, which use the same technology as Wisdom's more cost-no-object offerings. The drive units start at $1250 each (P2i) and go up to $5000 (L8i). That's more my speed!
Larry Greenhill has reported on Revel's Ultima2 Salon, which, at $22,000/pair, is well beyond my CES coverage limit of $15,000,. But I can tell you about Revel's more affordably-priced offerings. Speakers in the new Performa3 series started shipping in December, the price range starting at $1500/pair (M105 bookshelf-type) to the top-of-the-line $5000/pair F208 floorstanders. The speakers feature new transducer designs, next-generation tweeter waveguides, stylish enclosures, and low-distortion ports. The design process of Revel speakers utilizes position-independent double-blind listening tests.
John DeVore introduced a new speaker at CES that is said to take "fidelity and flexibility to a new level." The Gibbon X ($11,000/pair), the first three-way speaker in the Gibbon series, has a new midrange driver that incorporates DeVore's Adaptive Surround, a new tweeter in its own isolated enclosure, dual 7" woofers that are claimed to move more air than some 10" drivers, and a hand-built cabinet made from solid bamboo.
Vienna Acoustics' Mozart loudspeaker was introduced at the 1996 CES, and it has stayed in the line ever sincealthough not, of course, without some changes/modifications. (My review of the original Mozart was in the January 1997 issue). The current Mozart Grand SE ($3500/pair, a not-unreasonable increase from the $2500 of the original), introduced at this year's CES, has a spider-cone low-frequency driver of similar design to Vienna Acoustics' more expensive models, a modified tweeter, changes in cabinet construction, and crossover changes. As demoed by Kevin Wolff of US distributor VANA (see photo), the Mozart Grand SE had the same sort of beguiling sound that I remember from lo these many years ago.
I had a quick look in Nola's room, and as soon as I saw their giant speakers, I knew that these were not going to be in my designated "Under $15k" price range. Indeed, the speakers (whose name escapes me, but it has something to do with boxing) were just under $200k/pair. They sounded great, with tremendous dynamics, but I have trouble relating to speakers in that price range. "Do you have anything new and relatively affordable?" Yes, said Nola's Marilyn Marchisotto. The $9998/pair KO (another boxing reference) was being used in another room in demos by Nordost.
Sandy Gross has done it again! At CES 2011 I was blown away by the sound quality and value offered by the GoldenEar Triton Two, my highly positive impression confirmed by more extended listening (see my review). At CES 2013, Sandy introduced a speaker with possibly an even greater quality/value combination: the Triton Seven. This is another floorstander, but much smaller than the Triton Two (or the Triton Three that was introduced last year). It uses similar drivers as the Triton Two, including the High Velocity Folded Ribbon (aka Heil) tweeter, but, unlike the Triton Two, the bass is not powered. The lack of a powered subwoofer has allowed Triton Seven to be priced at $1399/pair. Surprisingly, the bass, which is one of the major strengths of the Triton Two, does not appear to have suffered, and the speaker has the same sort of transparency and precise imaging that characterizes the Triton Two. The Triton Seven is expected to be available in May. Photo: Sandy Gross with the Triton Two and the Triton Seven.