"Women in Audio" was the title of the panel discussion, the panel consisting of four women of varied backgrounds who have been in the audio business for some time (left to right): Anna Popova (Conceptas cables), Agata Mossop (Lenbrook Industries), Gabi van der Kliej-Rijnveld (Crystal and Siltech cables), and Angie Lisi (American Sound and Angie's Audio Corner retailers, and AudioPathways, distributor). The lively discussion covered a variety of topics, including whether male customers tend to "test" female sales staff on their technical knowledge (the answer: yes, but if you know your stuff they will respect you), and how to attract more women to participate in the audiophile hobby (the incorporation of music into a couple's or family's lifestyle had broad support).
When Bryston's Model T speaker was introduced at SSI 2012, it was in the form of a prototype, on passive display. From a comment that I've seen by James Tanner (who headed up the design team for the Model T), at one point it was not clear whether this was going to be a commercial product or just a personal reference. But now it's full steam ahead for a line of Bryston speakers. Model T is available in three versions: the basic passive model, $6495/piar, the Model T Signature (outboard passive crossover, with custom-made air-core chokes and proprietary film capacitors, $7495/pair), and an active version ($9495/pair, requires six channels of amplification, not included). Other speakers in the line are the Middle T ($4600/pair), mini t, as well as home-theater-oriented speakers, a sub, and in-wall and on-wall speakers. Most of these are available now, and others are slated for shipping in May and a few in Q3. Bryston is definitely serious about their speaker line.
What with CES a little more than two months ago, and the Chicago AXPONA show just two weeks ago, it was difficult for SSI 2013 to claim new product introductions. Typically, the most they could claim was "First time in Canada." But there was at least one product introduction that was billed as World Premiere: the Arteluthe Satie, the entry-level speaker in the company's AirForce line, made entirely in Montreal. It's a fully active design, with two built-in 175W amplifiers in each speaker, no passive elements in the signal path, high sensitivity, and claimed 30Hz20kHz bandwidth. All this technology, and only $7999/pair. There are two other speakers in the line: the Alegria and the Kantante, both fully active, with a top price of $15,000. The photo shows designer Robert Gaboury.
The striking Kronos turntable that I first saw at the 2012 Montreal show was on display again, but this time it had a new tonearm. Designed by André Thériault, this prototype tonearm is distinguished by its simplicity, with only 11 parts used. No name yet, and it's expected to sell for about $8000. That's André Thériault in the picture.
The product literature for Tri-Art Audio says that their products are "designed, fabricated, and assembled in Canada." What all these products have in common is that bamboo is used in their construction. Pictured: the Bam Bam TA-2 turntable and tonearm (price TBD). The Pebbles turntable and TA-1 tonearm ($1200) are available now. (I'm going to make a wild guess and suggest that the designer is a Flintstones fan.)
Aragon is back! Originally marketed as a kind of common man's Krell (the first Aragon amplifier and preamp were designed by Krell's Dan D'Agostino), Aragon electronics attained considerable popularity, but the brand disappeared from the audiophile landscape a few years ago. But it's back, with new, improved products that build on their history, the amplifiers featuring the familiar "V" on the top of the chassis.
The display featuring Definitive Technology's StudioMonitor 65 speakers and Acurus A 2002 amplifier were not part of a designated "Under-$5,000 system," but, with the speakers priced at $1000/pair and the amp at $2499 (I didn't note the source or the preamp), it could have been. The speakers had a nice open sound, and played surprisingly loud in the large hall they were in. Saxe Brickenden (pictured) of Evolution Home Entertainment, the importer, was clever to set up the speakers on tall stands, so that the sound was at ear-level for people walking by.
Not being fully up on the names of the various Sonus Faber speakers, I asked one of the reps the name of the giants on demo. "Ida" was his answer. Come again? "Ida! Sonus Faber gives their speakers names that have a musical connection, like the titles of operas." But how could that be? The only remotely relevant opera connection that I'm aware of for "Ida" is Gilbert & Sullivan's "Princess Ida," and somehow I doubt if the Italian designers of Sonus Faber speakers would name the speaker after this not-all-that-popular English operetta.
And then I got it. The speaker was named after Aïda, pronounced "eye-ee-duh," the well-know opera by Verdi.
The first Gershman speaker I heard was the GAP 828 (maybe in 2004). The GAP 828 has been tweaked over the years, but this is the first time that the changes resulted in a change in model designation: it's now called the GAP 888 ($25,000/pair). The midrange and the tweeter are the same, but there's a new woofer, and consequent changes in the crossover, with some changes in the use of stuffing in the speaker. I've always enjoyed the sound of the GAP, but this was the best that I've heard it soundand the associated components were moderately-priced Quad electronics and CD player.