Most of this column is dedicated to two hi-fi products for the massesnot from Lvov, via Vladimir Lamm, of Lamm Industries; or from Leningrad, via Victor Khomenko, of Balanced Audio Technologies; nor from any other Soviet-born audio hero. (Neither Vladimir nor Victor is on the list of "Name of Russia" contenders for greatest Russian of all time.) Nor from any consumer audio company, but from the world of professional audio. An Iron Curtain almost separates the two.
Among British turntables, there is the Rega Planar 3, which sells here for $550 (approximately double the UK price). I've owned a Rega for three years and know it well.
So far, as part of my quest to find good affordable box loudspeakers, I have reviewed 16 models, in the August, October, and November 1987 issues of Stereophile (Vol.10 Nos.5, 7, & 8). This fourth group of loudspeakers expands the price range covered, down to $329/pair and up to $1349/pair, and includes one model from California (Nelson-Reed), one from Canada (Paradigm), and one, Monitor Audio's "flagship," the R952MD, from the UK.
The McIntosh MC 275 power amplifier has been born yet again. It's the Count Dracula of power amps. It refuses to stay dead. Introduced in 1961, the Mac 275, in its original hardwired edition, was produced until 1970. This was the amp I desired while in college but couldn't afford. I remember the Mac 275 fondly—rather like girlfriends from my college years.
"You want to review the MDA 1000 along with the MC 275 amplifier in the same column?" Ron Cornelius, product manager and field training manager of McIntosh Laboratory, was incredulous.
I've been a little remiss in writing about one of the best tools for travel I've experienced recently: Ray Samuels Audio's Emmeline The Hornet ($350), a tiny (3" L by 2" W by 1" H) rechargeable portable headphone amplifier. I tend to travel with my iPod packed with hi-rez music files and a pair of low-impedance headphones. That's not a marriage made in heaven, so I also need a headphone amplifier. Over the years, portable headphone amps have gotten better and better while getting smaller and smaller. The Hornet is the smallest I've discovered so far and is my current favorite.
The Rega Couple interconnect ($150/1m pair) comes in a plastic pouch rather like a Ziploc veggie bag—just the pouch and a printed card. How much could the packaging cost? Ten cents?
I've had the pleasure of using The Direct Line Stage Line Stage (originally called the Director) from Ron Sutherland for the past few months. This active line-stage preamp (it has no phono section) is available from Acoustic Sounds for $3000.