Sam Tellig

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Sam Tellig Posted: Oct 22, 2012 Published: Jan 01, 1996 0 comments
This should have been a recipe for disaster.

It's no secret. David Manley has not been big on single-ended amplifiers. Not enough muscle. You're better off with push-pull. Still, with a growing market for single-ended stuff, I'm sure Manley saw a need to do something. Of all tube designers, Manley has always been among the most prolific.

Robert Harley Sam Tellig Posted: Sep 19, 2012 Published: Sep 01, 1995 0 comments
I can't think of two products at further ends of the audio spectrum than a single-ended triode tubed amplifier and a mass-market Home Theater loudspeaker. Single-ended tubed amplifiers are about reproducing subtlety, delicacy, nuance, and communicating the music's inner essence. Conversely, a Home Theater loudspeaker system—particularly one made by a mass-market manufacturer—would appear to put the emphasis on booming bass and reproducing shotgun blasts, with little regard for musical refinement.

What a bizarre marriage it was, then, to pair the new Infinity Composition Prelude P-FR loudspeakers with the Cary Audio Design CAD-300SEI 11W single-ended triode amplifier (reviewed elsewhere in this issue). This combination didn't happen by accident; as you'll see, these apparently disparate products are a match made in heaven.

I discovered the Infinity Preludes while surveying Home Theater loudspeaker systems for the upcoming second issue of the Stereophile Guide to Home Theater. In addition to evaluating the loudspeaker systems under review with video soundtracks, I assessed their musical qualities—or lack thereof. The Preludes were such a musical standout that I rescued them from the Home Theater room (where they had been powered by mass-market receivers and fed with a laserdisc source) and gave them a new lease on life in the larger music room, with reference-quality source and amplification components. The Preludes' extraordinary musical performance and unique design compelled me to tell you about how they performed in an audiophile-quality two-channel playback system.

Jonathan Scull Sam Tellig Posted: Aug 20, 2012 Published: Mar 01, 1996 2 comments
I've never written a love story before, but then, there's always a first time. This romance concerns the stunningly anthropomorhic Jadis Eurythmie II (mostly) horn speakers and the petite, jewel-like and vivacious Jadis SE300B amps—a 10W single-ended triode design with paralleled output tubes.

Kathleen and I, having flung ourselves into single-ended's embrace, have become, to some fashion, quite experienced. I've described the purity of presentation available with the Wavelength Audio Cardinal XS monoblocks when coupled with the Swiss-made Reference 3A Royal Master Controls in these pages (January '96). Using the Eurythmie speakers, which supplanted the 3As in our system, we've listened to Gordon Rankin's Wavelength Cardinal XS monos, the Kondo-san Audio Note Kasai parallel 300B stereo amplifier (next SE review to come), the ebullient and eager-to-please Cary 301SE 300B stereo unit, and the Jadis single-ended triodes, as well as our reference Jadis JA200s (yes, Jadis also does push-pull).

Sam Tellig Posted: Aug 13, 2012 Published: Jan 01, 2012 13 comments
There's so much uncertainty and confusion surrounding computer audio and high-resolution downloads. Which hi-rez formats will win out? How do you store the downloads you've bought? (Easy. Don't buy them.) How do you access them? Will digital rights management (DRM) cramp your style, or data-storage fees for cloud computing crumple your wallet?
Sam Tellig Posted: Aug 13, 2012 Published: Apr 01, 1993 1 comments
Tubes, tubes, tubes.

The amps (and preamps) keep coming.

McIntosh Laboratories is back in the act with a limited-edition revival of the MC275 tube amplifier, the original of which was produced from May 1961 through July 1973—one of the longest model runs in hi-fi history.

New companies devoted to tube gear keep cropping up—in recent years, America's VAC and Cary and Canada's Sonic Frontiers. The same thing appears to be going on in the UK. The pages of British magazines are filled with new tube gear.

Sam Tellig Posted: Feb 21, 2012 Published: May 01, 2011 3 comments
"We like to make things," Roy Gandy, Rega's founder and owner, once told me. "It's what we do." Or maybe it was Rega's chairman and chief engineering honcho, Terry Bateman. Rega products are designed and manufactured in the south of England. So far as I know, no one at the Rega facility, on the Temple Farm Industrial Estate, has committed suicide; the same cannot be said of workers at the factory in China where iPods are made. Al Gore is on the board of Apple. Al, what do you think?
Sam Tellig Robert J. Reina Posted: Dec 09, 2011 0 comments
Roy Hall has his famous Music Hall MMF (Make Money Fast) turntables made for him in the Czech Republic.

Roy has also long been associated with Epos Limited, since a chap named Robin Marshall started the company in 1983. Their first product was the ES-14 loudspeaker, followed by the smaller ES-11. Both were largish, stand-mounted models, and both offered a lively, expressive, unstuffy sound. The speakers have always been fun to listen to, even if they lacked—and still lack—the refinement of some far more expensive speakers.

Sam Tellig Posted: Sep 22, 2011 1 comments
Kurt Sanderling died on September 17 in Berlin, just two days shy of his 99th birthday—of "old age," according to his eldest son Stefan. Sanderling was the last of a generation of conductors displaced by Hitler—an exodus that included Otto Klemperer, Josef Krips, Sir George Solti, Erich Leinsdorf, Bruno Walter, who all went West. (Never mind that Klemperer had converted to Catholicism and that Krips was half-Jewish.) Sanderling fled East, to the Soviet Union.
Sam Tellig Posted: Jun 17, 2011 Published: Mar 01, 2011 3 comments
The M1 DAC is by Musical Fidelity. At $699, it's a stunning bargain. Comparing it to $995 for the Digilog in 1989. Meanwhile, the M1 is far more versatile, way better built, and, if memory serves me right, sounds vastly better.

It appears that the way to sell a DAC in 2011 is to almost give it away, in real-dollar terms. Some people pay far more than this for a set of speaker cables, a pair of interconnects, even a power cord. The M1 DAC is a piece of kit that can transform your system. I kid you not.

Sam Tellig Michael Fremer Posted: Feb 02, 2010 Published: May 02, 2009 1 comments
Not being fond of self-flagellation, I don't usually do analog. I am not a fuddy-dudley, nor am I especially fremerous.

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