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Sam Tellig Robert Harley Posted: Jul 09, 2006 Published: Sep 09, 1990 0 comments
Gotta get this one written up right away—you never know with digital products. Always something new.
Robert Harley Posted: Jun 06, 2006 Published: Jul 06, 1993 0 comments
I find it astonishing that two products built on completely opposing engineering principles can both have musical merit. Design goals exalted by one company are considered anathema by another, yet both components produce superb sonic results.
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Robert Harley Posted: Jun 26, 2005 Published: May 01, 1997 0 comments
Attacking the compact disc has lately become almost a blood sport among audiophiles and audio writers. Not a month goes by that I don't read—often in Stereophile—some vehement statement about how CDs are a musical abomination.
Robert Harley Posted: May 30, 2005 Published: Sep 01, 1997 0 comments
With the price of high-end audio increasingly reaching for the stratosphere, audiophiles appear to becoming much more value-conscious. This trend is reflected in the recent popularity of CD players over separate transports and processors, and particularly in the sudden resurgence in integrated amplifiers. An integrated amplifier makes a lot of sense: the buyer saves the cost of two chassis, two power cords, two owner's manuals, and an extra pair of interconnects. You also get a simpler system.
Robert Harley Posted: May 08, 2005 Published: Dec 08, 1993 0 comments
I feel privileged to have followed the remarkable evolution of digital processors over the past four-and-a-half years. Since my first digital review—a survey of three modified CD players back in August 1989—I've been fascinated by the developments that have inexorably improved the quality of digitally reproduced music.
Robert Harley Posted: Apr 10, 2005 Published: Jun 10, 1996 1 comments
All the action in digital playback for the past seven years has taken place in separate transports and digital processors. Nearly all high-end manufacturers have focused their skills on perfecting the individual elements of the digital playback chain—transports and processors—rather than on designing integrated CD players.
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Robert Harley Posted: Nov 05, 2004 Published: Oct 01, 1993 0 comments
I've watched from the sidelines with great interest the recent debate in this column over Home Theater (footnote 1) At one extreme is the suggestion that Stereophile begin reviewing video and Home Theater products. The other end of the spectrum was best expressed by John Atkinson at Stereophile's 1993 High-End Hi-Fi Show in San Francisco. Hearing the booming bass overflow of a Home Theater demonstration blasting down a hallway, he said, "They've brought televisions to our hi-fi show!"
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Robert Harley Posted: Jul 04, 2004 Published: Dec 01, 1990 0 comments
Everybody, including myself, was astonished to find that it was impossible to distinguish between my own voice, and Mr. Edison's re-creation of it.—Anna Case, Metropolitan Opera Soprano, 1915
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Robert Harley Posted: Jul 04, 2004 Published: Jan 01, 1992 0 comments
"How sour sweet music is
When time is broke and no proportion kept!"
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Robert Harley Posted: May 30, 2004 Published: Feb 01, 1992 0 comments
At the February 1991 Audio Engineering Society Convention in Paris, Audio Precision's Dr. Richard Cabot (see my interview in January 1991, Vol.14 No.1) proposed a new technique for measuring noise modulation in D/A converters (footnote 1). The method, based on psychoacoustic principles, attempts to predict the audible performance of D/A converters. Now that Stereophile has added digital-domain signal generation and analysis to our Audio Precision System One, we can employ Dr. Cabot's technique and see if there are any correlations with subjective performance.

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