Stereophile Staff

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Stereophile Staff Posted: Jan 04, 1998 0 comments
On Monday, January 5th, Go-Video, Inc. announced that it has reached an agreement to acquire California Audio Labs LLC. Under the California Audio Labs and Cinevision brand names, Cal Audio designs, develops, manufactures, and distributes digital audio and video products marketed to the high-end home entertainment systems market.
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Stereophile Staff Posted: Dec 21, 1997 0 comments
In the first set of prophecies, we foresaw the effects of DVD-Audio, high-end sales around the world, and tweak multidisc CD. For the second installment, we look into our crystal interconnects and foresee new audio data-distribution methods for the coming year.
Stereophile Staff Posted: Dec 18, 1997 Published: Dec 18, 1991 0 comments
Every summer, I invite a representative sample of Stereophile's equipment reviewers to the magazine's Santa Fe HQ. For the third successive year, I decided to tape some of the free-for-all discussion that takes place and offer readers the opportunity of peeking over the participants' shoulders by publishing a tidied-up version of the transcript.
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Stereophile Staff Posted: Dec 17, 1997 0 comments
Digital Versatile Disc (DVD)---the well-publicized successor to VHS tapes, compact discs (CDs), and CD-ROMs---will struggle in the video and music industries, but be a major success for the personal computer industry, according to a recent report from Forrester Research. The report concludes that PC manufacturers will rapidly embrace DVD, resulting in an installed base of 53 million DVD-equipped PCs by 2002.
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Stereophile Staff Posted: Dec 10, 1997 0 comments
It's been a tough couple of years for those who like to make digital copies of audio recordings. What started with SCMS copy-restriction schemes in DAT machines has quickly spilled over into current digital formats such as those proposed for DVD-Audio. But a glimmer of hope has shone through the haze.
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Stereophile Staff Posted: Dec 09, 1997 0 comments
Don Bouchard of Cello forwarded this e-mail to us, which outlines the new CE labeling requirements. These are so draconian that we felt the high-end audio community needs to be made aware of them!
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Stereophile Staff Posted: Dec 06, 1997 0 comments
It only makes sense. PBS, the most visible national broadcaster of classical-music-related programs, has decided to launch its own classical-music label. According to a recent story in Variety, several major record labels are competing for the rights to distribute the new label. It's common in the music business for larger labels to distribute smaller ones, and an association with the new PBS label is seen as a feather in the cap of whoever makes the deal.
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Stereophile Staff Posted: Dec 06, 1997 0 comments
Who wouldn't want to know what's in store for the extreme audio devotee? So we rolled a special set of aluminum Tiptoes, read the auspicious signs (you've got to understand how the tips point), and divined our first set of predictions. We'll have more next week, if the Mpingo dots line up just right.
Stereophile Staff Posted: Nov 04, 1997 Published: Nov 04, 1989 0 comments
Twice a year, Stereophile brings some of its writers out to Santa Fe, New Mexico, to discuss the compilation of the magazine's "Recommended Components" listing, the most recent of which appeared in the October issue. Following a comment from Will Hammond, John Atkinson's collaborator on the recent amplifier blind listening tests, that the magazine's readers would love to eavesdrop on the conversations that take place on these occasions, it seemed a good idea to tape (footnote 1) some of the discussions and publish the transcript as this month's "As We See It" (footnote 2). Accordingly, Lewis Lipnick, Gary A. Galo, Robert Harley, Thomas J. Norton, Guy Lemcoe, Richard Lehnert, Dick Olsher, Peter Mitchell, Robert Deutsch, J. Gordon Holt, Larry Greenhill, John Atkinson, and Arnis Balgalvis all gathered in LA's palatial listening room one August Saturday. JA set the ball rolling by asking the assembled writers where they thought Stereophile had been, where it was, and where they thought it should be going, particularly in view of Robert Harley joining the magazine as Technical Editor.
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Stereophile Staff Posted: Feb 10, 1997 Published: Feb 10, 1991 0 comments
One Saturday afternoon in August 1990, a number of Stereophile's writers—John Atkinson, Arnis Balgalvis, Robert Deutsch, Larry Greenhill, Robert Harley, J. Gordon Holt, Richard Lehnert, Guy Lemcoe, Lewis Lipnick, Peter Mitchell, Tom Norton, Dick Olsher, Don Scott, and Bill Sommerwerck—gathered together in the magazine's Santa Fe, NM listening room to discuss the "Recommended Components" listing that was due to appear in the October 1990 issue. To add a little Tabasco to the proceedings, JA had invited AudioQuest's main man Bill Low to give a short talk on whatever subject was uppermost in his mind that weekend, to be followed by an open discussion.

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