RAM Goes Online
Roger A. Modjeski's RAM Labs and Music Reference electronics now have a home on the Internet.
Roger A. Modjeski's RAM Labs and Music Reference electronics now have a home on the Internet.
Jonathan Scull gets intimate with the <A HREF="http://www.stereophile.com//amplificationreviews/614/">HeadRoom BlockHead headphone amplifier</A> stating, "I listen to headphones for <I>hours</I> at a stretch while writing my reviews. The equipment I listen to spoils me to death, and I need a headphone rig to match." Has J-10 found the ultimate headphone amp? We'll see.
Earlier this year, Kalman Rubinson spent some time with the <A HREF="http://www.stereophile.com//amplificationreviews/608/">Rotel RB 1080 power amplifier</A>. "What could be easier to review than a power amplifier? No features or functions aside from inputs, outputs, and a power switch," remarks KR. But as Rubinson finds, it's the details that count.
Things are looking up for high-resolution audio, with price drops for DVD-Audio discs announced by one major record label in a move to attract a larger audience.
Michael Fremer heard that the <A HREF="http://www.stereophile.com//digitalsourcereviews/605/">Alesis MasterLink ML-9600 Hard Disk/CD-R Recorder</A> "can sound better than all but the absolute top-drawer analog," and, of course, had to investigate. Mikey 'splains why audiophiles should take note of a machine generally used as a mastering tool by the recording industry.
Kal Rubinson gets in shape for some heavy lifting to review the <A HREF="http://www.stereophile.com//loudspeakerreviews/600/">B&W Signature 800 loudspeaker</A>. "The Signature 800 is part of B&W's Prestige line, which represents the best that B&W can do with present loudspeaker technology," reports Kal, who watched with anticipation as a team of four hefted the 275-pound beauties into place.
Brian Damkroger finds that the <A HREF="http://www.stereophile.com//loudspeakerreviews/595/">Magnepan Magneplanar MG1.6/QR loudspeaker</A> and a 1973 Porsche 911 have much in common: "Each has grown out of the vision of a single, brilliant designer. Each reflects the long, steady evolution of a basic design, and the consistent focus on a core set of engineering criteria." BD then listens for the fruits of this approach to speaker design and writes up the results.
In his review of the <A HREF="http://www.stereophile.com//digitalsourcereviews/590/">Meridian 508.24 CD player</A>, Wes Phillips finds the machine "a beautiful design with impeccable technical credentials—a CD player that belongs, with only a few others, at the very sharpest portion of the leading edge, and that joins them in producing sound that is highly musical and hard to criticize."
<IMG SRC="/images/newsart/he2002.viola.jpg" WIDTH=100 HEIGHT=67 BORDER=0 ALIGN=LEFT>If you think the name Viola Audio Laboratories sounds familiar, wait 'til you hear the names behind it: Tom Colangelo, Paul Jayson, and Tony DiSalvo—all former officers at Cello. Viola, working out of Cello's former New Haven facilities, is now producing a complete line of electronics, from the $18,000 modular Spiritu preamp to the $12,000 Bravo Double Set monoblock amplifier. The company also manufactures audio cables and a modular loudspeaker, the $18,000/pair Allegro, as well as an $18,000 subwoofer, the Basso. The system certainly is elegant-looking, and it sounded impressively coherent in a small hotel room—and that was with both the Allegro's bass module and subwoofer disconnected!
Wandering around the show, we were struck by how good most of the speakers we were hearing were. Not just the cost-no-logic designs, but pretty much <I>all</I> of them. Are we audiophiles lucky or what?