Copy protection efforts currently being initiated by national lawmakers at the behest of the entertainment industry are based on a model of Internet use that will soon become obsolete, according to Stanford law professor Lawrence Lessig.
Paul Bolin exclaims, "Looking at the current digital scene is enough to confuse and confound just about anyone this side of Stephen Hawking." Bolin's review of the <A HREF="http://www.stereophile.com//digitalsourcereviews/779/">Ayre Acoustics D-1x DVD-Video/CD player</A> is here to clear things up.
Memorial Day is the traditional beginning of summer. This year, it will mark a new chapter for <A HREF="http://www.klipsch.com">Klipsch Audio Technologies</A>.
Michael Fremer investigates the <A HREF="http://www.stereophile.com//amplificationreviews/774/">Parasound Halo JC 1 monoblock power amplifier</A>, exclaiming, "The 5-to-1 ratio of cost to retail price suggests that the "raw" cost of the JC 1 is about $600—a number almost impossible to believe, given the superb build quality and sheer heft of this powerhouse monoblock." And then there is the sound.
Kalman Rubinson fires up the <A HREF="http://www.stereophile.com//amplificationreviews/769/">Sonic Frontiers Line 2 line preamplifier</A>, commenting, "I began this review grudgingly because I'd made a decision a while back to no longer pursue vacuum-tube electronics." But it's where KR ends up after months of listening that counts.
"How much power do you really need? How much power can you actually use? What's necessary, and what's icing on the cake? And does <I>anyone</I> really need 1000Wpc?" Jonathan Scull takes the <A HREF="http://www.stereophile.com//amplificationreviews/764/">Boulder 2050 monoblock amplifier</A> into the listening chamber to confront these and other pressing audio dilemmas.
Three reviews from January: First, Art Dudley gives us his take on the <A HREF="http://www.stereophile.com//amplificationreviews/759/">Final Laboratory Music-4 phono preamplifier, Music-5 line preamplifier, and Music-6 power amplifier</A>. Art writes, "Modern hi-fi is little more than a way of getting electricity to pretend that it's music."
With the February issue hitting newstands, it's time once again to honor those twirling discs that also made our heads spin, with "<A HREF="http://www.stereophile.com//records2die4/754/">2002 Records To Die For</A>." <I>Stereophile</I>'s staff and writers all check in with their eclectic batches of musical heaven.
Robert Deutsch tackles the <A HREF="http://www.stereophile.com//amplificationreviews/749/">Balanced Audio Technology VK-40 preamplifier</A>, noting "Few topics will get audiophiles into an argument more readily than a discussion of the relative merits of tubed and solid-state equipment."
From 1989 and 1992, John Atkinson reviews the <A HREF="http://www.stereophile.com//loudspeakerreviews/744/">Celestion SL600si loudspeaker and the DLP600 digital equalizer</A>. "Given that conventional equalizers are quite correctly regarded in Audioland as being poor-sounding pieces of cheap, amusical junk," JA asks, "what I am doing reviewing what, for want of a better word, is an equalizer?"