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Stereophile Staff Posted: Oct 07, 2007 0 comments
That, somehow, the "absolute sound" of live music is locked up within the grooves or pits of the discs we play and can be retrieved in its entirety if only we had a a good enough playback system is one of the enduring myths in high-end audio. Yet the art of recording is just that, an art, and it is entirely possible that a better playback system will sound worse with some recordings. And with the mainstream press telling would-be audiophiles that low–bit-rate MP3s are of "CD quality" and that even CD is overkill for audiophile sound quality, why would anyone need high-resolution recordings?
Stereophile Staff Posted: Sep 07, 2007 Published: Oct 01, 2007 0 comments
Phono Accessories & Record Cleaners
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Stereophile Staff Posted: Sep 01, 2007 0 comments
The Custom Electronic Design and Installation Association (CEDIA) Expo 2007 officially opens its exhibition halls Thursday September 6, and Stereophile's Kal Rubinson and Wes Phillips will be there to report the highs, the lows, the in-betweens—everything, in fact, except the bunions.
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Stereophile Staff Posted: Jun 10, 2007 0 comments
In his primer this week on compression, Wes Phillips mentions the now-ubiquitous use of "louderization" in CD production, which fills in the musical valleys and flattens the expressionistic hills to make a recording sound uniformly loud. Stereophile editor John Atkinson has long railed against this practice, so when Bob Reina asked John to record his new jazz quartet, Attention Screen, John felt that this would be the opportunity to put his money where his mouth was. He would record the band, which mixes electric instruments—guitar and bass guitar—with acoustic—piano and drums—as though it was a classical acoustic ensemble, with no equalization and no compression. By doing so, he would demonstrate that even so, the sound would still have dynamics and impact, that making an honest recording does not have to be an obstacle to powerful sound quality.
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Stereophile Staff Posted: Jun 01, 2007 0 comments
The Home Entertainment Show 2007 held May 11—13, 2007, at the Grand Hyatt New York Hotel in New York City, will be remembered by exhibitors, consumers, and visiting media as a well-attended showcase of some of the finest home-entertainment products available.
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Stereophile Staff Posted: Apr 23, 2007 0 comments
A ticket to Home Entertainment 2007—The High Performance Sound & Imaging Show,, to be held May 11-13, 2007 at the Grand Hyatt New York Hotel in New York City, offers attendees a chance to hear live musical performances from some of the great artists of classical music and jazz.
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Stereophile Staff Posted: Apr 14, 2007 0 comments
Show attendees at Home Entertainment 2007, the High Performance Sound & Imaging Show of the year, will be treated to several educational seminars and clinics that will help guide and inform them about the choices confronting contemporary music and film lovers looking for better home entertainment experiences.
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Stereophile Staff Posted: Apr 12, 2007 0 comments
Stereophile's Robert Deutsch will be covering the Montreal Festival Son & Image electronics show starting April 13.
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Stereophile Staff Posted: Apr 06, 2007 0 comments
Exhibitors at Home Entertainment 2007), the High Performance Sound & Imaging Show, are gearing up for one of the most important international events of the year! HE 2007 will take place May 11–13, 2007 at the Grand Hyatt New York, conveniently located in Grand Central Station in New York City. This historic centrally located venue will provide the perfect setting to showcase the latest in home audio/video entertainment products, and this year's event marks the show's seventh visit to the Big Apple.
Stereophile Staff Posted: Mar 17, 2007 Published: Apr 17, 2007 0 comments
Recommended Components Addendum