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Stereophile Staff Posted: Mar 15, 2004 0 comments
From the March 2004 issue, John Atkinson finally gets to listen to the Sonus Faber Cremona loudspeaker and explains, "it took rather longer than I had expected to set the Cremonas up in my listening room. But, like everything worth experiencing, the wait was worth it."
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Stereophile Staff Posted: Mar 08, 2004 0 comments
Bits is bits? In the December 1990 issue, John Atkinson explored in "Jitter, Bits, & Sound Quality" why digital audio turns out to be a complicated process. He writes, "As my violin teacher used to say, 'The right note in the wrong place is the wrong note.'" And so it is with digital data, as JA explains in this groundbreaking report.
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Stereophile Staff Posted: Mar 01, 2004 0 comments
John Atkinson headed to the Midwest last year to record another audiophile disc. In Deep River: the Cantus Spirituals Project, JA describes the process of capturing a chorus of male voices with high-rez digital equipment. Atkinson notes, "Presented with the magnificent acoustic of Sioux Falls' 1500-seat Washington Pavilion of the Arts & Sciences, the question facing me was how to present what are still fairly intimate works while taking advantage of that supportive acoustic."
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Stereophile Staff Posted: Feb 23, 2004 0 comments
Audiophiles may bemoan the convergence of computers and high-fidelity equipment, but it's a trend apparently as unstoppable as the earth's progression around the sun.
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Stereophile Staff Posted: Feb 23, 2004 0 comments
Does the SLP in the Cary SLP-98P tube preamplifier's name stand for "sweet little preamplifier"? Art Dudley sets out to determine if Cary's latest version in the SLP preamp series lives up to the moniker.
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Stereophile Staff Posted: Feb 16, 2004 0 comments
This week we have two John Atkinson speaker reviews from the February 2004 issue. First, JA gets his hands on the B&W 705 loudspeaker, commenting, "When I heard about the company's new 700 series of speakers, based on the technology featured in their cost-no-object Nautilus series but priced to sell in the real world, I asked to review the $1500/pair 705."
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Stereophile Staff Posted: Feb 16, 2004 0 comments
Pure technology developments don't often have an audiophile angle, but a February 9 announcement from InPhase Technologies caught our attention.
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Stereophile Staff Posted: Feb 09, 2004 0 comments
In his review of the Cary Audio Design CAD-572SE monoblock power amplifier, Martin Colloms explains, "It's no accident that low- and zero-feedback triode technology is now the mainstay of the Cary amplifier line." MC then reports on whether or not this approach has succeeded. RObert Deutsch adds some further thoughts.
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Stereophile Staff Posted: Feb 02, 2004 0 comments
FM fans alert: Tuner specialist Magnum Dynalab has introduced its "Triode Series," led by the $3995 MD-106T triode tube tuner. The MD-106T is said to combine great signal sensitivity and selectivity in channel reception with "exceptional build quality and musical realism." One design feature that's something of a throwback to tube electronics of the 1950s and early '60s is a glowing "Magic Eye" tube indicator for fast, precise tuning. The MD-106T also features "a precisely aligned tunable five-stage RF front end, and a double-thick, gold-plated circuit board to minimize vibration," according to a company announcement. Stereophile's Larry Greenhill is about to embark on a review of the MD-106—stay tuned!
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Stereophile Staff Posted: Feb 02, 2004 0 comments
From the January 2004 issue, Michael Fremer writes about the "SUV-like, limited-edition, 20th-anniversary" Musical Fidelity Tri-Vista kWP preamplifier & Tri-Vista kW Monobloc power amplifier. No doubt the "bank-vault-like" designs will get your attention, but as Fremer discovers, after you close your eyes, it's "sheer sonic pleasure."

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