Stereophile Staff

EISA Hi-Fi Awards 2025-2026

EISA, or the Expert Imaging and Sound Association, is an organization representing 53 of the most respected special interest publications and websites from 26 countries that cover Hi-Fi, Home Theater, Photography, Mobile Devices, and In-Car Electronics. Every year EISA's Expert Group members, including editors from this publication, test a very wide range of new products from their field of expertise before comparing results and voting to decide on the cream of every product category.
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Comments Retired, Letters Welcome: We’re All Ears

Dear readers,

Thank you for being an engaged part of the Stereophile community. We have retired the in-page commenting feature on our website, but we still want to hear from you.

Please email your thoughts, questions, and system notes to: STletters@stereophile.com

Selected letters will continue to appear in the magazine and online. Your feedback shapes our reporting and reviews. We appreciate every note you send.

—The Stereophile team

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Go Big. Get Loud. Win the Morel Biggie

We’re turning up the volume on excitement! Here’s your chance to win the Morel Biggie—a powerhouse of wireless sound engineered for those who crave deep bass, rich detail, and bold design in every beat.

Crafted by audio perfectionists at Morel, the Biggie redefines what a portable speaker can be. Whether you're on the move or making moments at home, this is the speaker that goes all in—just like you.

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Recommended Components 2025 Edition

Every product listed here has been reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable. Occasionally we get complaints from manufacturers who object to being included in, say, Class B. That's their error: Inclusion in Class B is something to be proud of.

Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a review synopsis, and a note indicating the issues in which the review, and any subsequent follow-up reports, appeared. "Vol.48 No.3" indicates our March 2025 issue, for example. "WWW" means the review is also posted online.

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Records 2 Live 4 2025

It was October 1990 and Richard Lehnert, at that time Stereophile's music editor, buttonholed me in our office parking lot. He had an idea for a new feature in which, instead of recommending audio components, which we had been doing since the first edition of Recommended Components in 1963, we should do the same for music. "Rather than a selection of all-time (or year's) best recorded performances—which are common enough—or a list of audiophile reference recordings—common enough in the audiophile press, at any rate," he said, "this would be a list of stereo recordings that are both musically and sonically impeccable. In other words, the best, the tops, to die for."

It took me less than a New York minute to sign off on Richard's idea. We asked the magazine's audio and music writers each to name two of their favorite albums of all time—albums that were, to them, "to die for."

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