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J. Gordon Holt Posted: Jun 09, 2014 Published: Apr 01, 1980 18 comments
Dr. Alan Hill, president of Plasmatronics Inc., was previously employed by the US Government in laser research. His assignment: To increase the efficiency of lasers so that they could do something more impressive than produce holograms, mend leaky retinal blood vessels, and punch pinholes in steel blocks. Dr. Hill earned his keep, thus advancing laser technology a giant step closer to Star Wars, and then retired from government service to design. . . a loudspeaker?!!!?
J. Gordon Holt Posted: Mar 10, 2015 Published: Apr 01, 1980 2 comments
Editor's Note: We are republishing this report from the 1980 CES both because many of the themes strike resonances 35 years later, and because it emphasizes the hard time high-end audio was having at the end of the 1970s. The LP had been eclipsed by the cassette and 8-track cartridge as the primary massmarket media for recorded music and the decade-long hi-fi boom that had been fueled by the entry of Japanese brands was running out of steam. Ironically, it was the launch of Compact Disc three years later that was to reinvigorate the audio business.John Atkinson

The 1980 Winter CES, held in Las Vegas in January 1980, came on the heels of the worst business year the audio field has seen in almost a decade. So-called high-end audio, in particular, had distressing sales declines during the last year of the 1970s, with some dealers (who had not yet gone out of business) predicting that their books for 1979 would probably show as much as a 30% loss in sales from the previous year. Dealer turnout in the Las Vegas Jockey Club, where most of the high-end manufacturers were showing their wares, was nonetheless surprisingly good, although makers of the highest-priced exotica were not as ecstatic about the turnout as were those exhibiting more-affordable gear. One high-end entrepreneur was heard to say (to one of his associates), "It doesn't look any better for this year than last."

J. Gordon Holt Posted: Sep 15, 2015 Published: Dec 01, 1979 0 comments
Imagine if you can a power amplifier with the bass richness, midrange liquidity, and high-end accuracy of the best tube amplifiers, and the inner detail, transient attack, and bass solidity and range of the best solid-state amplifiers. If you can imagine that, you can visualize what this amplifier sounds like.
J. Gordon Holt Posted: Jul 30, 2010 Published: Dec 01, 1979 1 comments
A very popular myth among the audio unwashed—and one still perpetuated by the pop hi-fi writers—is that nothing is to be gained by paying more than $1000 for a stereo system (footnote 1). Members of the general public, including masses of people who enjoy live, unamplified music, have the impression that more money simply buys one wider and wider frequency range, and defend their $500 "compact" systems with the lame excuse that their ears aren't all that good, and who needs to hear what bats hear anyway? This is no doubt a soothing emollient for one's disinclination to invest more money in audio gear, but it is a supreme self-deception.
J. Gordon Holt Posted: Oct 12, 2015 Published: Dec 01, 1979 4 comments
Long-time Stereophile readers May be dismayed by what appears to be our unfettered satisfaction with some of the recent crop of new components. Aren't we, after all, dedicated to the pursuit of perfection? Do we really feel that some products are all that close to it? The answer to both questions is "Yes."
J. Gordon Holt Posted: Sep 10, 2015 Published: Dec 01, 1979 6 comments
The Shure Brothers have been making magnetic cartridges since the early 1950s (they had been exclusively microphone manufacturers prior to then), and their continuing R&D program has resulted in new, improved models every few years rather than every 6 months (as seems to be the rule these days). As a result, Shure has the appearance, to most audiophiles, of a stodgy, plodding, rather "establishment" manufacturer that can be trusted to make a solid, reliable product but nothing brilliantly innovative or—for that matter—nothing remarkably good either.
J. Gordon Holt Posted: May 30, 1995 Published: May 30, 1979 0 comments
Several issues back, we reviewed rather enthusiastically a pre-production prototype of this preamp. The original was an unprepossessing-looking device on two chassis, interconnected by a 3' umbilical, with a squat little preamp box and an even squatter power supply with humongous cans sticking out the top. We averred that it sounded nice. The production model is so nicely styled and functionally smooth that we wondered if it might not be another Japanese product. 'T'ain't.
J. Gordon Holt Posted: Nov 05, 2006 Published: May 05, 1979 0 comments
There are certain manufacturers for whom every new product implies the promise of countless modifications, Usually a month or so apart, culminating inevitably in a version so far removed from the original that it must be assigned a new model designation—usually a letter suffix ranging from A, to D. By the time E is envisioned, another CE Show is approaching, so the decision is made to give the unit an exterior facelift and a brand-new model number. Presto! A new product for CES.
J. Gordon Holt Posted: Oct 28, 2007 Published: Apr 28, 1979 0 comments
This is not a new component, but like most others that aspire to very high standards of performance, it has undergone some changes (for the better) since it first went into production.
J. Gordon Holt Posted: Apr 17, 1979 Published: Apr 18, 1979 0 comments
101 years ago, the tinfoil cylinder started it all. Within 22 years, its heyday was done, and public support swung to favor the then-new wax-mastered disc. 1948 saw the switch to a slower speed and a finer groove, but the flat disc, traced by a stylus, has held sway for almost 80 years now. Even today, people with multi-speed turntables and a couple of arms (or plug-in cartridges) can reproduce from a single phono unit the earliest or the latest discs merely by the flip of two switches (for speed change and cartridge change). All that is about to come to an end.


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