J. Gordon Holt

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J. Gordon Holt Posted: Oct 30, 2009 Published: Sep 30, 1984 0 comments
Ever since Stereophile took up the cudgels for subjectivity, and had the temerity to insist that even the best products have certain colorations, we have stressed compatibility in choosing components. By compatibility we do not mean merely matching impedances and signal levels, but mating components whose sonic peculiarities tended to offset one another.
J. Gordon Holt Various Posted: Apr 29, 1995 Published: Aug 29, 1984 0 comments
I must admit that even before I connected up this amplifier I was put off by the accompanying literature. B&K makes some persuasive points about the validity (or rather the lack thereof) of some traditional amplifier tests, but the literature was so loaded with flagrant grammaticides, syntactical ineptitudes, and outright errors that I could not help but wonder if the same lack of concern had gone into the product itself (eg, the term "infrasonic" is used throughout to mean "ultrasonic"). Good copy editors aren't that hard to find; B&K should have found one.
J. Gordon Holt Posted: Jul 10, 2008 Published: Jun 10, 1984 0 comments
I believe it was 1958 when I first heard a transistorized audio product. The Fisher TR-1 was a small battery-powered box that provided microphone preamplification and inputs for three magnetic phono sources.
J. Gordon Holt Posted: Jun 12, 2008 Published: Mar 12, 1984 0 comments
Thiel is one of those loudspeaker manufacturers, like Spica and Dahiquist, among others, that pay close attention to detail.
J. Gordon Holt Posted: Sep 10, 2005 Published: Mar 10, 1984 0 comments
Most Stereophile readers are aware by now of why the full-range electrostatic should, in theory, be the ideal transducer. (If you aren't aware, see the accompanying sidebar.) Acoustat was the first manufacturer to design a full-range electrostatic that was so indestructible it came with a lifetime warranty. (MartinLogan is now offering a three-year warranty on their speakers, and is considering going to a lifetime warranty). But Acoustat was never able to solve another problem that has plagued all flat-panel speakers: treble beaming.
J. Gordon Holt Posted: May 08, 2010 Published: Mar 08, 1984 0 comments
The American computer industry was a little shaken up to learn recently that the Japanese micro manufacturers had gotten together and standardized their component interconnections so that any Japanese computer will (supposedly) plug into any Japanese printer, modem, or competing computer, and work right off the bat. Anybody who has tried to fire up an Apple computer with a Diablo (Xerox) printer will appreciate what the Japanese move means in terms of compatibility. It means "For no-hassle interconnections, buy Japanese."
J. Gordon Holt Posted: Mar 30, 2012 Published: Mar 01, 1984 0 comments
While I refuse to admit publicly how long I have been sitting on these loudspeakers before doing the report on them, I must say that it is probably a good thing I wasn't in all that of a hurry to get around to it. They did not sound very good in the room where I had initially installed them, and had I written the report on that basis, it would have been lukewarm, to say the least.

I have now had the opportunity to live with the Acoustat 2+2s in my usual listening room, which is more like a typical listening environment (19' by 24' by 9' and moderately padded), and I am more than a little impressed. This is an extremely good speaker, particularly at its price of $2100/pair.

The 2+2 resembles the Model Four in that it contains four of Acoustat's full-range electrostatic panels per side, but differs from it in that two of the panels (per side) are stacked on top of the first pair to produce a radiating surface twice as high and half as wide as that of the Four. The result, particularly in the case of the black-grilled version we tested, bears a startling resemblance to the mysterious obelisk in 2001, A Space Odyssey. The 2+2 system towers almost to the ceiling (and at just under 8' may be too high for some ceilings), and although it is more graceful in appearance than a pair of Fours, it tends to dominate a listening room at least as much.

J. Gordon Holt Various Posted: Sep 28, 2008 Published: Feb 28, 1984 0 comments
There is something refreshingly no-nonsense about the design and construction of this turntable. It looks as if someone just said, Okay, this, that, and the other thing need to be done. Let's do it. And then they did it. In appearance at least, it is about as simple a design as you're likely to find. What sets it apart from other simple designs is that this one is built like a battleship! Everything is heavy-duty (notto mention heavy), from the 10-lb, lead-laminated aluminum platter to the ¼"steel-reinforced subchassis.
J. Gordon Holt Larry Archibald Posted: Jul 11, 2013 Published: Feb 11, 1984 6 comments
BEETHOVEN: Violin Sonata in G, Op.96
ENESCU: Violin Sonata No.3, Op.25 (In Rumanian Style)

David Abel, violin, Julie Steinberg, piano
Wilson Audio W-8315 (LP). David Wilson, prod., eng. AAA.

Oh, what a breath of fresh air this is! An audiophile recording of real music that isn't bombastic, overblown, or high-powered.

Imagine, if you can, a private recital in your own home by two consummate artists who play these works for their own delight as much as for yours. Imagine sound so completely and disarmingly natural that after 30 seconds you're unaware it's reproduced. That's what this record is all about.

I could rhapsodize endlessly about this record, but I won't. Suffice it to say that if you think there's even a remote chance you'll like this music, you will be positively mesmerized by this recording of it . . .

J. Gordon Holt Posted: Aug 07, 2005 Published: Feb 07, 1984 0 comments
What, a high-fidelity product from Magnavox? The company that 20 years ago had a reputation for building massive, polished-console boom-boxes and was scornfully referred to in audiophile circles as "Maggotbox"? Some important things have happened to Magnavox since those days. Mainly, it became a subsidiary of the Dutch Philips company, co-developer of the laser video disc and now the audio Compact Disc. The Magnavox CD players are actually made by Philips for US distribution by Magnavox.

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