MartinLogan showed some enticing and very reasonably-priced two-ways with real electrostatic drivers. The Purity (left) and the Source (right) are similar in size and appearance (at least so far as the electrostatic elements are concerned), but differ significantly. The Source ($2000/pair) uses an 8” woofer and has a wedge-shaped base that allows you to tilt the entire speaker to suit the needed vertical listening angle. The Purity ($3000/pair) has a pair of 6.5” woofers and a 200W digital amp, which permits it to be driven by a CD player or preamp or, even, by an MP3 player.
Just a short note to tell you that the smaller brother of the affordably priced but high-performance Pioneer Elite S-1EX loudspeaker that I enjoyed so much last March has made its way to these shores. The S-3EX is slightly shorter and narrower, with 7" woofers in place of its bigger brother's 8" drivers. Retained are the CST Driver technology, the Aramid/Carbon-composite–shell woofers, the clean design and construction and, presumably, all the sound except at subwoofer levels. Not retained is about a third of the cost with the S-3EX estimated at $6000/pair instead of $9000.
That's a pretty snazzy new pre-pro from NAD, the T-175 ($1999). It sports four HDMI inputs, lots of analog and digital audio inputs as well as "legacy" video sources. Of special note is the inclusion of Audyssey MultEQ XT room correction, with a custom response curve option developed with PSB's Paul Barton. In addition, this is one of the first of a new generation of AVRs, pre-pros, and processors that are compatible with the potent Audyssey Pro Audio Calibration intended for professional installation. Others capable of Audyssey Pro include NAD's T775 and T785 AVRs, and Denon's AVR-5805CI, '5308CI, '4308CI and '3808CI AVRs. Also on Audyssey's lists are the Denon AVP1HD pre-pro, the Integra DTC-9.8 and OnkyoPro PR-SC885 pre-pros, the Integra DTR-8.8 AVR, the Crestron Adagio Media System, the Phase Technology dARTS system, and, of course, the Audyssey Sound Equalizer.
Meridian’s collaboration with Ferrari bore fruit as the F80 CD-Radio. "CD-Radio," by a long shot, is an unworthy designation for such an unusual device. Sure, it is an AM/FM radio of high quality and, yes, it will play CDs and DVDs and do all sorts of other neat things but you can go to www.thef80.com for all that info. What I want to tell you is that this $2999 clock-radio is drop-dead gorgeous and is a serious audio instrument. In a press conference room that I estimate was 25'x50' with 15' ceiling, Meridian's Bob Stuart popped in first one disc and then another to the amazement of the press crew. The f80 really filled that larger-than-domestic and nearly bare room with balanced sound. Now, I am not saying that it will replace a full component system for you or me, but I cannot think of another product that compares with it for size, appearance, or performance.
I got a chance to listen to a 5.1 setup of small HM series monitors ($1699 each) from Adam Professional Audio, the same speakers that the recording had been mixed on. Even amidst the hustle and bustle of the CEDIA floor, they made a good showing. Even more impressive were the new Tensor series, all of which use ART (Advanced Ribbon Technology, inspired by the old Oskar Heil ribbons) HF and MF drivers, along with active Hexacone woofers in substantial cabinets. The larger Beta and Alpha models have additional cone midrange drivers. All are also available in fully active versions and the line runs from $8199 for a semi-active Gamma to $24,999 for a fully active Alpha. Klaus Heinz proudly explained his design philosophies, but the show floor was no place to really appreciate the speakers' performance. These look really promising.
Continuing with European speakers, on static exhibit at the Klipsch Group complex was one of the most cleanly and beautifully simple speaker designs I've seen in a while. It was Jamo's S60, the largest in a new "S" line that, so far, includes a tiny bookshelf, a small center channel, and a subwoofer. These looked like many European small designs, almost too small to be effective. But the graceful three-way S60 sports a dome tweeter, a vertically arrayed pair of 4" midrange units, and a side-firing 8" woofer. Everything fit and matched, and the materials and textures just screamed quality. I just had to find out the price. It's only $450/pair! For that money and their graceful appearance, this speaker is a bargain even unheard!
There was a lot to see in the Lenbrook Group rooms and I was pleased to see that the anticipated T-175 multichannel pre-pro was ready for prime-time. However, the unit that caught my eye was a little stereo unit, the T-715. This trim, $499 beauty has a 25Wpc amp, a CD player, an AM-FM tuner, and a subwoofer output in addition to the usual audio line-level inputs and outputs and headphone jack. It also sports a USB input for playback of MP3s or of anything streaming off the Internet. It's just about the size of a shoebox. Add a pair of small speakers, like PSB's $279/pair Alpha B1s, and you have an ideal and compact second system.
A beaming Gregg Dunn hailed me over to the Cary booth and said, "I know what you are looking for!" He was right. In his hands, he was holding the new Cary Cinema 11V, the video-input/processor that mates with the Cinema 11 (now 11A) audio-only pre-pro that I found to be a really wonderful performer in my July column. What the 11V adds is a useful array of video (and audio!) inputs and outputs but, most significantly for audiophiles, it strips the hi-def audio content from HDMI inputs and pipes it through a proprietary digital connection to the 11A. Add an RS232 connection and the two are linked to work as one, although they can function independently. Specs are decidedly cutting edge, with six HDMI 1.3 inputs and capability for 1080p video at 120Hz!
Pioneer showed a number of interesting new products in two-channel electronics and speakers. but pride of place was ceded to their new flagship A/V receiver, the SC-09TX. This is almost, but not quite, a pair of separates with the 10-channel, ICE-powered class-D amp confined to a chassis separated from the rest of the digital and line-level electronics. The main 7 channels are rated at 200W, operated simultaneously. I thought it notable that the amplifier chassis is configured to be under the main chassis and that indicates that we’ve reached a point where the efficiency of class-D amps allows the power-hungry DSP and video processing to breathe out the top. Fans help, too. Every conceivable input and output is provided including 6 HDMI inputs and two HDMI outputs, accommodations for XM, Sirius, and iPod input, and a talented EtherNet link. I show you the back panel to impress you with the connectivity and the distinct chassis for the power amp. The front panel sports a 4" LCD for control and video previewing.
I finally got a chance to look at, but not yet hear, Bryston's first venture into a source component, the BCD-1 CD player. James Tanner gave me a tour of the innards which were even more impressive than the beautifully carved front panel and sturdy disc tray. He said that, while they used a Philips transport, all the control electronics were replaced by discrete Bryston-designed drivers and DACs and that separate transformer windings powered separate power supplies for the transport and audio electronics, with multiple isolated and regulated supplies for individual circuits and channels. That allows the class-A output stages to function best. In addition to the analog outputs, transformer-coupled S/PDIF and AES/EBU digital outputs are provided.