Sort By: Post Date | Title | Publish Date
Kalman Rubinson Posted: Dec 31, 2014 9 comments
I remember reading about Monitor Audio speakers as I pored over British audio mags in the 1970s, before the economy was globalized. They were among the many worthy UK brands whose cachet was amplified by their unavailability in the US. This venerable brand has survived and flourished, while many others from the 1970s have disappeared, or become mere labels under the aegis of multinational corporations. The reasons for this success seem to be that Monitor has evolved their metal-cone driver technology, kept the focus on their core market, and continued to provide high-quality construction and finishes. So I was not surprised to read, at the back of the Silver 8's multi-language owner's manual, that the speaker was "Designed and Engineered in the United Kingdom, made in China."
Kalman Rubinson Posted: Dec 24, 2014 6 comments
A decade or two ago, I stumbled on a surprising demo room at an audio show. I don't recall most of the equipment, but I do remember a pair of Paradigm Studio 20 speakers at one end, their crossover entrails dangling free, connected to the rest of the system by a multiplicity of wires. At the other end, among the usual electronics, was a PC whose screen was a crazy quilt of graphs and menus that constantly twinkled in response to the ministrations of DEQX's Kim Ryrie. He seemed totally absorbed, but looked up and proudly offered to show me what he was doing. When I told him that I was familiar with the Paradigms, he played some music that sounded just fine. Then he clicked his mouse. The sound was transformed from the familiar to the fabulous. I was dumbfounded. "What have you done?"
Filed under
Kalman Rubinson Posted: Nov 13, 2014 0 comments
It's August as I write this, and I'm looking back at some things that need to be discussed, and forward to the fall audio shows—particularly the 2014 New York Audio Show, which, by the time you read this, will have been held in Brooklyn, September 26–28. I grew up in Brooklyn, not in "the city," Manhattan, a place that we traveled to only for special reasons. Audio shops were rare in Brooklyn—I remember only Audio Exchange—but in Manhattan there was a small cluster near Grand Central Station, there was Lafayette Radio near the Holland Tunnel, a few scattered elsewhere, and the magnet of Liberty Street in lower Manhattan, where more than two city blocks were packed with audio shops.
Kalman Rubinson Posted: Sep 04, 2014 8 comments
Power amplifiers are unglamorous but essential. In theory, they have only one task. But, according to audio sage Yogi Berra, "in theory, theory and practice are the same. In practice, they are not." Amplifiers must take a voltage input signal and provide an output of somewhat higher voltage but of substantially higher current, the product of which is power. The task is complex in that this output must be applied to electrical interfaces whose characteristics vary widely from speaker to speaker—across the audioband and, for some, even at different power levels. There are no control mechanisms or feedback signals to help. The power amp must just stand and deliver.
Kalman Rubinson Posted: Jul 11, 2014 7 comments
It seems more and more that I'm reviewing equalization products in this column, and that such components are less often dealt with in the magazine's formal equipment reports. But it's not as if the problems created by room acoustics affect only multichannel systems. Stereophile has not ignored the topic—see the many reviews of physical and electronic room-treatment products posted on this website—but months can pass without publication of a review of such a component. Meanwhile, multichannel devotees such as I seem to talk about almost nothing else—and here's why.
Filed under
Kalman Rubinson Posted: Jul 01, 2014 2 comments
New York's CE Week occurs every June and is a miniature version of the January CES held in Las Vegas. The proportional representation of serious audio gear is similar but, given the small number of total exhibits, audio pickings are usually very thin. This year, however, there was more audio buzz than ever before.
Filed under
Kalman Rubinson Posted: May 02, 2014 11 comments
I've said it before and I'll say it again: High-end audio is the tail of the dog that is the consumer audio business. We have little leverage in determining where the technology is going, even though we undoubtedly know more about it than the average buyer. On the other hand, after the mainstream has determined where it's going (or thinks it's going), the high-end business must accept that, and try to optimize it for those of us who care deeply about getting the best sound. The ubiquitous iPod and its fellow MP3 players kicked off the playing of music files and allowed listeners to carry around their music wherever they went.
Filed under
Kalman Rubinson Posted: Mar 13, 2014 6 comments
After going so far off the beaten path in my last column, with examinations of digital signal processing (DSP) from miniDSP and Illusonic and multichannel in-room measurements, this month I take a look at and listen to a new preamplifier-processor from Yamaha, along with its companion multichannel power amplifier. The Japanese company (footnote 1) was a pioneer in digital signal processing (DSP) and multichannel sound, but for a long while now has been swimming in the mainstream of audio/video receivers and home theater.
Filed under
Kalman Rubinson Posted: Jan 16, 2014 2 comments
I know this is a lousy picture but it doesn't matter because the important product in it, the new AURALiC Aries Music Streamer (second from the top) is a prototype and it is housed in an enclosure borrowed from the AURALiC Vega DAC (top of the stack) recently praised by JA in the February issue. The Aries ($999) is the link between the NAS where you store your music files and your USB DAC. It is the first implementation of AURALiC's Lightning streaming protocol, based on 802.11ac Gigabit WiFi and capable of gapless play of all current formats, in stereo, up to 32/384, DXD, and DSD128 as well as all common lossy and lossless formats. The Aires has built-in Internet radio and is compatible with all major platforms and many other streaming protocols, including UPnP and DLNA.
Filed under
Kalman Rubinson Posted: Jan 16, 2014 0 comments
I was getting bored with my own opening question asking exhibitors do you have anything that's new for under $2000. For two days, I was getting either a gleeful "Yes!" or a slow "No but . . ." Mike Manousselis, Director of Marketing for Dynaudio USA, surprised me with a new answer: "Well, we have something that is not new but it's price is new and it is now under $2000."

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading