John Atkinson flapped his bushy eyebrows at me and smiled slyly. "Hey, J-10, why don't you do the Sony SCD-C333ES SACD carousel player for April?" Usually, when JA gets that look on his face, I seek shelter. The phone bripped suddenly in my office, but I knew it was too late. "Oooo-kay..." I smiled back, thinking of Stereophile's recent covers and the hubbub, bub, thick as it comes, that they'd produced. (See "Letters" in the February and March issues.)
While walking home from the office the other day I passed a gleaming, perfectly detailed Harley-Davidson, lightly customized, as many are these days. I didn't stop and drool, but I couldn't unsnap my eyes from it. As I drew parallel to that hawg, a Ricky Martin look-alike threw his leg over the saddle and thumbed the starter. No, you don't have to be a tattooed, beer-gutted redneck anymore to rear up and slam down on a kick-starter of one of those beasts. These days, it's all done with the push of a button. Dude.
As an audio journalist "servicing" the High End (ouch!), I surf the Web waves to see what's going on on the various audio newsgroups and bulletin boards. Sometimes the Net resembles the Concorde going down, the crash video'd by a passing French motorist: Ashen faces pressed against car windows driving slowly by to check out the carnage.
What's it take to compete on the bleeding edge of digital? Foresight, commitment of resources, and lots of money. Of course, it's all fundamentally about money, so we shouldn't be surprised that the audiophile's emotional needs aren't paid much respect by the large international manufacturing and marketing concerns stalking the earth today. Megaglom vs Cockroachacus. [Sigh] Where are those pesky miniature princess twins when you need 'em?
The dCS Purcell is named after Henry Purcell, the English composer, organist, bass, countertenor who was born in 1659 and died in, alas, 1695. It's a digital/digital converter intended for consumer use, as opposed to the less elegantly packaged pro-audio version, the dCS 972, that I reviewed in February 1999. Both devices increase the sample rate and/or word length of the output from linear PCM digital audio sources like CD or DVD up to a maximum sample rate of 192kHz and a word length of 24 bits. According to the extensive documentation, this is achieved by "using extremely powerful and accurate digital interpolation filters, which yield an output signal having negligible levels of distortion."
At the last few audio shows, whenever I heard a pair of the big Cary CAD-1610-SEs, I fair licked my chops. The two-tiered monoblock looked positively stunning in black and polished aluminum, exotic tubes bristling from the top "floor" of its two-story edifice. The Cary always induced pelvic tilt in me—you know, when your lizard brain takes over and tube lust is in the air.