Michael Fremer

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Michael Fremer Posted: Jul 06, 2010 0 comments
Why bother with three phono preamps most of us can't afford? For the same reason the enthusiast automobile magazines cover the newest Ferraris and Lamborghinis: just reading about them is fun.
Michael Fremer Posted: May 15, 2010 0 comments
Musical Fidelity's Tri-Vista kWP, introduced in 2003, was an impressive, high-tech, "statement" audiophile preamplifier. Its outboard power supply weighed almost 56 lbs—more than most power amplifiers—and its hybrid circuitry included miniature military-grade vacuum tubes. As I said in my review of it in the January 2004 Stereophile, the kWP's chassis and innards were overbuilt, the measured performance impressive, and any sonic signature imposed on the signal was subtle and, essentially, inconsequential.
Michael Fremer Posted: Apr 23, 2010 0 comments
To celebrate his 30 years with the company, Marantz threw designer Ken Ishiwata a birthday party in the form of an assignment: Design a new, limited-edition integrated amplifier and SACD/CD player bearing his initials. (Only 500 of each will be made worldwide.)
Michael Fremer Posted: Mar 18, 2010 0 comments
It's difficult to believe that the former top model of Vandersteen Audio's line of loudspeakers, the Model 5, has been in production in one form or another since 1997. Time passes quickly when you're having fun. Like all Vandersteen speakers, the 5 was and remains a good value and performance proposition. For all the 5's high technology and excellent performance both measured and audible, its price now starts at under $20,000/pair (up from about $10,000/pair when the 5 was introduced in 1997), including a built-in, proprietary powered subwoofer in each cabinet, and a sophisticated equalization system for room compensation.
Michael Fremer Posted: Dec 27, 2010 Published: Mar 01, 2010 1 comments
Thirty years have not diminished the beauty and elegance of Oracle's Delphi turntable. In my opinion, it still ranks among the best-looking turntables ever made. I bought an original Mk.I, used, in 1982, and very positively reviewed the Delphi Mk.V in the December 1997 Stereophile.

In its three decades the Delphi has undergone many upgrades both technical and aesthetic. Not surprisingly, so has the price. The Mk.II Delphi sold for $1250 in 1986; the Delphi Mk.VI with Turbo power supply and dedicated power cord now sells for $8500, which, in today's market, I think is reasonable for what you get. The review sample came with an Oracle/SME 345 tonearm ($3100) and a Benz-Micro Thalia high-output MC cartridge ($1700), for a total cost of $13,300—or $11,600 for just 'table and arm.

Michael Fremer Posted: Feb 17, 2010 0 comments
Playback Designs was founded less than three years ago. However, with the release in 2008 of its MPS-5 Music Playback System—a slim, full-featured SACD/CD player and DAC that costs $15,000 and is built in the US—the company has since established itself as a significant player in high-performance digital audio.
Michael Fremer Posted: Jan 27, 2010 0 comments
Hang around long enough, and your reward is often to be taken for granted or ignored. Canadian electronics manufacturer Bryston Ltd. has been around since the mid-1970s, and while—if coverage by Stereophile is any indication—the company has hardly been ignored, it's often taken for granted.
Michael Fremer Posted: Dec 23, 2009 0 comments
The British speaker manufacturer PMC Ltd. has built a professional client list seemingly as extensive as its almost mind-numbingly broad line of speakers. The i series alone includes 12 models, one of which is the DB1i ($1929/pair).
Art Dudley Michael Fremer Posted: Oct 28, 2010 Published: Sep 28, 2009 0 comments
The unusual Miyajima Shilabe moving-coil cartridge ($2800) came to my attention through a friend, and I obtained one from the importer, Robin Wyatt of Robyatt Audio, a music lover and dedicated audiophile who imports gear as a sideline, and who lives nearby in New Jersey.
Michael Fremer Posted: Sep 14, 2009 0 comments
Though taller, narrower, deeper, more gracefully sculpted, and even more mantis-like than the MAXX Series 2 that I reviewed in the August 2005 Stereophile, at first glance the Wilson Audio Specialties MAXX Series 3 seems little more than a minor reworking of its predecessor with a major increase in price: from $44,900 to $68,000 per pair. But first looks can be deceiving. Take a closer, longer gaze—or, better yet, spend some time listening (especially if you've spent time with the MAXX 2)—and you'll quickly realize that while the familiar Wilson design concepts remain in play, the MAXX 3 is far more than a minor reworking of an older model.

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