This massive, two-box beauty from Denmark costs $60,000, and I wish I could tell you it wasn't really better in most ways than the already outlandishly priced and sonically superb Boulder 2008. I can't.
In my review in the February 2009 issue of Marantz's SA-11S2 SACD/CD player ($3599.99), I said that "buying [an SACD] player in 2009 necessitates an act of faith similar to the one turntable buyers faced back in 1992." The negative reaction to this from the besieged SACD community was as intense as it was irrational. If they're angry with me, I can only imagine how they feel about Stanley Lipshitz and John Vanderkooy, who presented a white paper at a 2001 Audio Engineering Society convention that claimed to prove that SACD doesn't qualify as a high-fidelity format (footnote 1). How many figurative bags of flaming poop did they leave at their front doors?
Musical Fidelity's Tri-Vista kWP, introduced in 2003, was an impressive, high-tech, "statement" audiophile preamplifier. Its outboard power supply weighed almost 56 lbsmore than most power amplifiersand its hybrid circuitry included miniature military-grade vacuum tubes. As I said in my review of it in the January 2004 Stereophile, the kWP's chassis and innards were overbuilt, the measured performance impressive, and any sonic signature imposed on the signal was subtle and, essentially, inconsequential.
To celebrate his 30 years with the company, Marantz threw designer Ken Ishiwata a birthday party in the form of an assignment: Design a new, limited-edition integrated amplifier and SACD/CD player bearing his initials. (Only 500 of each will be made worldwide.)
It's difficult to believe that the former top model of Vandersteen Audio's line of loudspeakers, the Model 5, has been in production in one form or another since 1997. Time passes quickly when you're having fun. Like all Vandersteen speakers, the 5 was and remains a good value and performance proposition. For all the 5's high technology and excellent performance both measured and audible, its price now starts at under $20,000/pair (up from about $10,000/pair when the 5 was introduced in 1997), including a built-in, proprietary powered subwoofer in each cabinet, and a sophisticated equalization system for room compensation.
Thirty years have not diminished the beauty and elegance of Oracle's Delphi turntable. In my opinion, it still ranks among the best-looking turntables ever made. I bought an original Mk.I, used, in 1982, and very positively reviewed the Delphi Mk.V in the December 1997 Stereophile.
In its three decades the Delphi has undergone many upgrades both technical and aesthetic. Not surprisingly, so has the price. The Mk.II Delphi sold for $1250 in 1986; the Delphi Mk.VI with Turbo power supply and dedicated power cord now sells for $8500, which, in today's market, I think is reasonable for what you get. The review sample came with an Oracle/SME 345 tonearm ($3100) and a Benz-Micro Thalia high-output MC cartridge ($1700), for a total cost of $13,300or $11,600 for just 'table and arm.
Playback Designs was founded less than three years ago. However, with the release in 2008 of its MPS-5 Music Playback Systema slim, full-featured SACD/CD player and DAC that costs $15,000 and is built in the USthe company has since established itself as a significant player in high-performance digital audio.
Hang around long enough, and your reward is often to be taken for granted or ignored. Canadian electronics manufacturer Bryston Ltd. has been around since the mid-1970s, and whileif coverage by Stereophile is any indicationthe company has hardly been ignored, it's often taken for granted.