Michael Fremer
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Michael Fremer Oct 10, 2004 Published: May 01, 1999 0 comments
To compartmentalize or not to compartmentalize, that is the question. Does one review an expensive CD player at the dawn of the 24-bit/96kHz digital age by pulling a "Clinton," standing defiantly before a jury of audio peers to deliver a speech on the state of the CD art, boxing in, roping off, and all but ignoring the new, supposedly unimpeachable medium?
Turntable Reviews
Michael Fremer Mar 28, 1999 0 comments
I literally dropped everything when Rega's new Planar 25 turntable arrived a few weeks ago. I'd heard the 'table compared with the Planar 3 at designer Roy Gandy's house when I visited Rega last fall—see "Analog Corner" in the January '99 Stereophile—and was anxious to audition it in my own system and tell you what I heard.
Interviews
Michael Fremer Aug 21, 2010 Published: Feb 21, 1999 0 comments
Bo Christensen, who was the guiding light behind, first, Primare, then Bow Technologies, graduated as an architect—not surprising, considering his products' drop-dead-gorgeous looks. I talked with Bo while preparing my review of his Bow Technologies ZZ-Eight CD player (see Stereophile, August 1998, Vol.21 No.8), and started by asking him if his knowledge of electronics was self-taught.
Michael Fremer Feb 07, 1999 0 comments
Note: This review appeared in the February 1999 issue of Stereophile Guide to Home Theater (issue number 22) and is appearing here until SGHT completes its own Archives database.
Tube Power Amp Reviews
Michael Fremer Feb 01, 1999 0 comments
Conrad-Johnson is one of audio's "marquee" companies, and charges accordingly. The Premier Twelve tube monoblock power amplifier, rated at 140W, sells for a rather steep $3495 each, meaning that unless you listen in mono, be prepared to lay out almost $7000 just for the amplification link in your audio chain. Apparently, many audiophiles feel the money is well spent: according to Conrad-Johnson, the Twelve has been a consistently strong seller during its approximately five-year production history.
Phono Preamp Reviews
Michael Fremer Nov 06, 2005 Published: Jan 06, 1999 0 comments
If compact discs are so damned dynamic and vinyl is so dynamically limited, why do they sound just the opposite? Why do LPs sound so "live," so explosive, so "there," and CDs so dead? Even the best CDs usually sink to second-rate when you switch to their vinyl versions. I've heard it, you've heard it. Only those in deep denial, those who refuse to listen, don't. They'd rather read the published specs and consider the actual listening some kind of mass delusion among Luddite LP fans.
Tube Preamp Reviews
Michael Fremer May 30, 2004 Published: Dec 01, 1998 0 comments
"It costs as much as a car—and not a used jalopy, either." That's what goes through your head as you contemplate this magnificent $20,190 piece of audio jewelry. I don't mean "jewelry" pejoratively; the tubed Jadis RC JP80 MC Mk.II is a gorgeous, gleaming hunk of retro-looking machinery. Two hunks, actually: an equally large remote power supply is connected via an umbilical cord terminated with an elbow connector the size of house plumbing.
Michael Fremer Aug 06, 2006 Published: Nov 06, 1998 0 comments
"Hello, I'd like to apply for a Federal Grant? For what? Oh, to design and build a new, high-tech, very expensive turntable. What's that? It plays records. Yes, that kind of turntable. Of course they still make records. Why? How much time do you have? Oh, I forgot—you're a federal employee, you have all day! Well, I didn't mean to insult you. It was a joke....No, I'm serious about the turntable. You do? What kind of music? When are they from? RCA Record Club? Classical Music? 1950s and '60s? Yes. I'll give you $5 each. I know it's generous, but... How much money do I want for the grant? Coupla hundred thousand dollars. No, our turntables will never be used to play Marilyn Manson records—Marilyn doesn't do vinyl. It's in the mail? Thank you. I'll come get the LPs tonight."
Michael Fremer Jun 11, 2006 Published: Oct 11, 1998 0 comments
What makes a phono cartridge worth $3500 or $4000? Pride of ownership? Snob appeal? Sound? Tracking ability? Exotic materials? Styling? Labor cost for skilled artisans? Special ether? Cool wooden box? All of the above?
Michael Fremer May 07, 2006 Published: Oct 07, 1998 0 comments
What makes a phono cartridge worth $3500 or $4000? Pride of ownership? Snob appeal? Sound? Tracking ability? Exotic materials? Styling? Labor cost for skilled artisans? Special ether? Cool wooden box? All of the above?
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