The VTM200 is the first Audio Research power amplifier I've reviewed. It took me 13 years, and ultimately I'm glad I'd put that much mileage on my reviewing odometer before tackling what turned out to be a most difficult assignment.
There's a whorish aspect to reviewing that some readers and industry critics never tire of mentioning, as if they've stumbled onto some great revelation: that we writers seem to flit from new product to new product, sometimes gushing like cracked fire hydrants over one amplifier one month, only to gush over another amp the following month.
A company other than ProAc best describes the Future One: "And now for something completely different!" Of course, that was a company of British comedians. There's nothing funny about the talented British speaker designer Stuart Tyler's latest effort, but there is something odd: Tyler is reputed to have said of the Future One, "This is the loudspeaker I have always wanted to build."
We're also told that magnets can't possibly affect human athletic performance or relieve joint and muscular aches and pains. This, too, has been "scientifically" proven. Never mind that professional athletes swear by magnets, and that the disabled and the elderly have been helped as well. "Science" has proven them wrong, but medical magnet sales are exploding. Must be mass hysteria.
Audio Research's first 21st-century, audiophile-quality line-stage preamplifier combines retro-tech vacuum-tube amplification and power-supply circuitry with innovative, remote-controlled gain, balance, tape monitoring, and signal routing. The price is also 21st-century: $9995. As in ARC's Reference phono section, the Reference Two's pair of vertically mounted circuit boards results in a single, relatively tall chassis.
Andy Payor hurls a briefcase full of engineering and scientific mumbo-jumbo at in an attempt to justify the $73,750 price of the latest and greatest edition of his Rockport Technologies turntable, but really—isn't this all-air-driven design a case of analog overkill? After all, defining a turntable's job seems rather easy: rotate the record at an exact and constant speed, and, for a linear tracker, put the stylus in play across the record surface so that it maintains precise tangency to a radius described across the groove surface. By definition, a pivoted arm can't do that, so the goal there is to minimize the deviation. That's basically it. Right?
Why would a sharp mind offer a $15,000 integrated digital amplifier to a reviewer who has been characterized in the audio press as the "self-proclaimed Analog Messiah" and a "hyper-Luddite"? That's the first question a self-centered reviewer asks himself. Yours might be: "A $15,000 integrated amplifier from...Sharp?"
Sometimes you have to wonder why big corporations gobble up small speaker companies. Most such firms are built by individualist entrepreneurs chasing an elusive dream—an up-close and personal thing that is the antithesis of the corporate mentality. That's why speaker companies are so often named after the founder.