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Michael Fremer Posted: Mar 18, 2007 Published: Mar 19, 2007 1 comments
Back in 2000, when Lyra introduced the Helikon moving-coil cartridge, which replaced the then six-year-old Clavis D.C., the company inexplicably retained the Clavis D.C.'s retail price of $2000. This was inexplicable because the Helikon's revolutionary design was new from the ground up, and because audiophiles—like most, if not all, consumers—perceive price to be a reflection of quality and performance.
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Michael Fremer Posted: Oct 07, 2007 Published: Mar 07, 2007 0 comments
Simaudio's Moon LP5.3 MM/MC phono preamplifier ($1400) is silly good! It has single-ended RCA inputs and both single-ended and true balanced-differential outputs. It also offers a wide range of adjustments for gain (54, 60, and 66dB), resistive loading (10, 100, 470, 1k, and 47k ohms), and capacitive loading (0, 100, and 470pF), all accomplished via a series of internally mounted jumper banks. You can even choose RIAA or IEC equalization. Removing the top plate to get to the adjustments reveals boards filled with high-quality parts for the well-isolated power-supply and signal-handling circuits.
Michael Fremer Posted: Feb 11, 2007 0 comments
Naim's new "statement" CD player, the CD555 ($20,300 by itself, $28,150 with PS555 power supply), breaks no new technological ground. Rather, in typical Naim fashion, it attempts to optimize 16-bit/44.1kHz CD performance by paying fanatical attention to the devilish details. It doesn't play the DVD-Video, DVD-Audio, or SACD formats, nor does it have a digital output—and it doesn't create an illusion of higher resolution by upsampling the data.
Michael Fremer Posted: Jan 21, 2007 0 comments
Older audiophiles remember the splash NAD made in the late 1970s with the introduction of their 3020 integrated amplifier ($175). Ridiculously cheap, it looked graceful and sounded warm, inviting, and holographic. Removable jumpers between the 3020's sections permitted enthusiasts to determine whether the magic resided in its preamp, its power amp, or in some synergy of both.
Michael Fremer Posted: Dec 24, 2006 0 comments
Let me take you by the hand, and together we'll jump off an audio cliff. I promise a soft landing, though there might be some turbulence on the way down.
Michael Fremer Posted: Nov 26, 2006 0 comments
We were driving to a friend's house to celebrate her dad's 92nd birthday. Halfway there, a bright yellow, ground-hugging insect pulled in front of my car from across street. "Wow, that's a Lamborghini Countach!" I exclaimed. You don't often see one of those in my neighborhood—or in any neighborhood.
Michael Fremer Posted: Oct 15, 2006 0 comments
As you read this, are you listening to your stereo? Whatever the music, what you're actually hearing is your public utility's AC as modulated by your power amplifier. No matter how good the gear, the final result can be only as pure as the power feeding your components. Unfortunately, plenty of sonic schmutz usually comes along for the ride.
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Michael Fremer Posted: Oct 15, 2006 0 comments
A four-day break between the Top Audio Show in Milan (September 14–17) and the Hi-Fi News Show in London (September 22–24) presented the perfect opportunity to accept a longstanding invitation from speaker manufacturer Focal-JMlab to visit its manufacturing facilities in France.
Michael Fremer Posted: Sep 23, 2006 0 comments
Best known for its omnidirectional loudspeakers, the German manufacturer mbl also produces three complete lines of high-performance electronics that, despite being large and built to jewel-like perfection, are sometimes lost in the shadow cast by the dramatic-looking—and -sounding—Radialstrahler 101E, which I reviewed in October 2004.
Michael Fremer Posted: Aug 27, 2006 0 comments
Still burning in my bank of childhood memories are misty images of the glowing green lettering on the McIntosh tube preamps and tuners that populated the windows of the audio stores that once lined lower Manhattan's Cortlandt Street. Leonard's and most of those other retailers are long gone—as are most of the audio brands that shared their windows with McIntosh, and that once symbolized the might of American innovation and manufacturing. Even the World Trade Center, the controversial complex that replaced Cortlandt Street's "Radio Row," where the hi-fi industry was born, is tragically gone.

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