"Here is a recording that should never be played on this small speaker," said Nola's Carl Marchisotto, as he cued up Reference Recordings choral spectacular, John Rutter's Requiem, to play on Nola's new $19,800/pair Studio Grand Reference Gold loudspeaker.
Brad Lunde, President, of Lone Mountain Audio, the US importer for English speaker manufacturer ATC, showed me this three-way, floorstanding, powered ATC SCM40A loudspeaker ($12,499/pair).
Wei Chang, designer of the $3690 Sopranino electrostatic supertweeter that John Atkinson reviewed last May, was showing their bookshelf-sized, 42 lb monitor loudspeaker, the $14,690/pair Mythology 1, which incorporates the Sopranino for the top-octave driver.
Estelon presented its slim, 151 lb, 50"-tall, $45,000/pair, floorstanding XB loudspeaker (above). The speaker employs an 8" Accuton ceramic-dome woofer, a 6.25" Accuton ceramic-membrane midrange, and a 1" inverted ceramic-dome tweeter. Internal wiring is by Kubala-Sosna, and the crossover capacitors are Teflon-Hybrid. The loudspeaker was beautiful to see, and was playing smoothly and softly as I read about it at the exhibit.
Danish manufacturer Raidho demonstrated its $30,000/pair, 88 lb, X3 loudspeakers at CES. The remarkable slim towers have four dedicated 4" ceramic midbass drivers and one 8" side-mounted woofer, in addition to a magnetic-planar tweeter that is crossed over at 3kHz.
Gary Leonard Koh, the President and CEO of Genesis Advanced Technologies, walked me through the latest technological upgrades he has made available through his product line.
Meridian was showing three of their current line of DSP loudspeakers: the $20,000/pair DSP 5200; the $46,000/pair DSP 7200, and the $80,000/pair DSP 8000. These loudspeakers have in common an all-digital input, internal digital signal processing circuitry, and a crossover implemented in the digital domain.
Dynaudio's Mike Manousselis welcomed me to the Danish speaker manufacturer's exhibit suite and introduced both the company's founder, Wilfried Ehrenholz (above left) and their new $13,500/pair Focus 600 XD, active loudspeaker (above right) to me. "All There Is" reads Dynaudio's slogan for the new speaker, as it can be connected directly to a network, wired or wireless, to play music.
As an audiophile, I've come to associate the size, weight, and price of a subwoofer as quick'n'dirty indicators of its quality. The subwoofers that have worked best in my large listening roomthe Velodyne ULD-18 and DD-18+, Muse Model 18, REL Studio III, JL Audio Fathom f113, and Revel Sub30each weigh more than 130 lbs and cost more than $2500. With some of my reference recordings, all of them have achieved what Robert Harley described in the April 1991 issue of Stereophile as the goals of a quality subwoofer: "seamless integration, quickness, no bloat, and unbelievable bass extension." Yet are back-busting weight, unmanageable size, and nosebleed cost essential to achieving those goals?