Wes Phillips

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Wes Phillips Posted: Jul 30, 1995 0 comments
The cab's outside, the plane leaves in 50 minutes. Let's see...HeadRoom Supreme, HeadRoom Bag, portable CD player, CDs, Etymotic ER-4S Canal Phones....Oh, yeah—mustn't forget luggage or plane tickets. Guess I'm set to go.
Wes Phillips Posted: Jul 06, 1995 0 comments
MEDESKI MARTIN & WOOD: Friday Afternoon in the Universe
John Medeski, organs, piano, wurlitzer, clavinet; Billy Martin, drums, percussion; Chris Wood, acoustic bass, harmonica, wood flute
Gramavision GCD 79503 (CD only). MMW, David Baker, Jim Payne, prods.; David Baker, eng.; Dr. Toby Mountain, mastering. DDD? TT: 57:06
Wes Phillips Posted: May 25, 1995 0 comments
CALAMUS: The Splendour of al-Andalus
Eduardo Paniagua, chabbada, flutes, salterio, târ, cymbals, voice; Luis Delgado, oud, citola, guimbri, doira, târ, handclaps, voice; Begoña Olavide, voice, quanun, salterio, caraqebs, târ, darûga; Rosa Olavide, voice, rabel, viola, portative organ, cymbals; Carlos Paniagua, darbûga, t'abila, pandero, campanillas, voice
M•A Recordings M026A (CD only). Todd Garfinkle, prod., eng. DDD. TT: 60:10
Wes Phillips Posted: Apr 02, 2009 Published: Apr 02, 1995 0 comments
"Dinner's fried chicken, honey."
Wes Phillips Posted: May 07, 2006 Published: Feb 07, 1995 0 comments
What is truth? What is reality? What is music?
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Wes Phillips Posted: Jan 09, 2006 Published: Dec 09, 1994 0 comments
Drum me out of the High End if you must, but I have a shameful confession to make: I love headphones. I know, I know, I'm supposed to preface my comment with a lofty disclaimer, such as, "Of course, given my refined sensibilities, I could never derive satisfaction from such a compromised listening apparatus, but many of you seem to enjoy them." Well, pardon me for saying so, but pfffftttt!
Wes Phillips Posted: Oct 02, 1995 Published: Oct 02, 1994 0 comments
I love being seduced. I'm shocked to learn that not everyone does. The very qualities in live music that excite and intoxicate me are denigrated by many audiophiles as "colorations." It would seem they prefer the lean, chilly sound that they've dubbed "accurate." While I concede that almost all of their preferred audio components have ever-more-extended high frequencies, I'm not certain that that's the same thing as having greater accuracy. It sounds to me—to use Stravinsky's description of electronic music—"spayed for overtone removal." The overtones that I miss are those stripped from the middle ranges—the ones the clinical crowd (footnote 1) disparagingly refers to as the "warmth" region.
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Martin Colloms Wes Phillips Posted: Oct 28, 2007 Published: Jun 28, 1994 0 comments
The Krell KRC-2 can be regarded as a remote-controlled successor to Krell's successful KSL preamplifier of a few years back. The outboard Krell Phono Equalizer (KPE) is a separate box powered from the KRC-2. Priced at $850, it contains a printed circuit board very similar, in fact, to the $499 unit that can be fitted within the KRC. The KPE and KRC phono stages are well-designed universal units; if someone has the need for a stand-alone phono equalizer of Krell KRC standard, a separate power supply may be purchased for the KPE. It is also an advantage to be able to locate the KPE head amplifier in a hum-free zone near the LP turntable.

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